Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Friday, 9 February 2018

The Cloverfield Paradox

"The Cloverfield Paradox" (2018, Julius Onah, Paramount Pictures, Bad Robot Productions, Netflix) is a loose sequel in the Cloverfield franchise.

Paradox is a good enough sci-fi romp hindered by trying to force it into the confines of a sequel. Most of the action takes place in space following a crew trying to find a solution to Earth's increasing energy crisis. We follow protagonist and space station engineer, Ava (Gugu Mbatha-Raw). In all, the other crew mate characters are mostly thin in characterisation, with the exception of the charismatic Mundy (Chris O'Dowd) who seems to be able to steal scenes in almost everything he's in anyway.

There's some fairly decent space horror scenes which reflect genre greats including Alien and Event Horizon and a nice amount of jumpy bits as well as some humour.

However, the film suffers from some jolting scene jumps with the story bouncing from Earth to the space station and some of the Cloverfield nods and mentions felt a bit tacked on as if they were intended for a separate movie.

I didn't hate it as much as some, but I felt like it was given somewhat of a disservice and would have benefited as a standalone film.


[Image: Paramount Pictures, et al]
Hani

Thursday, 14 December 2017

High Plains Invaders

"High Plains Invaders" (2009, Richard Beattie, Castel Film Romania, Muse Entertainment Enterprises, Syfy) is a science fiction, made-for-TV film set in the Wild West.

Sam Danville (James Marsters) is a train robber due to be hanged for his crimes in a small Western town. While standing at the hangman's noose, watched by his jilted flame, Abigail (Cindy Sampson), the town is overrun by violent alien creatures and Sam ends up acting as a hero to try to save the town from the monsters.

My hands have to go up in the air here; I'm a huge fan of James Marsters and have been since I was about 16 or so. I'll watch anything that he's in. I listen to his music, I own all the Dresden Files audio books he's narrated and I once met him at a convention and, luckily for him, I was too nervous to say anything coherent at him.

But, I have to make myself clear, here. This is actually a pretty solid made-for-tv Syfy Channel monster/Western mash-up. And I'm not being biased. Yes, it's corny, the dialogue is formulaic and the special effects are low budget so the cast are limited to battling one beastie at a time. But it's well done, sets a good pace and enjoys some pretty nice alien design. The run time is only 87 minutes so the film does not overstay its welcome and, as well as our hero, there is a pretty solid collection of characters.

The film enjoys a "Saturday early evening" feel that is common to most Syfy productions and, although not particularly scary, manages to pull it off as a low-budget monster/cowboy movie without becoming dull.

Also, occasionally, it's nice to see James Marsters play a hero. Even if he's also a wanted criminal at the same time.

[Image: Syfy]
Hani 

Sunday, 30 April 2017

Get Out

"Get Out" (2017, Jordan Peele, Blumhouse Productions, QC Entertainment, Monkeypaw Productions, Universal Pictures) is a horror that explores themes of racism through the context of an interracial couple hitting the 'meet the parents' milestone of their relationship.

Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) head out to Rose's family home to introduce Chris to her parents. Chris is apprehensive about meeting Rose's parents because she has told him he is her first African-American boyfriend and he's not sure how her Caucasian family will react to him. Rose assures him that her folks are not racist and that they'll just be glad to meet him.

Upon arriving this does seem to be the case, although as the day goes on her parents make some awkward 'well intended' remarks that begin to make Chris uncomfortable. However, it is the black people he encounters that strike him as 'wrong' somehow, but he can't quite place why. As the visit becomes overlong, the couple are dragged into an odd family gathering and Rose's mother also offers to cure Chris' smoking addiction with hypnosis...

Things become slowly more and more unsettling and Chris becomes aware that this friendly, suburban setting may not be as safe as it first appeared...

A fantastically paced film that balances its social statement with good scripting, humour and character development. The acting is spot on with a strong lead from Kauuya who's both confused, but strong and an excellent antagonist in Rose's father (Bradley Whitford). The unsettling build up really makes the twists and turns effective and keep them from being hokey or too obvious. The film isn't just about blatant racism; it explores that smiling-cat, quasi-jealous, self-congratulatory kind of racism that is prevalent all over.

A really striking film that's definitely worth a try. The horror elements are more tailored to a chilling thriller than a straight up fright fest, but the true horror is in the message being portrayed.


[Image: Universal Pictures, et al]

Hani

Friday, 7 October 2016

Invasion of the Body Snatchers (1956)

"Invasion of the Body Snatchers" (1956, Don Siegel, Walter Wanger Productions, Allied Artists Pictures) is a film noir-esque, sci fi film about plant-like aliens which can create a realistic replica of any human and replace that person. The only flaw being the replica's complete lack of normal human emotion. The film is the inspiration behind the phrase "pod people".

When people begin to say that loved ones are being replaced by identical copies Dr. Miles Bennell (Kevin McCarthy) begins to suspect that there is more going on than a case of Capgras delusion! He and his ex-girlfriend, Becky Driscoll (Dana Wynter), begin to investigate the supposed mass hysteria, when they make an unusual discovery: a half-formed replica of someone they know!

Soon they realise they are surrounded as they desperately try to escape and save humanity!

A thrilling and poignant sci-fi caper which has been interpreted as capturing several underlying themes, including the 50s era fear of communism and an illustration of McCarthyism.

Themes and messages aside, this film was one of the way-pavers for films like "Night of the Living Dead" (1968) and all of today's apocalyptic, dystopian-world films. And all with very little on-screen violence and very few visual effects, aside from some human-sized seed pods!

The film remains a very watchable, very enjoyable piece of sci-fi and you will also spot Carolyn Jones who, in the 60s, went on to give her ever-memorable performance as the darkly ethereal Morticia Addams.

Definitely worth a watch!

[Image: Allied Artists Pictures, et al]

Hani


Tuesday, 19 July 2016

The Incredible Shrinking Man

"The Incredible Shrinking Man" (1957, Jack Arnold, Universal International) is a classic 50s sci-fi film based on the book and screenplay by Richard Matheson.

Scott Carey (Grant Williams) and his wife, Louise (Randy Stuart), were enjoying a short holiday on his brother's boat when a strange mist engulfed their vessel. Luckily for Louise, she was inside the boat at the time, but Scott was completely covered. Some months later he notices that he is losing weight and height and that none of his clothes are fitting him!

Doctors find a possible cure which seem to halt Scott's decrease for a time, but soon he begins to shrink again! As well as affecting his relationship with his wife and drawing a lot of unwanted attention from the media, Scott also soon learns that the home can be a dangerous place when you are the size of a borrower!

A surprisingly emotional film with good dialogue, sympathetic characters and amazing effects for the time! I felt completely drawn in to the action and could easily believe that Williams was truly shrunk. The action scenes with the cat and the spider are truly inspired.

I love a good classic sci-fi horror, but am more than aware of some pretty terrible films from the era. "The Incredible Shrinking Man", however, is not one of these. The film still stands well today and is extremely watchable.

The outlandish subject matter does have some glaring flaws: how would a doctor make the connection so easily between the shrinking symptoms and their cause? But the film remains surprisingly provocative and thoughtful, with a haunting ending.

Although the film makes fun use of props and proportions to enhance the physical impact upon our protagonist, it actually maintains quite a cerebral subject matter, focusing more on the psychology of this change. A quite disturbing film.


[Image: Universal International]
Hani

Monday, 4 July 2016

The Thing (1982)

"The Thing" aka "John Carpenter's The Thing" (1982, John Carpenter, Turman-Foster Company, Universal Pictures) is one of the most defining and masterful pieces from genre great, John Carpenter. I'm a Carpenter fan, but "The Thing" really stands out as one of his finest films. It's also one of my favourite sci-fi films which comfortably straddles the worlds of horror and science fiction.

Based in the Antarctic, a group of American researchers are disrupted by an apparently crazed Norwegian helicopter chasing after and shooting at a dog. The dog is saved, but the Norwegian gentlemen and their chopper are not so lucky. The crew of Americans are shaken, but put the dog along with their own and decide to investigate the Norwegian camp. They send their own 'copter pilot, Macready (Kurt Russell), and camp Doctor, Dr. Copper (Richard Dysart), over to find out what they can but all they find is the burnt remains of the Norwegian camp, some research and a grotesquely misshapen corpse.

Their troubles really begin, however, when they return back to their own base to find that the creature they saved is not in fact a dog and that this Thing is now amongst them....

An intense and well crafted sci-fi mystery with a good cast of three-dimensional characters and some truly disturbing effects (which still stand up today). The plot keeps moving along at a good pace as our team begin to unravel, each suspecting that he is alone amongst imposters. It's a good character study on the human mind's reaction to fight or flight survival. The character banter-turned-bickering really helps hammer home the change in team dynamic, too.

I'll just put my hands up now and admit how much I like Kurt Russell: he is one of my favourite actors. It helps, of course, that he was as handsome as hell in this film, but he really is one talented and very cool guy. Macready loses his shit along with the rest of his camp-mates, but he does it with style and a big hat, and you have to respect that.

"The Thing" remains a disturbing film and, as much as special effects have developed and changed over the years, this film still holds its own and churns the stomach. But it's more than just the effects. "The Thing" creates a tense and uncomfortable atmosphere that draws the viewer in to the camp where the danger isn't just the lurking creature, but the other frightened humans ready to murder each other to survive.

[Image: Turman-Foster Company, Universal Pictures]
Sure, I could have chosen a monster-pic.... But Kurt Russell just seemed like the right choice to me...
 
Ok... Here's a monster pic too for good measure:
Happy?
 
Hani
 


Tuesday, 27 October 2015

Cube

"Cube" (1997, Vincenzo Natali, Odeon Films, Viacom Canada, Ontario Film Development Corporation) is a Canadian sci-fi horror about a bunch of strangers finding themselves inexplicably locked in a cubic, booby trapped prison.

The only way to escape is to work together, but can everyone hold it together long enough to survive?

Cube is a low budget film, and if you're looking for flaws you'll find them; the sets are all the same with different lighting, the traps are relatively simple and the premise and plot don't develop much. However, it doesn't stop me from loving this film. It's a clever film. While the premise and setting are both simple, the characters develop, creating intrigue as each reveals more and more of their increasingly flawed personalities. Each new room has a sense of threat and builds excellent and claustrophobic tension as we travel through the deadly maze.

"Cube" plays out as an interesting character study with a sci-fi setting and manages to remain engaging despite its limited setting.

[Image: Odeon Films, et al]
Hani

Monday, 9 February 2015

Creepozoids

"Creepozoids" (1987, David DeCoteau, Urban Classics) is a low budget sci-fi film about a dystopian future.

It was made the year before I was born. Stars scream queen, Linnea Quigley, and is just awful.

It's the kind of film that sounds like it should be a 'so-bad-it's-good', but it is just full bad... Never go full bad!

Boring, inane and full of bad dialogue... Unless you're a masochist, I think you'd be better off watching paint dry...

[Image: Urban Classics]
 
Hani

Sunday, 1 February 2015

IndieGoGo Campaign: Redacted

"Redacted" will become the 4th short horror by talented Scottish writer and director, Andy Stewart. Andy and his team at Shining Example Films are the geniuses who brought us "Dysmorphia", "Split" and "Ink" - a body horror trilogy of shorts that are bound to make you regret eating lunch!

Catch my reviews of them here:
"Redacted" will move away from the body horror genre and venture into more sci-fi realms, but the story (or what we know of it so far) will not be any less visually exciting or the effects lose any of the wicked crunch we have enjoyed in his previous works (especially since Grant Mason is on board again).

So, if you support Independent film and independent horror, and if you loved Andy's previous films and would like to see him do something different, and if you love horror and want to see something worthwhile from one of the industry's promising people and if you love the gorgeous and talented Tristan Risk ("American Mary") and the disturbingly talented Laurence R. Harvey ("Human Centipede 2 and 3"), then get your ass over to IndieGoGo to support this project!

 
It's going to be a belter!
 
Hani 

Monday, 6 October 2014

The Incredible Melting Man

"The Incredible Melting Man" (1977, William Sachs, American International Pictures, Columbia Pictures) is a Sci-Fi horror.

Steve West (Alex Rebar) is one of three astronauts who are accidentally subjected to a lot of radiation whilst in space. He returns as the only survivor, seriously unrecognisably wounded as he may be. I mean, even his moustache didn't survive!

Steve awakes to discover his melted visage and body and immediately goes on an amusing rampage, murdering and mutilating anyone in his way using his new found super-decomposing-radioactive powers.

In hot pursuit are Steve's pals, Dr. Ted Nelson (Burr DeBanning), Dr Loring (Lisle Wilson) and Sheriff Blake (Michael Alldredge). Can they stop this melting madman from wreaking havoc?!

With a touch of parody feel to it, this cheesy 70s homage to the earlier goopy alien movies of the 50s really pleased that so-bad-it's-good fan in me.

Reused scenes where budget restricted effects (really fun gory effects from the talented Rick Baker known for "Schlock", "It's Alive", "An American Werewolf In London", "Thriller"...to name a few) pattern through the film. Obviously so.

Cheesy dialogue and random happenings mark this as a definitive so-bad film. But those effects really bring it up a notch!

Definitely not for the casual horror viewer, this film is unlikely to keep you awake at night, but it is a fun little 70s cheese-fest.

[Image: Columbia Pictures]

Hani

Friday, 15 November 2013

House 2: The Second Story

"House 2: The Second Story" (1987, Ethan Wiley, New World Pictures). Is a sci-fi, Western, Haunted House film that has pretty much nothing to do with "House".

When Jesse (Arye Gross) and Kate (Lar Park Lincoln) move into an old mansion belonging to Jesse's family they, understandably, don't expect to firstly be joined by Jesse's friend Charlie (Jonathan Stark) and his girlfriend Lana (Amy Yasbeck), and then later by his dead, zombified great-great grandfather, Gramps (Royal Dano).

Soon Jesse and Charlie find themselves on the quest to find a mysterious Aztec crystal skull to restore his undead relative. Their adventures include battling strange beasts, facing off against Gramps' old friend-turned-bitter-enemy, Slim Razor (Dean Cleverdon), and babysitting pterodactyls...

Luckily for them an Adventurous electrician (John Ratzenberger) shows up to help out...

It's all very weird and hectic... Like a Western Sci-fi adventure (but nothing like 'Firefly'). The Aztec style house interior is really quite beautiful and the cheesy one-liner's and banter with Gramps is hokey and entertaining. There's a lot of things happening and a lot of jumping through vortexes into other times, but on the whole it is a batshit crazy and completely goofy experience. Not to be taken seriously....

[Image: New World Pictures]
 
Hani



Tuesday, 23 July 2013

Planet Terror

"Planet Terror" (2007, Robert Rodriguez, Quentin Tarantino, Rodriguez International Pictures, Troulemaker Studios, Dimension Films).

It's a Sci-Fi horror gore-fest! It's an action movie! It's a love letter and an homage to the B-Movies of old! It's a Grindhouse inspired piece of genius!

Go-go dancer, Cherry Darling, (Rose McGowan) throws in her diamanté studded hooker-boots in search of a new meaning in life.

Meanwhile, Dakota Block (Marley Shelton) decides to leave her creepy husband, Dr. William Block (Josh Brolin) for her lesbian lover, Tammy (Fergie from the Black Eyed Peas).

And the crazed Lieutenant Muldoon (Bruce Willis) makes a transaction with a bollocks-obsessed madman named Abby (Naveen Andrews) of a biological weapon called DC2 (codename "Project Terror") which goes decidedly wrong and is released into the air, turning everyone into mutated zombie creatures.

In order to save the world (or at least themselves) Cherry, her tough guy ex, El Wray (Freddy Rodriguez) and Dakota must team together with Abby to fight the zombies and escape!

Oh, and Cherry loses a leg and replaces it with a machine gun.

...Double oh, and it's all done in the fabulously gritty Grindhouse style.

Sound like fun? Well, it is!

The opposite of serious with absurdly low budget, explosive, gross-out effects (high on the goo factor) and a star cast with their tongues in their cheeks and a sense of fun in the air.

One of the best nods to the Exploitation and Grindhouse genre with a cheeky wink and some gloop to go with it. Perhaps a little longer than it needed to be, but still one of my favourites.

[Image: Rodriguez International Pictures]
 
Hani

Thursday, 18 October 2012

Donnie Darko

"Donnie Darko" (2001, Richard Kelly, Flower Films, Pandora Cinema, Newmarket Films) is a strange and poignant psychological film about a troubled teen boy, fathoming out his disturbing doomsday visions.

Donnie (Jake Gyllenhaal) is a boy with problems. He's been known to have imaginary friends and has been in trouble for his behaviour. He doesn't get on with his sister, Elizabeth (Maggie Gyllenhaal - I doubt Batman was dating her yet...), and his parents, (Mary McDonnell and Holmes Osborne), treat him like a weirdo. His youngest sister, Samantha (Daveigh Chase), is more interested in dancing. And his therapist, Dr. Thurman (Katharine Ross) just keeps hypnotising him and giving him more drugs.

Donnie awakens one night to a voice asking him to come outside. He follows the voice out onto the golf course and finds a man wearing a creepy rabbit costume standing there. The man introduces himself as Frank and tells Donnie that the world will end in 28 days, 6 hours, 42 minutes and 12 seconds from now.

Donnie then awakens in the morning to find himself still on the golf course green, being looked down at by two golfers. When he gets home, it is to find that his house has been damaged by an inexplicable jet engine falling from a plane. It has destroyed his bedroom, and so his family have to go to a Hotel for a while. No one knows where the rest of the plane is.

Donnie finds himself a girlfriend called Gretchen (Jena Malone) and begins following Frank's orders: flooding his school...etc.. and generally just acting out. He's not sure why Frank is making him do these things, but he's grateful to the strange spectre for saving him from the jet engine.

Frank hints at time travel being a theme of his existence, and so Donnie begins talking on this subject with a teacher, who lends him a book. The book was written by an ex-teacher at the school, and a local crazy-old-lady nicknamed "Grandma Death" (Patience Cleveland). Donnie discovers that much of the content of the book describes sensations he is experiencing through the presence of Frank.

There's a good scene in the cinema, where Gretchen and he are watching "Evil Dead". Gretchen falls asleep and Frank appears, showing his true face. Donnie is confused by Frank's appearance at the time, but it all falls into place later.

The ending to this film is both sad and quizzical. There are two endings, an explanation to what has been going on and then the true ending. I enjoyed this, but found it all to be a bit slow.

The film is quite deep, and yet very odd. Every character is strange or unhinged. Frank reveals some characters for their true colours, which I enjoy, too, but on the whole I found most of the characters to be a bit disturbing, and not in that usual horror movie kind of way. Drew Barrymore's character is quite a strange one, for example. She's both keen to have the kids learn independently, and also is quite slyly a bully. Patrick Swayze's character is supposed to be unnerving, and the revelations made about the character are shocking.

The special effects are ok, and I think the Frank the Bunny costume is quite frankly (pardon the pun), the best thing about the whole film! Creepy!

It's set in the late 80s, and they have done well to capture the era. I'd label this film more as a thriller than a horror, and it's definitely a slow burner. It's not scary, but just engaging in a kind of depressing way.

Drew Barrymore saved this film from relative obscurity, by allowing it a cinematic release through her own Production Company, but it suffered due to timing as it coincided with the 9/11 attacks in America (you can imagine this would put a stopper in the film release... what with some of the content regarding aircraft...). 

It's a real angsty film, going into the mind of a particular teen, but also reflecting on others around him. Not bad at all, but not something you'd watch a lot.

[Image: Flower Films, Pandora Cinema & Newmarket Films]
 
Hani



Sunday, 29 April 2012

Alien Apocalypse

"Alien Apocalypse" (Sci-Fi Pictures, 2005, Josh Becker) is another gem from my Bruce Campbell collection.
 
A story about some astonauts who return from a 40-year mission (mainly spent in cryogenic stasis to avoid aging) to Earth to find that the world has been overrun by large bug-like "Termite" aliens and that all humans have become their slaves in Timber mills.
 
Bruce Campbell stars as Dr. Ivan Hood, a Oesteopathic doctor who hopes to return to Earth to become a 'Great Healer'. Hood's a big-headed jerk, so naturally I think he's awesome!
 
The other astronauts Kelly (Renée O'Connor) who is a favourite of Sam Raimi and has appeared in Darkman 2, Alex (Remington Franklin) and Chuck (Michael Cory Davis) join Hood in his return.
 
Soon the 4 are whittled down to 2 and we are left with our heroic couple Hood and Kelly, who attempt to escape capture and rid the world of the alien scourge!
 
I was impressed with the level of special effects in this movie. Bear in mind it's a made-for-TV film, so don't go expecting anything too sofisticated. I had a gander at the making-of bonus bits and was pleased to see physical props of the aliens and also some good beheading action!
 
The 'mites' have a penchant for eating human's heads whole, with some good bloody-spurting effects!
 
I didn't understand the 'muzzling' thing... it didn't seem to be very effective and just looked daft.
 
All in all a nice typical sci-fi channel movie with some handsomely tongue-cheek-quotes:
 
"Human traitor (or Bounty Hunter): Ungh... you said you're a doctor. You're supposed to heal people.
Dr. Ivan Hood: [After shooting the guy with a crossbow] I am. Your stupidity is terminal. And now you're cured" [Hunter dies]
 
And remember, another comedy, don't go in looking for scares...there are none!
 
 (Picture: Sci Fi Pictures)


Hani
 
 
 
 
 
 

Saturday, 28 April 2012

Pandorum

"Pandorum" (2009, C. Alvart, Constantin Films) is a sci-fi horror.
 
Corporal Bower (Ben Foster) awakes from hypersleep aboard the 'Elysium' space-people-carrier to find that he has no idea what's going on. The ship is carrying thousands of humans from disaster-stricken Earth to a new inhabitable planet. 
 
This scene is very well captured: his skin is disgusting! Not green or sores or anything, just loose and peeling and yuck! It really puts you off hypersleep. Also, this hypersleep isn't the simple man-walks-into-pod-and-falls-asleep business, no, it's a lot more medical than that! His body is riddled with wires and tubes and other general paraphernalia. You really feel for him having to remove it all and wake up. He discovers that he is not the only person awake, Lieutenant Payton (Dennis Quaid) has also awoken and he too is suffering some amnesia.
 
The control room for the ship is blocked off and the power is surging on and off. This is clearly what has caused the two men to awake. Bower heads off to find a way out, and Payton (on radio to Bower) describes a mental condition known as 'Pandorum' which is like space-cabin-fever.
 
Bower comes across some corpses, some humanoid monsters which attack him and also a few other humans who also attack him. Finally he bands together a small group of humans and they attempt to head for the reactor of the ship to stabilise the power, and also slowly unravel the chilling events that have lead to their current predicament.
 
Throughout the film we noted that it appears that whenever the 'hunters' or monsters are around, the power comes to life. It seems as if the monsters have become a part of the ship as well as having adapted to it.
 
There are some good tense scenes and the film keeps the viewer in suspense, giving very little plot away. I enjoy this type of storytelling, as it feels like I am discovering the facts for myself, rather than being told them by a narrator or character monologue.
 
Quite a few twists take place at the end of the film. One twist I felt was very obvious, as I saw it coming from quite early on, but this does not ruin the story.
 
"Pandorum" is a good space-thrill ride with some creatively gorey scenes and a good base plot. The monsters are reminiscent of those seen in 2005's "The Descent", and the end, although open-ended for sequels, gives a nice rounded feeling of completeness. It is very dark though, meaning that any ambient light in the room will ruin the view. So don't watch alone if you're scared of horror in the dark!
 
 (Picture: Constantin Films)