Nightbooks

 "Nightbooks" (2021, David Yarovesky, Ghost House Pictures, MXN Entertainment, Catchlight Studios, Netflix) is a fun horror for kids based on the book by J.A. White.

Alex (Winslow Fegley) is a young horror fan who likes to write his own scary stories. After a disappointing horror themed birthday party, he swears never to write a scary story again and takes his notebooks down to the building's basement with the intention of burning them in the furnace. However, en route he discovers a mysterious floor of the building and enters a strange apartment, which turns out to be owned by a witch called Natacha (Krysten Ritter), who holds him prisoner and tells him he must tell her a scary story each night or else! 

While the witch sleeps, Alex and his fellow captive, Yazmin (Lidya Jewett), who has been stuck in the witch's apartment acting as her housemaid for several years, attempt to find a way to escape and unlock some interesting secrets along the way.

A fun horror aimed at kids, "Nightbooks" delivers some festive scares and action as well as some important messages about wandering into stranger's apartments. Yazmin and Alex learn to work together through the film to try and outwit the evil witch.

Sporting some great effects and a rather terrifying magic cat, "Nightbooks" is sure to appeal to young horror fans in the making and is a fun adventure for adults, too. A welcome entry to the annual Halloween countdown and somewhat reminiscent of other great kids' horrors such as "The Monster Squad" (1987).

[Image: Ghost House Pictures, et al]

Hani

The Changeling

 "The Changeling" (1980, Peter Medak, Chessman Park Productions, Pan-Canadian Film Distributors).

John Russell (George C. Scott) is a composer who moves to a large rented mansion from the city after the tragic death of his wife and young daughter in a road accident. After experiencing some supernatural phenomena in the house, John begins to hope that he may have found a way to communicate with his daughter's spirit. However, the house has a dark past and John's digging instead leads him to uncover the truth behind a prominent family's history. 

A haunted house classic. The film delivers an unsettling atmosphere and a beautiful, haunting setting. The child ghost's voice still gives me the shivers and the scenes with the ball rolling around are eerie. Not a slow film, we are treated to a possessed wheelchair chase scene down a large, ornate staircase and some disturbing scenes of the murder taking place in the house as well as an eventful and satisfying finale.

George C. Scott gives a fantastic and sympathetic performance as our protagonist, John Russell. He is grief-stricken and lonely. We see him break down and we see him working to get himself back together. It's such an honest and heartfelt portrayal of a bereaved husband and father that doesn't shy away from emotion but still maintains the determined and capable characterisation of the time. John is sad and determined to sort out this haunted house business. Even if he looks completely unhinged doing it. 

Supposedly based on actual events, the unravelling of the mystery is punctuated by the reaction of the spirit in the house who is tragic but also still a petulant and demanding child. John is manipulated by the spirit, but later takes the spirit's plight on-board as his own way of dealing with his own loss. 

A genuinely beautiful and entertaining haunted house film that should be a must-see for any horror fan. 

[Image: Pan-Canadian Film Distributors, et al]

Hani

Death of a Vlogger

"Death of a Vlogger" (2019, Graham Hughes, Enlightened Monster Productions, 101 Films) is a found footage mockumentary about a video content creator who discovers his flat is haunted.

Graham Hughes stars as the titular vlogger, Graham, who hits the trending gold mine after a viral video seems to show evidence that his Glasgow flat is haunted. From there we follow a mockumentary style with interviews from friends, fans and... others as we learn the tale of Graham's rise to fame and journey to darker territory.

A well paced, interesting film that delivers some thoughts on the nature of social media and 'cancel culture' as well as some genuine jumps and impressive effects and camera work which are used sparsely and to great effect. The mockumentary and vlog style feels extremely relevant in 2020's pandemic lockdown world and keeps the slow burning style moving. The plot builds up with twists and turns to keep viewers engaged and changing their allegiances between the characters as we are delivered more information.

Creative and well crafted, this film is worth checking out and is currently available to rent from various Video On Demand services.

[Image: Enlightened Monster Productions, et al]

Hani

Ghost Stories

"Ghost Stories" (2017, Andy Nyman, Jeremy Dyson, Altitude Film Entertainment, Warp Films, Catalyst Global Media, Screen Yorkshire, Lionsgate Films) is an anthology film based on a stage play.

Philip Goodman (Andy Nyman) is a Professor who debunks fraudster psychics and other paranormal healers on his TV show. He explains at the beginning of the film that his disdain for such beliefs arose out of his own experiences where his strict, religious father disowned Philip's sister for dating someone whom he did not approve of.

Philip is thrilled to be asked by his hero, Charles Cameron, whom he had thought deceased, to investigate some cases that he had been unable to resolve himself. Cameron tells Philip that he no longer believes that there are no ghosts. Philip pursues the three cases, keen to prove the old man wrong.

Philip visits first a night watchman (Paul Whitehouse) who believes that he was haunted by the spirit of a dead girl. However, he also has guilt over not visiting his own daughter who is ill and Philip believes that the watchman is simply haunted by his own guilt. This segment was perhaps the slowest, and I did find myself a little bored. Although, I do like Paul Whitehouse.

Philip is then introduced to a strange young man (Alex Lawther) who believes that he ran the devil over when joy riding in his father's car. However, Philip observes that the boy is obsessed with the occult and has a dysfunctional relationship with his parents and so surmises that the boy has simply imagined it. This segment did not go the way I was expecting, but I can't help but think that more creep factor could have been made from the parents.

Finally, Philip meets a Financier (Martin Freeman), who explains that he was haunted by a Poltergeist during the birth of his child. His wife died during the ordeal and the child, it is intimated, is abnormal; but in what way it is not revealed. This segment was my favourite of the film and featured a shocking scene that was delivered with such calm sobriety from Freeman that it made it all the more chilling.

Returning to Cameron, Philip begins to experience strange happenings of his own and the film takes a bizarre and unnerving twist that somewhat saved it from being yet another anthology horror.

The film was somewhat slow burning and some scenes were extremely dark, however, I enjoyed the various reveals throughout and the cold, cold ending.

[Image: Altitude Film Entertainment, et al]

Hani

The Presence

"The Presence" (2010, Tom Provost, Khartoum, Saturn Harvest Films, Flatland Pictures, Lionsgate) is a quiet, eerie ghost story.

A woman (Mira Sorvino) is staying at a secluded cabin to get away from it all. She is being stalked by an apparition (Shane West) who has taken up residence in the cabin. When the woman's boyfriend (Justin Kirk) turns up unexpectantly to surprise her, the ghost becomes more possessive, jealously trying to keep the woman for himself.

A quiet film that needs your attention to have impact. The ghost wonders around in the background, following the woman as she goes about her day. Although she can feel that there's something there, she is unable to see him.

As time goes on, and especially as their peace is broken by her boyfriend's sudden arrival, the ghost begins to step up his haunting and the woman also begins to behave more erratically as a result.

The film is slow, quiet and eerie without much dialogue. The scenes are beautifully captured and somewhat melancholy in essence. Although I enjoyed it, despite its slow nature, the ending is somewhat muddled and didn't match the rest of the film, which was a little disappointing.

More of a contemplative and mysterious thriller than an exciting horror, it's definitely not one for everyone. And the lack of explanation within the plot could be a sticking point for some viewers.

[Image: Lionsgate, et al]

Hani

Hell House LLC

"Hell House LLC" (2016, Stephen Cognetti, Cognetti Films) is a found footage mock-umentary film set in a Halloween haunt.

The film circulates around a film crew trying to unravel the mystery of a tragedy which struck a haunted house in an abandoned hotel. Although authorities reported a 'malfunction' as the cause of the panic, survivor footage and accounts have made it seem like something more sinister happened. When someone steps forward as a witness who was involved in the tragedy, along with a lot of new, unseen footage, the crew think they might be on the verge of a breakthrough. We follow the story of the group of haunters setting up shop in the small town just outside of New York city and see first hand the events as they unfolded.

I'm not the biggest fan of found footage as a rule. The jumpy camera style gives me motion sickness and often the acting is unnatural and distracting. But, "Hell House LLC" manages to be dark, entertaining and filled with effective jump scares. The camera motions are very typical of a found-footage flick, but the effective screen cutting, styling and overall storytelling keep the viewer engaged and stop it from becoming boring.

The characters are well evolved and a good sense of camaraderie (and animosity) is built up effectively. Some of the jump scares are pretty by-the-book, but these are well paced and nicely shot. There are a few, however, that actually elicited a jump from me and the use of one of the haunt props is extremely well done. It is definitely this that made the film stand out for me and has brought it into my annual Halloween watch list.

The film delivers an effective scare fest and neat plot twist that creates a great Halloween party atmosphere. And while the plot isn't exactly breaking any new ground, it does inject the jump-scare, found footage genre with a fun, atmospheric entry.

[Image: Cognetti Films]

Hani

I Am The Pretty Thing That Lives in The House

"I Am The Pretty Thing That Lives in The House " (2016, Oz Perkins, Netflix, Paris Film, Zed Filmworks, Go Insane Films) is a horror thriller about a haunted house.

A live-in nurse, Lily (Ruth Wilson), moves into elderly horror writer, Iris Blum (Paula Prentiss)'s home when she becomes too senile to care for herself. Lily, a scaredy cat in nature, becomes convinced that Blum's best known novel is actually based on a true murder which happened within the house itself and suspects that she and Ms. Blum are not alone in the house...

A lot of people might find this film too slow burning and with little payout, but I have to put my hand up and say that this film really gripped me. It's haunting and extremely well shot. Every scene seems seamlessly set up. The opening is slow and atmospheric with an excellent monologue which sounds almost literary in nature.

There is very little actual action, but the film sets up a building feeling of dread and a chilling atmosphere that is almost palpable and really had me on the edge of my seat. It's a good old-fashioned haunted house film which provides more chills than scares.

[Image: Netflix, et al]

Hani

Curse of Chucky

"Curse of Chucky" aka Child's Play 6 (2013, Don Mancini, Universal Studios Home Entertainment, Universal 1440 Entertainment) is the straight to DVD, 6th instalment in the killer doll franchise.

Chucky is a marmite horror character, dividing opinion amongst genre fans for years, and I fall in the liking him camp.

It was nice to see Chucky (voiced by the wonderfully manic Brad Dourif) back to being a creepy guy again. This time he's been posted to a wheelchair bound woman (played by Fiona Dourif, Brad Dourif's daughter)'s house to terrorise and slaughter her family.

The setting being a creepy old house seemed a bit odd, but somehow worked. However, the plot is painfully slow and, although it did keep some of the humour Chucky films are synonymous with, it felt a bit lost in pacing.

The enveloping plot is a little thin, I mean not as bad as Seed, but still had a kind of 'stuck on the end' feeling to it.

However, there were some good jumps, a lot of creepy nuances and tiny movements from Chucky and plenty of his gutter mouth.

The characters are interesting, if unlikeable, and the gore is fun, although it seemed very eyeball-centred.

We also get a nice cameo from his lovely wife!

Not really a welcome back to form for Chucky, and I hope it might be the last sequel, but certainly entertaining, impressively put together for a sixth anything and a step back to being a real horror again, even if he's not yet a real boy.

[Image: Universal 1440 Entertainment]

Hani

The Conjuring

"The Conjuring" (2013, James Wan, The Safran Company, Evergreen Media Group, New Line Cinema, Warner Bros.) is a haunted house/possession/witchcraft film from the director who brought us "Saw", "Dead Silence" and "Insidious".

Based on a true story, we meet the Perron family.

Roger (Ron Livingston) and Carolyn (Lili Taylor - the werewolf's mother from Netflix's "Hemlock Grove") have just moved into an old house in Rhode Island with their five daughters. Upon moving in they begin to experience strange happenings - from random injuries, to scary closet monsters, to creepy imaginary friends.

Eventually it all becomes too much to ignore as the apparitions become more menacing and the family seek the help of the famous paranormal experts, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga).

A very traditional haunted house tale that can be compared to the likes of "Poltergeist" and the "Amityville Horror" and with a bit of "The Birds" and some "Exorcist" thrown in there too.

Excellently acted and very engaging, this crowd pleaser had the audience in Glasgow squealing, whooping, jumping and then laughing self-consciously at their antics. It was a really good experience!

The film is quite a rollercoaster of jump scares and fun cinematography. Whilst it relies heavily on predictable horror tropes and slightly overused scenes (creepy old lady in a rocking chair, for example), it likes to feint jumps and get you back when you least expect it and you really feel for the characters' plight.

However, as usual with Wan films it seems, the hectic ending of constant pulse-pounding moments begins to feel more like a series of scenes with lessening terror intensity and more hilarity. There's just too much going on!

The Annabelle doll sub-plot (also really a job the real life Warrens have worked on) is fantastic and could easily spin-off as a whole film to itself! I do love the prop which is one of the creepiest yet and knocks Billy the Saw dummy off his little pedestal.

All in an excellent experience and a film I enjoyed! Hardcore horror fans might like to bump their gums about how 'predictable' this or that is, but the truth in the matter is I jumped in that cinema, so Mr. Wan, I take my proverbial hat off to you. Much better than "Insidious"!

[Image: Warner Bros.]

 

Hani

The Others

"The Others" (2001, Alejandro Amenábar, StudioCanal, Warner Bros., Las Producciones del Escorpion, Cruise/Wagner Productions) is a haunted house movie and a psychological thriller.

Grace (Nicole Kidman), a devout Christian, is raising her young children Anne (Alakina Mann) and Nicholas (James Bentley) alone in her large country manor home in Jersey while her husband, Charles (Christopher Eccleston), is away fighting in World War One. Both children suffer from an uncommon disease and are photosensitive so the curtains are always closed.

Just as she needs them, three new servants turn up at the house hoping for work: a maid and nanny, Mrs Mills (Fionnula Flanagan), a gardener called Mr. Tuttle (Eric Sykes) and a young mute girl called Lydia (Elaine Cassidy).

The children are determined that the house is haunted by several spirits, especially that of a young boy called Victor, but Grace pooh-poohs this. That is until she begins to suspect something is wrong herself.

A quiet and slow-burning film that has the feeling of an older horror-thriller. Well paced and intriguing enough not to become boring, but it doesn't make use of many jump scares and uses very few effects.

The child actors are terrific and really give an excellent performance. However, perhaps having seen too many twist endings in my time, and regardless of clever suspense building techniques, I guessed what was coming a lot earlier than I would have preferred.

Regardless, it's a good story and has a darker element to it than you might expect.

[Image: StudioCanal & Warner Bros.]

Hani

Apartment 143

"Apartment 143" (2012, Werc Werk Works, Kasdan Pictures, Likely Story, Carles Torrens) is a 'real footage' (not really 'found footage' in this particular case) film about a family who think that their apartment is haunted.

Alan White (Kai Lennox) and his children Caitlin (Gia Mantegna) and little Benny (Damian Roman) have had to move home to try to escape the violent ghostly manifestations that appeared after the untimely death of Alan's wife, Cynthia (Laura Martuscelli). Unfortunately, the ghost appears to have followed them to their new home.

In a desperate attempt to rid themselves of this menace, they have called in a paranormal investigation team who are setting up for a few days in the apartment to get to the bottom of things. But what will they uncover?

Following a lot of ghost movie jump scare conventions almost completely to the letter of the book, I wouldn't say this film was original. It does kind of cross lands from ghosts to poltergeists to The Exorcist territories, but on the whole it's not really that creative a film.

In its merit, however, the banter between the characters is quite realistic, if often dull. And the jump scares are well orchestrated, if you can bare the long-winded wait for it. Some of the scenes were a little too like those emails you used to get where you watch the little car drive along and then BOOM! Regan McNeil's little demonically possessed face is suddenly on the screen and you've let out an entirely embarrassing squeak of surprise!

On the whole watch-able with some entertaining jump scares, but I wouldn't go out of my way to see it again.

 

[Image:  Werc Werk Works & Kasdan Pictures]

Hani

Bloody Cuts : Lock Up

"Lock Up" (2013, www.bloodycuts.co.uk, Ben Kent, Ben Franklin, Jonny Franklin) is the first episode of the British online horror anthology, Bloody Cuts.

A man is the last at work and has to lock up the offices on his way out, but when the lights go out he begins to feel he may not be the only one there...!

Short, effective and straight to the point, "Lock Up" uses the simplicity of solitude and darkness to make the viewer feel the dread slowly build up. Very organic and nicely put together. An excellent hook for an altogether enjoyable collection!

[Image: www.bloodycuts.co.uk]

Hani

Bloody Cuts : Prey

"Prey" (Jonny Franklin, Ben Franklin, Ben Kent, Joel Morgan, www.bloodycuts.co.uk) is the third episode of the Anthology online series, Bloody Cuts.

A sexual predator (the rather dashing Fergal Philips pictured below) receives his comeuppance when he rufies the wrong girl's drink in a bar.

It's really a classic monster (short-)movie with a boogie under the bed deal, but with a set up that could be seen as more scary than the monster itself. Nicely put together with some good effects and some very good creepiness in the bedroom before the gore sets in to steal the show.

[Image: www.bloodycuts.co.uk]

Hani

The Ring (2002)

"The Ring" (2002, Gore Verbinski, Dreamworks Pictures) is the American remake of the 1998 Japanese film. Although I prefer the Japanese version and find it to have superior scares, this film is spooky and I highly recommend seeing it! I'm also thinking of trying to pick up an English translation of the book!

The basis of the plot: There is an urban legend of a VHS video tape which, if you see it, will kill you 7 days from first viewing. Some teenagers accidentally view it while in a cabin for the weekend, and soon all die off. Worried aunt, Rachel (Naomi Watts), of one of the deceased begins to investigate this phenomenon upon hearing of the legend and seeing the peculiarly timely deaths. She is also worried for her son, Aidan (David Dorfman), who was very close to his cousin.

In true horror movie form, and fairly reminiscent of "Candyman", Rachel watches the strange tape and then proceeds to show her ex-husband, Noah (Martin Henderson), and so on. Soon it's a race against time to try to solve the tape's origins and stop her impending death, while also experiencing the week-long haunting which comes with the sentence.

I enjoyed Naomi Watts' performance as the determined protagonist, as she slowly unravels the history of the tape and attempts to find a solution in order to help herself and others. She manages be both intense and strong without going into that annoying 'female lead' mode which involves a lot of screaming and hysterics.

Unlike Raimi, when he remade "The Grudge" some years later, Verbinski opted to take the story entirely out of Japan. I think both styles of remake have worked very well, and take nothing away from the story. But I do find "The Grudge" to be generally more scary, mainly because the ghost moves in a much more eerie manner than in this film, taking more styling from the Japanese originals.

The special effects are enjoyable, the tense scenes built up excellently and the enveloping story is good. There is a particular scene that I just can't watch again (I am a horse lover...)!

As I mentioned, I think the only reason this film just isn't as scary as the Japanese version is just the stylistic movements of the ghost girl, (Daveigh Chase), but the plot, acting and haunting scenes are good. And there are definitely scares to be had here, too! I especially enjoy the child actors in this film, who give a very convincing and unsettling performance.

[Image : Dreamworks Pictures]

Hani

The Return

"The Return" (2006, Asif Kapadia, Universal Pictures, Rogue Pictures) is a psychological thriller about a troubled young professional woman who begins to experience visions of the murder of a woman whom she's never met.

Joanna (Sarah Michelle Gellar) is a truck rep, making a name for herself in the industry. She heads to Texas to chase down a new perspective customer, when she begins experiencing the visions.

As her life begins to get a bit hectic, considering that she keeps passing out or daydreaming away the vital minutes, she begins to try to work out what the visions are and who they are from.

She meets a guy called Terry (Peter O'Brien), who's wife, Annie (Erinn Allison) had died several years ago.

As Joanna begins to piece together the strange visions and memories, she starts to realise that perhaps this woman's unfortunate and untimely demise is in fact linked to her in some way or another.

A nice slow burning thriller with some jumpy bits and not a lot of dialogue, "The Return" keeps you watching, waiting on more of the puzzle. SMG proves yet again, that she excels at deep and strong female characters, and can act without any need for words, as she works her way through this artistic piece.

While not a horror in the conventional sense, there are some jumpy bits and the bad guy (J.C. Mackenzie) is quite scary. Not to mention the fact that the 'memories' are really the ghost of the dead woman telling Joanna what happened in order to get her 'Rest In Peace'. Or, perhaps Joanna is no longer Joanna, and hasn't been for some time...!!!

Some spooky music and supernatural electronic disruption, ghostly visions and general spookiness allow this film to fall into the horror genre, although if you're looking for gore, go elsewhere.

A' horror' for those who don't really like horror, this film is entertaining and mellow. I really liked it!

Apparently there's an alternate ending, but like most American productions, only the Region 1 version gets the good stuff. Poor show!

 [Picture: Universal Pictures & Rogue Pictures]

Hani

The Woman in Black (2012)

"The Woman in Black" (2012, Hammer Film Productions, Momentum Pictures) is the modern adaptation of the novel by Susan Hill (a fabulous book, definitely read it!).

I went to the cinema on opening night in Glasgow to see this film, and have to admit to hiding my eyes! Me? Big tough horror-lover? Yup, scared me shitless, I must admit! So, I kept my reviewing for the DVD so that I could watch it without my fingers in my way!

Daniel Radcliffe stars as Arthur Kipps, a young solicitor in London, who's wife passed away in childbirth. He feels haunted by his departed wife's spirit, but he soon finds out how it really feels to be haunted when he is sent to deal with the estate of the late Mrs. Alice Drablow in a small English country town.

Mrs. Drablow has passed away, leaving the large house and estate empty... or so they think. Kipps is sent to put the papers into order and sell the house. He leaves his nurse and young son (played by Radcliff's godson, Misha Handley) in London while he goes to Eel Marsh house.

Kipps meets Sam Daily (Ciarán Hinds) on the train. Hinds plays the role of the local landowner tremendously and very closely to the book's character. His wife, Elizabeth Daily (Janet McTeer) is diferent to the book, a little more crazy and with psychic powers... but on the whole it adds to the story.

Hammer did extremely well to set the scene. The whole film feels very authenic, rustic even. The villagers are suitably suspicious and private. If only they had warned him better! Unfortunately, this is not the case, they warn cryptically and we all know how that goes!

The house is out on the marshes and can only be accessed while the tide is out. The road to the house is called 'Nine Lives Causeway' - an awesome name if you ask me! The road is treacherous and cuts the house off from the rest of the world. Arthur is doomed from the get-go, even before he notices the woman's spectre.

The ghost is extremely well capured. She is like an onryō ghost seen usually in Japanese stories. She can appear anywhere, often sneaking up in the background before jumping out from the foreground.

Kipps uncovers the terrible secret of the Drablow household and the ghostly inhabitants of Eel Marsh house; Alice's sister, Jennet Humphrye, had a child out of wedlock. Her son was taken from her and raised by her sister, while she was locked in the house, believed to be insane. Her son died in tragic circumstances in a terrible carriage accident on the marshes while she stood helplessly and watched from her window. This accident is replayed over and over on the marshes in the form of a horrific ghostly loop.

The feel to the movie as a whole is very classic Hammer, but the modern special effects and clever camera work make it a truly engaging and terrifying watch.

The Woman's ghost is usually a precursor to the terrible death of a child. She is seen in the very start of the film, which is truly haunting, causing three young girls to plunge to their deaths from the attic window, the very room where Kipps is housed for the first night of his stay. The children's deaths are striking, and some gruesome, but not ridiculously bloody, which I appreciated.

The ghost is fierce, angry and unrelenting. She menaces Kipps throughout the film, and she cannot be sated.

The eerie setting, minimal conversation and excellent camera and sound work bring Susan Hill's fabulous book to life! You will find yourself on the edge of your seat. And Radcliffe secures himself in the main role, not a hint of Harry Potter in sight. A very good, tense and deep performance.

Unlike the original film, Hammer makes you read and look with minimal character voiceover. No wax cylinder recordings here!

A very worthwhile film, it is full of jumps and shocks to keep you entertained.

The best of it is, things go bump, but not just in the night. I find even the busy scenes when Kipps and Daily attempt to end Jennet's terrible haunting, don't ruin the film.

I highly recommend this film for a good tense scare! Hammer are back!

[Picture: Hammer Films]

Hani