Deliver Us From Evil

"Deliver Us From Evil" (2014, Scott Derrickson, Screen Gems, Jerry Bruckheimer Films, LStar Capital) is a possession/crime movie.


Based on the book by Ralph Sarchie himself, the film follows NYC cop, Ralph Sarchie (Eric Bana), as he joins forces with a young, troubled priest (Edgar Ramirez) on a quest to exorcise a group of ex-marines inflicted with a violent demonic entity.


While not quite matching up in quality or content to the likes of "Se7en", the film delivers a familiar crime plot with some nicely achieved horror elements. Sarchie and his partner, Butler (Joel McHale), come across as violent and flawed characters (what with their apparent thirst for a fight, even if they do only want to fight abusers and murderers). Sarchie is also portrayed as a disinterested family man and a man doubting his faith. So when he is called upon to battle the supernatural threat he seizes his opportunity to jump back onto the faith train and save the day.


The horror aspects are okay. We've got possessed people chucking babies into ravines, bricking people up into walls and doing a bit of parkour, all with an obsession with The Doors. Not to mention some fun scenes in the zoo where our protagonist finds himself a little too close for comfort with some of the residents and, of course, his daughter's haunted-ass owl toy. It sounds silly, and it is, but it's also incidentally humorous which I didn't hate. And the makeup/effects are good.


The film's message is a little sledgehammer-y, sloppy and ineffective. But I'm not a religious person so maybe it's just me. There's also some muddiness on whether Sarchie is the good guy or not. Bana's accent isn't stellar either, but if you can look past the film's flaws it is overall entertaining enough to spend a bit of time on. Even if it's mostly for this sodding owl...

[Image: Screen Gems, et al]

Hani

Dolls

"Dolls" (1987, Stuart Gordon, Empire Pictures) is a killer doll movie.


Little Judy Bower (Carrie Lorraine) is an unlucky tyke. Her parents are divorced and she's stuck on holiday with her selfish father, David (Ian Patrick Williams), and his new wife, Rosemary (Carolyn Purdy Gordon) - the epitome of wicked stepmother and lover of hair wraps.


After their trip is cut short due to a thunderstorm, the family seek shelter in a nearby house; that of elderly puppet-maker, Gabriel Hartwicke (Guy Rolfe) and his rather dotty wife, Hilary (Hilary Mason). They are later joined by some other stranded strangers; punk girls and thieves, Isabel (Bunty Bailey) and Enid (Cassie Stuart), and the child-at-heart schmo the girls have marked as their next robbery victim, Ralph (Steven Lee). The old couple are very accommodating, giving everyone a room each for the night and offering them supper and wine. Gabriel also gifts the young Judy a Mr Punch doll upon finding out that Rosemary threw her favourite teddy bear into the woods!


But as the night wears on the dolls and puppets placed around the large house seem to move, strange voices can be heard coming from behind locked doors, people appear to go missing and suspicious bloodstains begin to appear. Are the friendly Hartwicke's up to something devious? Will Judy escape from her awful father and stepmother? What's the deal with Mr Punch? All is revealed in this fun, cheesy caper.


Despite falling into the low-budget category, "Dolls" enjoys some effects that still look good today. The doll face effects can vary in quality between props, but are pretty good overall. There's also a variety of different little doll-monsters to enjoy and the scenes with them in are fun in a way similar to the "Puppet Master" series. There's also the added layer of watching the dolls' creation which was pretty fun.


Rolfe and Mason provide some likeable villains with an effective creep-factor, both Williams and Gordon also bring some unlikeable fodder to the tale and Bailey and Stuart provide further villains with more annoying accents. Carrie Lorraine does great work as the little leading lady and pushes the plot on with her childish curiosity and bravery.


There's a lesson in there about being a nice person, being a good parent and also about watching out for vengeful dolls. The film delivers this in a gleefully schlocky b-movie way before sending us on our way as yet another family of unhappy individuals lands themselves on the doorstep of Hartwicke's dollhouse....

[Image: Empire Pictures]

Hani

Child's Play (2019)

"Child's Play" (2019, Lars Klevberg, Orion Pictures, KatzSmith Productions, BRON Creative) is a reboot of the original film with a different take on the story and character.

A disgruntled employee at the toy factory manufacturing the Buddi high-tech smart doll does a bit of reprogramming to remove the learning limiters and safety nets on the chip of the doll he's working on. The doll winds up in Chicago where single mum Karen (Aubrey Plaza) brings him home for her son, Andy (Gabriel Bateman), as a birthday present. As Karen and Andy have recently moved in, Andy is looking to meet kids his own age, and despite thinking the doll (Mark Hamill), who christens itself Chucky, is childish, he and it bond and eventually he meets some other kids in the building.

The doll learns from the world around it, however, but without the safety software in place Chucky begins to display some disturbing behaviour including murdering the family cat after it scratches Andy, and coming at the kids with a knife after seeing a serial killer movie on TV. Unfortunately, no one believes Andy's warnings and Chucky steps up his game dramatically before the adults begin to take note.

I'm a big fan of the original franchise, specifically the original film and, of course, "Bride..." and "Seed of Chucky" which are extremely good fun. Its difficult to separate this film from that franchise, but if you're able to the film itself is a fun ride, if not exactly flawless.

I felt Hamill's voice was underutilised and could have definitely been used more. The doll is pretty sympathetic, too. It's not evil, it's just doing what it's programmed to do from what it's been exposed to. Sure it does some vile stuff, but unlike the Charles Lee Ray we know from old, this Chucky is more of a chaotic character than a bad guy. The likelihood of a factory programming individual dolls is also pretty... sketchy. But I guess it has to glitch somehow.

The plot is more "Small Soldiers" than Chucky, but as a standalone film it was entertaining. The tone is a little odd; it doesn't seem to know what audience it's aiming for. The gore is pretty good and the acting is strong. The kids specifically give a great performance, and overall, I think if it had been its own thing, and not a reboot of a well-loved series, it would have likely been better received.

[Image: Orion Pictures]

Hani

Housebound

"Housebound" (2014, Gerard Johnstone, Semi-Professional Pictures) is a horror comedy from New Zealand.

Kylie Bucknell (Morgana O'Reilly) is a troubled young woman with a sharp tongue who turns herself to petty crime with a hapless accomplice. Their actions result in her getting caught and being sentenced to house arrest in her mother's home with an electronic ankle tag. Kylie would apparently have preferred actual prison because her nutty mum, Miriam (Rima Te Viata), and her mother's equally strange boyfriend, Graeme (Ross Harper) are boring her to death.

Her mother is also convinced that the house is haunted, and embarrasses Kylie non-stop by talking about it on radio call-in talk shows. Kylie becomes suspicious that what her mother is experiencing is actually a hidden intruder after she feels a hand grab her from under the stairs in the basement. But she soon begins to share her mother's paranormal suspicions after finding the same creepy, electronic teddy bear cropping up all over the place going through the unnerving death throes of a dying talking toy... The scenes with the bear are just the best!

She makes reluctant friends with the security guy called Amos (Glen-Paul Waru) who is supposed to be monitoring her ankle tag, but he instead becomes roped into the investigation - with his own ghost hunting equipment. Together they begin to uncover what is really going on in her mother's house.

A fun comedy horror with some unnerving bits and one or two nice reveals, "Housebound" was great for four reasons:

• Our lead actress is funny, strong and fairly unflappable as well as unafraid to utter some colourful language
• When it gets gory... it gets GORY
• There are some genuine scares and a good level of suspense built up, despite the tension-breaking humour
• It's relatively unpredictable and the plot is engaging

So if you're sick of tired out zombie comedies or looking for something refreshing to watch that packs a punch but with a smile, then I highly recommend giving this one a try.

[Image: Semi-Professional Pictures]

Hani