Would You Rather

"Would You Rather" (2012, David Guy Levy, Lambrick Foundation, LLC, Periscope Entertainment, Social Construct Films, Dreamher Productions, IFC Films) is a film about how far a group of desperate people can be pushed if they think it will end all of their problems.


Iris (Brittany Snow) looks after her sick younger brother (Logan Miller) but cannot pay for his expensive treatment. Her brother's doctor introduces her to a philanthropist called Shepard Lambrick (Jeffrey Combs) who offers to make Iris a deal; if she wins a game at his dinner party, he will pay for the treatment. After thinking about it, Iris agrees to attend the party.


Once at the party which takes place at Lambrick's manor home, Iris is introduced to the other guests; Lambrick's petulant son, Julian (Robin Lord Taylor), and fellow contestants; Travis (Charlie Hofheimer), Lucas (Enver Gjokaj), Linda (June Squibb), Peter (Robb Wells), Cal (Eddie Steeples), Amy (Sasha Grey) and Conway (John Heard). Before the game officially begins, Lambrick begins offering large sums of money to his guests to perform simple tasks that make them uncomfortable; a vegetarian eating a steak, a recovering alcoholic drinking scotch... Although the guests are outraged, the thought of all that money makes them stay and they decline to leave before the lockdown and the official game begins. Assuredly, the real game has higher prizes and even higher stakes...


I was pleasantly surprised by this film after I eventually gave in to Netflix's incessant advertising of it to me by seemingly adding it into every possible category on my homepage. It's silly, fun, fairly ridiculous, contains several familiar cast members including, of course, the wonderful Jeffrey Combs; a man who can chew scenery in the most entertaining way, and it actually boasts a fair few grim scenes.
The parlour game is equal parts cheesiness and darkness with just enough tongue-in-cheek dialogue to keep it from being bleak. While it's hardly a classic by any means and suffers from some pacing issues, I found it to be entertaining and not to spend too much time pondering over whether its core message or taking itself too seriously.

[Image: IFC Films, et al]

Hani

Starry Eyes

"Starry Eyes" (2014, Kevin Kölsch, Dennis Widmyer, Snowfort Pictures, Parallactic Pictures, Dark Sky Films) is all about the fame game.

Budding young actress, Sarah (Alex Essoe), is becoming desperate to catch her big break. Her housemates, also actors, have all given up and are planning their own indie film instead of looking for paid work, but Sarah has bigger dreams. Finally she thinks she's found her chance, but is she willing to make the necessary sacrifices to reach her goals?

A film that is very slow to get started, I was starting to think I'd made a mistake when the plot began to speed up and drag me right back in. A really masterful film which creates a dark and sinister build up to a quite shocking and impressive payoff.

The effects are impressive and the actors create some really well rounded characters, despite minimal screen time. Essoe is an excellent leading lady, proving herself to be very diverse and able to hold an audience in thrall.

Well-trod ground in terms of the inspiration, but a truly unique film that I enjoyed. I don't want to give too much away, so rest assured that if you let this film run, it's worth it.

[Image: Dark Sky Films]

 

Hani

INK

"INK" (2014, Andy Stewart, Shining Example Films, 21st Century Renaissance Man) is the third short film from the twisted and talented mind of Andy Stewart who brought us "Split" (http://horrorev.blogspot.co.uk/2014/02/split.html) and its predecessor, the sickeningly squelchy "Dysmorphia" (http://horrorev.blogspot.co.uk/2013/09/dysmorphia.html).

As the third installment of Andy's Body Horror collection it is a tough competition, but this one might be my new favourite.

We follow a reclusive nameless man (Sammy Hayman) who has found an interesting and cost effective alternative to being tattooed. Naturally, it's also graphically gory and very dark.

I don't want to spend too much time discussing plot because, like all of the previous films, it's best to go in with no real idea of what is going to happen and let the piece speak for itself. However, I will get nice and chatty about how amazing the makeup and effects are. Grant Mason FX, ladies and gentlemen, now here's a team that can make you wish you'd not bothered with lunch!

Wow. The gore-o-meter was going mental as I watched this. The blood, the goop, the slow, meticulous shots and that bloody stanley blade! Everything from the texture of the effects to the way things bled and oozed was realistic to the point of putting me off my cake. And nothing usually puts me off cake.

The piece is beautifully shot, managing to play with close up angles that make you feel very uncomfortably close to the action.

The character is monstrous but you find yourself feeling for him in his agonies and his terrible and selfish determination to turn his body into art. The end scene is just made with the giggle-sobbing and the sheer despair on the character's face. Truly mesmerising stuff. Hayman creates an outwardly pathetic 'freak' character who's prepared to go to some extreme levels to achieve his goals. His performance brought a sick smile to my face more than once.

A short horror which is paced so well that it feels like a feature, with the viewer both caught intently following the unfolding story and also desperate to look away from the painful sight of it.

An absolute must see. Check out which film festivals are showing this piece of awesome near you!

 

[Image: Shining Example Films]

 

Hani x