Showing posts with label timetravel. Show all posts
Showing posts with label timetravel. Show all posts

Wednesday, 7 March 2018

Happy Death Day

"Happy Death Day" (2017, Christopher B. Landon, Blumhouse Productions, Universal Pictures) is a horror comedy homage to "Groundhog Day" following an entitled college girl.

Theresa "Tree" Gelbman (Jessica Rothe) is a student at an American college. She is a member of a Sorority, she parties hard and drinks too much and she's having an affair with one of her lecturers. Basically, she's a typical college movie-biatch. On her birthday, however, Tree wakes to find herself sleeping on the dorm bed of one of her male classmates, Carter (Israel Broussard) (hint, not a cool classmate). Enraged at her drunken shenanigans, she rudely makes her leave and goes about her day as planned. However, that night she meets a masked killer on her way to a party and dies.

But, that's not the end. Tree then awakes to relive her birthday again and again, trying to find out who her killer is before it becomes too late!

A fun film boasting some good old horror carnage, wit and humour and even a likeable protagonist who develops depth and emotional attachment through her journey.

All in all I'd say this film was as sleek as it was funny and, teamed up with "The Final Girls" and "Tucker and Dale vs Evil", we'd have ourselves a pretty damn good night.

[Image: Blumhouse Productions]
Hani


Monday, 1 January 2018

Bloody New Year

"Bloody New Year" aka "Timewarp Terror" (1987, Norman J. Warren, Lazer Entertainment, Target International) is a British New Year themed, supernatural horror movie.

A group of unruly friends find their way onto a strange island which is trapped in a time-loop where it is always New Year's Eve 1959.

A fun premise that suffers from just too much going on. Is it about evil science experiments? Is it about ghosts? Is it about zombies? Is it about a British version of The Shining? The answer? Apparently all of the above.

Our group of pals are pretty unlikable and our ghostly hotel could have done with a bit more build up but all in all the film is entertaining for its 50s party atmosphere. The film is pretty silly and suffers from some directionless story-telling, but if you're looking a cheesy late-night New Year's romp, then look no further.

[Image: Lazer Entertainment, et al]
Hani

Thursday, 23 January 2014

Twixt

"Twixt" (2012, Francis Ford Coppola, American Zoetrope, Pathé) is a horror mystery film.

Hall Baltimore (Val Kilmer) is a has-been horror writer doing the rounds of small town America in every bookshop that will take him. Upon visiting a strange little town with an odd 7-faced clock tower, he happens upon a local tragedy; the murder of 12 orphaned children at a hotel, previously famed for having Edgar Allen Poe (Ben Chaplin) stay for a night.

Hall becomes intrigued further when he learns of the recent murder of a young girl and then has a strange dream in which he passes into the land of the dead, where he encounters a female ghost who calls herself V (Elle Fanning). He decides to stay in the town longer to write a book based on its tragic history, telling the local sheriff, and budding mystery author, Bobby LaGrange (Bruce Dern, who I know best as Rumsfield from "The 'Burbs"), that he can share in the novel's credit if he helps him solve the mystery.

An unusually styled film with some creative cinematography. The dream sequences, although strange, are nicely designed and I enjoyed the use of colour. I found the scripting very strange and often hollow, though, but Kilmer seems to really enjoy the role and is good fun to watch.

I really enjoyed the premise of the film and, although it's oddly put together with split scene sequences and a very random low budget 'Lost Boys'-esque 'vampire gang' in the mix, it's watchable. It seems more like Mr Coppola was entertaining himself in the making of this film, and it doesn't fit too well together. More like a made-for-TV film with a hint of Arthouse about it, I wouldn't call it a work of art, but it's certainly not the worst I've seen and it's very visually pretty.


Image: Pathé
 
Hani

Monday, 23 December 2013

Frankenstein Unbound

"Frankenstein Unbound" (1990, Roger Corman, A Mount Company Production, 20th Century Fox) is loosely based on a novel by Brian Aldiss.

It's 2031 and Dr. Buchanan (John Hurt) has developed an Über-weapon. Unfortunately, it seems that this weapon has created a rift in time and space. He and his Artificially Intelligent car are accidentally sent back to 1817 Switzerland where he encounters Dr. Victor Frankenstein (Raúl Juliá) who has just created his monster (Nick Brimble), and Mary Shelley (Bridget Fonda) who has not yet written her soon-to-be-famous book.

An interesting premise with a good cast, the film suffers from some odd acting by Brimble as the monster and a fairly confusing end fight scene.

The styling of the monster and his eventual bride (Catherine Rabett) is garish and odd, but well put together. I don't understand the hands or stitched together eyes though.

Hurt maintains his usual charm throughout the film, holding it together.

While Corman has made some infamously bad films in his time, this one is truly one I won't sit through again. Weird but not scary, goofy but not funny. It's an odd one to say the least!

 
 
[Image: 20th Century Fox]
Hani

Friday, 15 November 2013

House 2: The Second Story

"House 2: The Second Story" (1987, Ethan Wiley, New World Pictures). Is a sci-fi, Western, Haunted House film that has pretty much nothing to do with "House".

When Jesse (Arye Gross) and Kate (Lar Park Lincoln) move into an old mansion belonging to Jesse's family they, understandably, don't expect to firstly be joined by Jesse's friend Charlie (Jonathan Stark) and his girlfriend Lana (Amy Yasbeck), and then later by his dead, zombified great-great grandfather, Gramps (Royal Dano).

Soon Jesse and Charlie find themselves on the quest to find a mysterious Aztec crystal skull to restore his undead relative. Their adventures include battling strange beasts, facing off against Gramps' old friend-turned-bitter-enemy, Slim Razor (Dean Cleverdon), and babysitting pterodactyls...

Luckily for them an Adventurous electrician (John Ratzenberger) shows up to help out...

It's all very weird and hectic... Like a Western Sci-fi adventure (but nothing like 'Firefly'). The Aztec style house interior is really quite beautiful and the cheesy one-liner's and banter with Gramps is hokey and entertaining. There's a lot of things happening and a lot of jumping through vortexes into other times, but on the whole it is a batshit crazy and completely goofy experience. Not to be taken seriously....

[Image: New World Pictures]
 
Hani



Thursday, 18 October 2012

Donnie Darko

"Donnie Darko" (2001, Richard Kelly, Flower Films, Pandora Cinema, Newmarket Films) is a strange and poignant psychological film about a troubled teen boy, fathoming out his disturbing doomsday visions.

Donnie (Jake Gyllenhaal) is a boy with problems. He's been known to have imaginary friends and has been in trouble for his behaviour. He doesn't get on with his sister, Elizabeth (Maggie Gyllenhaal - I doubt Batman was dating her yet...), and his parents, (Mary McDonnell and Holmes Osborne), treat him like a weirdo. His youngest sister, Samantha (Daveigh Chase), is more interested in dancing. And his therapist, Dr. Thurman (Katharine Ross) just keeps hypnotising him and giving him more drugs.

Donnie awakens one night to a voice asking him to come outside. He follows the voice out onto the golf course and finds a man wearing a creepy rabbit costume standing there. The man introduces himself as Frank and tells Donnie that the world will end in 28 days, 6 hours, 42 minutes and 12 seconds from now.

Donnie then awakens in the morning to find himself still on the golf course green, being looked down at by two golfers. When he gets home, it is to find that his house has been damaged by an inexplicable jet engine falling from a plane. It has destroyed his bedroom, and so his family have to go to a Hotel for a while. No one knows where the rest of the plane is.

Donnie finds himself a girlfriend called Gretchen (Jena Malone) and begins following Frank's orders: flooding his school...etc.. and generally just acting out. He's not sure why Frank is making him do these things, but he's grateful to the strange spectre for saving him from the jet engine.

Frank hints at time travel being a theme of his existence, and so Donnie begins talking on this subject with a teacher, who lends him a book. The book was written by an ex-teacher at the school, and a local crazy-old-lady nicknamed "Grandma Death" (Patience Cleveland). Donnie discovers that much of the content of the book describes sensations he is experiencing through the presence of Frank.

There's a good scene in the cinema, where Gretchen and he are watching "Evil Dead". Gretchen falls asleep and Frank appears, showing his true face. Donnie is confused by Frank's appearance at the time, but it all falls into place later.

The ending to this film is both sad and quizzical. There are two endings, an explanation to what has been going on and then the true ending. I enjoyed this, but found it all to be a bit slow.

The film is quite deep, and yet very odd. Every character is strange or unhinged. Frank reveals some characters for their true colours, which I enjoy, too, but on the whole I found most of the characters to be a bit disturbing, and not in that usual horror movie kind of way. Drew Barrymore's character is quite a strange one, for example. She's both keen to have the kids learn independently, and also is quite slyly a bully. Patrick Swayze's character is supposed to be unnerving, and the revelations made about the character are shocking.

The special effects are ok, and I think the Frank the Bunny costume is quite frankly (pardon the pun), the best thing about the whole film! Creepy!

It's set in the late 80s, and they have done well to capture the era. I'd label this film more as a thriller than a horror, and it's definitely a slow burner. It's not scary, but just engaging in a kind of depressing way.

Drew Barrymore saved this film from relative obscurity, by allowing it a cinematic release through her own Production Company, but it suffered due to timing as it coincided with the 9/11 attacks in America (you can imagine this would put a stopper in the film release... what with some of the content regarding aircraft...). 

It's a real angsty film, going into the mind of a particular teen, but also reflecting on others around him. Not bad at all, but not something you'd watch a lot.

[Image: Flower Films, Pandora Cinema & Newmarket Films]
 
Hani