Leatherface

"Leatherface" (2017, Julien Maury, Alexandre Bustillo, Campbell Grobman Films, Mainline Pictures, Millennium Films, Lionsgate Films) is a prequel to the 1974 original "Texas Chainsaw Massacre" and the eighth film in the franchise. It is, however, admittedly only the third film in the franchise that I have personally watched. 

The film follows the character who will become Leatherface, Jed, giving some background on his upbringing and the traumatic events which lead him to become the chainsaw wielding, face-book collecting villain that we all know today.

The film has suffered some negative critical response which is largely undeserved in my view. It manages to exist within the same universe and setting as the 1974 original in a fairly believable way, despite being made more than 40 years later. The characters and action have a familiarity that ties it in to the franchise very well.

The Sawyer family are instantly recognisable as characters and are pitched at correct ages to tie in to the original film. Grandpa Sawyer particularly, in his more mobile 'youth', is a nice nod to the character's future. While the shock factor maintained within the original film is not reclaimed, "Leatherface" pays a strong homage to Hooper's original.

The identity of teenaged Jed is kept as a 'secret', although it's not exactly well hidden. However, he is joined by a host of other characters on, not a slasher style spree, but a Bonny and Clyde style kidnap roadtrip. This change of pace really appealed to me as it further explains the changes in Jed's mental situation from young man with some serious issues to young maniac intent on collecting faces. The film is not a purely Slasher film, managing to blend mental asylum, road trip, body horror and slasher genres into a gory adventure.

The death scenes are gruesome and intense with a bit of necrophilia also thrown in for added ick factor. This film certainly accomplished a few scenes which made me squirm.

An origin story for a much appreciated ('loved' seemed like the wrong word) horror icon that manages to create a worthy plot and character development, with strong performances from the cast. I'm not usually one for reboots, prequels and remakes, but for once this one played out as a refreshing change of pace, an homage to the original and not an attempt to kick start another wave of franchise additions or change the outcomes for the characters.

[Image: Lionsgate Films, et al]

Hani

I Am The Pretty Thing That Lives in The House

"I Am The Pretty Thing That Lives in The House " (2016, Oz Perkins, Netflix, Paris Film, Zed Filmworks, Go Insane Films) is a horror thriller about a haunted house.

A live-in nurse, Lily (Ruth Wilson), moves into elderly horror writer, Iris Blum (Paula Prentiss)'s home when she becomes too senile to care for herself. Lily, a scaredy cat in nature, becomes convinced that Blum's best known novel is actually based on a true murder which happened within the house itself and suspects that she and Ms. Blum are not alone in the house...

A lot of people might find this film too slow burning and with little payout, but I have to put my hand up and say that this film really gripped me. It's haunting and extremely well shot. Every scene seems seamlessly set up. The opening is slow and atmospheric with an excellent monologue which sounds almost literary in nature.

There is very little actual action, but the film sets up a building feeling of dread and a chilling atmosphere that is almost palpable and really had me on the edge of my seat. It's a good old-fashioned haunted house film which provides more chills than scares.

[Image: Netflix, et al]

Hani