You're Next

"You're Next" (2011 - released 2013, Adam Wingard, Lionsgate, Icon Pictures) is a 'home invasion' slasher film.

The advertising for this film was very promising. From the creepy masks, secluded setting and traditional stalk-and-slash genre, it seemed like a winner.

I'm sure from the tone of this post, however, that you have guessed that I did not find this film to be much of a winner...

The kick off is fast and bloody. It almost has a 70s slasher feel to it, too, which is then carried on into the next scene where we are introduced to some of our main characters Crispian (A.J. Bowen) and his fiancée Erin (Sharni Vinson), who are on their way to visit Crispian's wealthy parents in their new luxury holiday home. It seems that all of Crispian's brothers are also visiting for the weekend with their girlfriends/spouses and fiancées too.

Unfortunately, the family reunion is to be spoiled when a small band of animal-masked killers target the family with a range of weapons in an organised assault.

An odd film, it couldn't decide if it was going for the feeling of an older film or trying to be modern.

The characters also lacked a lot of development, resulting in them becoming, to me, very disposable. I found myself rooting for the killers just to see what imaginative killing devices they had cooked up next!

Where the backstory was provided it seemed forced and patchy, and acted as nothing more than an excuse to create a kick-ass female character. Now, I'm not complaining. I'm a Whedon fan. A kick-ass female lead is always fun, but maybe a bit more thought could have went into the character set up there.

The twist, because let's face it there was always going to be one or two... or three..., is intriguing but not clever. And the plot is painfully slow, allowing me to begin thinking about other things while our boring collection of characters did some stuff.

Also, the mother looked younger than her 'sons'. A bun hair do is not sufficient as 'older person' make-up!

Of course, I do have nice things to say about this film too.

The action, when it gets around to it, is impeccable. The gore is fun and shocking, the killing techniques are interesting and believable. The scary bits are indeed scary. The masks are an excellent touch and the blender kill is pure genius!

While I would hasten to add that I think gore hounds and horror fans should definitely all see this film just to appreciate its ups, I found its downs to outweigh the fun and horror and leave me feeling mostly unimpressed.

 

 

[Image: Lionsgate & Icon Pictures]

Hani

Frankenstein Unbound

"Frankenstein Unbound" (1990, Roger Corman, A Mount Company Production, 20th Century Fox) is loosely based on a novel by Brian Aldiss.

It's 2031 and Dr. Buchanan (John Hurt) has developed an Über-weapon. Unfortunately, it seems that this weapon has created a rift in time and space. He and his Artificially Intelligent car are accidentally sent back to 1817 Switzerland where he encounters Dr. Victor Frankenstein (Raúl Juliá) who has just created his monster (Nick Brimble), and Mary Shelley (Bridget Fonda) who has not yet written her soon-to-be-famous book.

An interesting premise with a good cast, the film suffers from some odd acting by Brimble as the monster and a fairly confusing end fight scene.

The styling of the monster and his eventual bride (Catherine Rabett) is garish and odd, but well put together. I don't understand the hands or stitched together eyes though.

Hurt maintains his usual charm throughout the film, holding it together.

While Corman has made some infamously bad films in his time, this one is truly one I won't sit through again. Weird but not scary, goofy but not funny. It's an odd one to say the least!

 

 

[Image: 20th Century Fox]

Hani

The Pit and The Pendulum

"The Pit and The Pendulum" (1961, Roger Corman, American International Pictures) is one of my favourite Vincent Price films and is based on the short story by Edgar Allen Poe.

It's 16th century Spain and a young man, Francis Barnard (John Kerr), has travelled from England to the castle where his recently deceased sister, Elizabeth (Barbara Steele), lived with her nobleman husband, Nicholas Medina (Vincent Price). He is greeted with suspicion by the butler and urged to leave, but upon meeting Nicholas' sister Catherine (Luana Anders) he is permitted entrance to the castle.

He is at first told that Elizabeth died of an unexplained heart complication, however, as the story progresses more details of Elizabeth's sticky end are revealed. It is upon the discovery of Nicholas' father's torture chamber that the final ghastly details are slipped and we begin to find that Nicholas is becoming severely unhinged with guilt and fear. Under the guidance of his physician, Dr. Leon (Antony Carbone), Nicholas exhumes the body of Elizabeth to find that his worst fear is apparently true; she was buried alive!

Believing that he is being haunted by the vengeful spirit of Elizabeth, Nicholas slips into insanity,  rampaging terribly and using his father's torturous devices. However, all may not be as it seems...

A riveting tale and one of my favourite performances from Price as the tortured but twisted Medina. An atmosphere from the sparse, classic surroundings really lends itself to the film and the haunting ending really works.

 

 

[Image: American International Pictures]

Hani

Saint Nick

"Saint Nick" aka "Sint" (2010, Dick Maas, A-Film) is a Christmas horror film from The Netherlands about Saint Nick (or Sinterklaas in Dutch), who, the film's urban legend has it, will kidnap and kill children if there's a full moon on December 5th (the traditional present-giving day in Holland).

Sinterklaas rides a white steed, has Spanish servants known as Black Petes (or Zwarte Pieten) and arrives traditionally to Amsterdam by boat.

In "Sint" Sinterklaas (Huub Stapel) returns on the full moon as a murderous ghost-zombie, flanked by his violent Black Petes and mounted upon his angry zombie stallion. He's also keen on riding over rooftops and enjoys taking out police boats with his swift-moving ghost ship.

A fun film, with lots of gore and filthy jokes and a wonderful high speed car/horse chase. "Sint" doesn't pretend to be anything it's not and doesn't have an overly complicated plot. While Evil Santa isn't a brand new concept, "Sint" has a wonderfully different spin on it and will keep you entertained.

 

 

[Image: A-Film]

Hani

Frankenstein (1931)

"Frankenstein" (1931, Universal Pictures, James Whale, Carl Laemmle, Jr.) is the iconic classic starring Boris Karloff in his most famous (and career making) role.

Based on the story by Mary Shelley, Dr. Henry Frankenstein (Colin Clive) and his hunchbacked assistant, Fritz (Dwight Frye) build a man from the body parts of corpses and bring it to life using Galvanisation with electricity. The poor creature, who is not the villain of the piece really, goes on a rampage and incurs the wrath of the townspeople.

Henry's fiancé, Elizabeth (Mae Clarke), his best friend Victor (John Boles) and his old teacher, Dr. Waldman (Edward Van Sloan) attempt to help make things right before the monster goes too far.

A truly awe-inspiring piece, the famous appearance of the monster character is still striking to this day. The film itself is fun as well as pretty, with some really humorous scenes involving Henry's father, Baron Frankenstein (Frederick Kerr), and a plot which moves forward. The full film is only 71 minutes long but manages to fit a lot of lovely creepy scenes, German folk dancing and an angry mob vs monster battle in there!

Despite not being a gory film, it remains a steadfast piece of cinema history and a thrilling and atmospheric horror. Seeing it in the cinema today was a real experience!

 

 

[Image: Universal Pictures]

 

Hani

V/H/S/2

"V/H/S/2" (2013, Simon Barrett, Adam Wingard, Eduardo Sánchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans & Jason Eisener, The Collective, Haxan Films, Magnet Releasing) is the sequel to the 2012 found footage film.

Similar to its predecessor, the film is an anthology of short horrors, all found footage, encased within one wrap-around horror story, which is also found footage. Whilst following the same equation, it manages to separate itself from the original.

As in most anthologies, and the original film, some of the stories are hit and miss, and some of the effect qualities vary from pretty schlocky to 'oooh, that was gross'. But on the whole, I really enjoyed this one over its predecessor and thought it held together much better as a film.

I'm not a fan of found footage at the best of times, finding it more likely to give me a migraine that the chills, but V/H/S/2 does well in the format. Some of the 'shorts' could have been doing with being a little shorter though, as they began to get a bit monotonous and Go Pro cameras will probably enjoy all this advertising.

 

 

[Image: Magnet Releasing]

Hani

Santa's Slay

"Santa's Slay" (2005, David Steiman, VIP Medienfonds 1, Media 8 Entertainment) is the horror comedy starring Bill Goldberg of WWE wrestling as Santa; the illegitimate son of Satan.

It seems Santa lost a bet and all this present-giving lark has been his punishment for the past few hundred years. But in 2005 it ended. So good ol' Saint Nick goes on a murder spree. Unfortunately for him, NicolasYuleson (Douglas Smith), Mary (Emilie de Ravin) and Nick's grandpa (Robert Culp) are out to put an end to his reign of terror...

A film that is precisely as bad as it sounds. It feels like it's purposefully trying to be bad as a nod to B-movies in general, but unfortunately just comes off as actually bad.

Some of the scenes are funny in their comic gore (the opener for instance, with James Caan is entertaining), and to give Goldberg his due, he is the best part of the film as psychotic Santa, but the thrill wears off quickly and the film is too long, too drawn out and too stupid without enough fun to save it from bargain bin badness.

Just another hammy holiday themed slaughter.

[Image: Media 8 Entertainment]

 

Hani