Velvet Buzzsaw

"Velvet Buzzsaw" (2019, Dan Gilroy, Netflix, Dease Pictures Inc.) is a film about haunted art.

We follow several somewhat repellent people working in and around the Art world as they discover the art of a disturbed and isolated man named Dease who recently died in his apartment. Despite strict wishes of the deceased to have his art destroyed, art agent Josephina (Zawe Ashton), gallery owner Rhodora Haze (Rene Russo) and art critic Morf Vadewalt (Jake Gyllenhaal) become determined to make their fortunes and names selling the pieces. As Dease's work becomes a success and begins to garner attention, however, the people involved in the deal begin to mysteriously disappear or turn up dead...

A fun supernatural horror which satirises the Art world and delivers some humour along with some cheesy gore. The film takes its time to set up the scene and introduce us to its cast of colourful characters played by a collection of well respected names. In addition to those mentioned above we also have Toni Collette, Tom Sturridge, John Malkovich, Daveed Diggs, Billy Magnussen and Natalia Dyer all playing parts of artists, curators and others involved in the world of Art all keen to be the one to discover the "next big thing".

Once the set up is complete we are treated to some amusing deaths and some effective imagery delivered in a offbeat style while poking fun at its subject matter. The film has a slick art house feel while also mocking that exact thing but doesn't go out of its way to be anything beyond entertaining. And that is the point! The kill scenes are amusing and creative, if a little silly, and all in all I found it to be a pleasing 109 minute ride.

If you're looking for hidden layers, there aren't really any there. The film has the feel of a Goosebumps book plot turned into a film for a more adult audience. And that, in my book, is no bad thing.

[Image: Netflix et al]

Hani

Hereditary

"Hereditary" (2018, Ari Aster, PalmStar Media, Finch Entertainment, Windy Hill Pictures) is a supernatural horror centred around a very unusual family.


When her mother, Ellen, dies, artist Annie (Toni Collette), feels guilty that she is not sad. Her mother had been a very difficult person to love, after all. Her husband, Steve (Gabriel Byrne), is supportive and her teenaged son, Peter (Alex Wolff), is fairly indifferent. But her young daughter, Charlie (Milly Shapiro), who was closest to her grandmother, is inconsolable.


Annie and her family are a strange bunch at the best of times, but little Charlie is an unusual child with a somewhat morose interest in death. Throughout the film we begin to learn or catch glimpses of just how strange the family's lives have been. When tragedy strikes the family again they begin to understand that there is something darker at play here, and it may all stem from Ellen...


A really enthralling film that kept me captivated throughout. Although the plot doesn't deliver constant pulse-pounding terror, the characters are just odd enough and the plot just emotional enough to keep you on the edge of your seat. I left the cinema with a haunted sense of melancholy that didn't shift for a few days. I felt essentially haunted by this film! It's a feeling I don't get often, but it's definitely something I'd consider to be a good sign.


Annie is a study in dysfunctionality, perfectly and movingly performed by Collette who keeps the tension and emotion dialled up to 11 with a believable and oddly sympathetic effect despite some of the character's actions.


Shaprio gives a very memorable and haunting performance as the disturbing young Charlie, and Wolff really brings the events affecting Peter to a level that surpasses typical horror movie levels. Byrne's father character is against all odds, trying to keep the family going. The film is superiorly acted on all counts.


Although the final scenes may seem to go to sudden and extreme lengths in quick succession, as a 70s horror fan, I felt that it really paid an excellent but modernised homage to the genre.


Definitely worth catching in the cinema, it may not terrify you, but it will certainly stay with you for a while...

[Image: PalmStar Media, et al]

Hani