Showing posts with label Universal Monsters. Show all posts
Showing posts with label Universal Monsters. Show all posts

Thursday, 17 March 2016

Tarantula

"Tarantula" (1955, Universal-International, Jack Arnold) is an American monster movie about a giant tarantula terrorising a desert town.

Dr. Matt Hastings (John Agar) is called in to investigate the mysterious death of a deformed man. Hastings is shocked to find that the man is an acquaintance of his, Professor Deemer (Leo G. Carroll), a biological research scientist who has been testing his experiments on a variety of organisms, including his assistant. He had been attempting to find a solution to overpopulation and food shortage, but his serum has differing effects on different creatures. One such creature, a tarantula, has grown to gargantuan proportions. The creature escapes, heading for the town and the locals are forced to try to stop it.

An iconic giant arachnid monster movie that uses impressive techniques for the time to create impressive giant tarantula scenes featuring a real tarantula. Other highlights include the shots from the tarantula's perspective and some humorous 'spider looks through window' scenes. Clint Eastwood also makes an uncredited appearance.

One of my favourite classic 50s giant monster movies, "Tarantula" has an enjoyable plot and is a fine example of this sub-genre of horror.


[Image: Universal-International]
Hani

Sunday, 3 May 2015

The Man Who Laughs

"The Man Who Laughs" (1928, Paul Leni, Universal Pictures) is a wonderfully dark silent film based on the book by Victor Hugo. Whilst it was not intended to be a horror film, the plot and the gloomy expressionist styling of the production lend itself to the genre.

Based in England in the late 1690s, we are introduced to King James II and his psychotic jester. A Nobleman has insulted the king and is swiftly executed via the infamous Iron Lady. Before his demise, the nobleman learns that his only son, Gwynplaine, has been captured and delivered to the monstrous Comprachico surgeon, Dr. Hardquannone, who has surgically disfigured the child's face into a horrific and permanent grin.

On a cold evening, young Gwynplaine (Julius Molnar Jr.) is seeking shelter when he finds a dead woman clutching a still-living, blind infant. He takes the baby girl with him and seeks help at the nearest house, that of Ursus (Cesare Gravina). Ursus quickly sees an opportunity to use the disfigured boy to make money.

Years pass and the now adult Gwynplaine (Conrad Veidt) is making a relatively good, but unhappy, living as a sideshow attraction known as "The Laughing Man", with Ursus and the captivating and kind hearted, blind girl, Dea (Mary Philbin). Gwynplaine has fallen in love with Dea, but although Dea returns his feelings and Ursus has offered to marry them, Gwynplaine does not think his grinning visage is worthy of such a beautiful creature.

On their travels, Gwynplaine's noble heritage is discovered and Queen Anne (Josephine Crowell) decides that the raunchy, badly behaved Duchess Josiana (Olga Vladimirovna Baklanova) should marry Gwynplaine as the true heir to his father's estates. Things do not go well, as you can imagine.

This film is wonderful. It is shocking and dark with such a horrific premise. The styling of the "Laughing Man" character is very ahead of its time with impressive prosthetics and makeup. He portrays a grotesque yet sympathetic character.

The silent era of films created such beautiful and disturbing films. If you have not seen one yet, I would recommend starting with The Man Who Laughs due to its beautiful score by Ernö Rapée, Lew Pollack and Walter Hirsch (which you will recognise as having been sampled for some of the Batman movies), clear imagery and acting, relatively fluid plot and swashbuckling scenes.

The Man Who Laughs was also the key inspiration behind the Joker character from Batman and Rob Zombie also has a track named in the character's honour.

[Image: Universal Pictures]
 
Hani
 

Sunday, 15 December 2013

Frankenstein (1931)

"Frankenstein" (1931, Universal Pictures, James Whale, Carl Laemmle, Jr.) is the iconic classic starring Boris Karloff in his most famous (and career making) role.

Based on the story by Mary Shelley, Dr. Henry Frankenstein (Colin Clive) and his hunchbacked assistant, Fritz (Dwight Frye) build a man from the body parts of corpses and bring it to life using Galvanisation with electricity. The poor creature, who is not the villain of the piece really, goes on a rampage and incurs the wrath of the townspeople.

Henry's fiancé, Elizabeth (Mae Clarke), his best friend Victor (John Boles) and his old teacher, Dr. Waldman (Edward Van Sloan) attempt to help make things right before the monster goes too far.

A truly awe-inspiring piece, the famous appearance of the monster character is still striking to this day. The film itself is fun as well as pretty, with some really humorous scenes involving Henry's father, Baron Frankenstein (Frederick Kerr), and a plot which moves forward. The full film is only 71 minutes long but manages to fit a lot of lovely creepy scenes, German folk dancing and an angry mob vs monster battle in there!

Despite not being a gory film, it remains a steadfast piece of cinema history and a thrilling and atmospheric horror. Seeing it in the cinema today was a real experience!


 
 
[Image: Universal Pictures]
 
Hani