The Pact

"The Pact" (2012, Nicholas McCarthy, Entertainment One, IFC Midnight, ContentFilm International) is an American haunted house horror.

Nicole (Agnes Bruckner) and Annie (Caity Lotz) are sisters. Their mother has died and they are reluctantly (and seperately) cleaning out the old house. They both had unhappy childhoods and do not want to be there.

When Nicole disappears whilst in the house, Annie goes to investigate, and look after Nicole's young daughter. It isn't long before Annie, Nicole's babysitter and a cop are all investigating the strange happenings of the house.

They seek the help of Stevie (Haley Hudson), a strange girl who can see things... Mainly dead people.... and she helps them to uncover a whole heap of creep.

It's a typical modern horror film. Bumps, jumps and dodgy camera angles. One thing I'll say is that the director does keep us watching, and often does not give all of the jumps when they're expected. I like that. I don't want it to be too predictable.

The gore and effects are good and there's a fair few jumps that aren't as cheapy thrilly as we've seen with other modern horrors recently.

However, the plot is just too tropey and dumb. I didn't love the reveal so much, and have to say that it's a pretty basic modern horror that's geared more to the non-horror fan who may be up for a horror for a change rather than anyone actually interested in being scared.

Tame, but not the worst.

[Image: Entertainment One]

 

Hani

Jessabelle

"Jessabelle" (2014, Kevin Gruertert, Blumhouse Productions, Lionsgate) is a strange horror film.

Jessie (Sarah Snook) and her fiancé are about to move in together and have a baby. But this is a horror movie, so before they can get that far they have a horrific car accident which kills him and causes Jessie to lose the baby and the use of her legs.

Several months later, Jessie moves back to her dad's house to recuperate. Her dad, a strange and impulsive man, puts her up in her mum's old room. Jessie finds a shoebox marked "Jessabelle" filled with video tapes. She plays the first one to discover that it's her mum giving her a tarot card reading from beyond the grave. Her mother tells her that there's someone in the house with her and they want rid of her.

Terrified, Jessie begins to experience creepy happenings. This is by far the film's strong point. The effects are good, the scenes with the bed are really effective and, although clichéd, the mirror scares are really well done.

Eventually, Jessie and her friend, Preston (Mark Webber), begin to unravel the strange circumstances surrounding Jessie's family and the deeper they go, the more convoluted the plot becomes.

In fact, the plot was so complicated that I just did not understand a whole segment at the end. It was holding it together until the last act when it just got very cheesy and complex. The scares were promising and, as tropey as the action was, it was an otherwise well paced film with Sarah Snook providing a strong, yet sympathetic lead role, however, the plot just goes haywire at the last moment, going from slow burning creepfest to fast action, voodoo-ghosty-adultery-racism vibes. It just makes a mess.

[Image: Blumhouse Productions]

 

Hani

Ginger Snaps

"Ginger Snaps" (2000, John Fawcett, Motion International) is a teen werewolf movie.

Death obsessed, misfit sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins) are terrified of growing up, joining in with normal society and of getting their periods. They much prefer to pose as the recently, horrifically deceased for their school art project and rebel against society's norms (and bullies). Their lives are turned upside down, however, when Ginger is bitten by a werewolf on the first night of her first menstruation. Unfortunately for everyone else, this unlikely happenstance results in Ginger beginning to transform into a rather voracious and sex mad werewolf creature. Firstly she begins to find her sex vixen side by going to class looking like she's going to a goth nightclub, then she begins growing a tale and hungering for fresh meat.

Yep, this movie is not very classy but it has all the hallmarks of a great werewolf movie and is a fun film in general. Firstly, it's about two entertainingly misfit teens. These girls are just weird; creative and weird. Their relationship is something different from most siblings (they have a suicide pact for a start!). We also get to enjoy Katharine Isabelle (one of today's most diverse and entertaining horror honeys, in my opinion) doing what she does best; funny dialogue and gore. Thirdly, the effects are admirable and the plot is nice and quick and interesting.

There's little nods to American Werewolf, the Howling and other sub-genre favourites and the soundtrack caters right into my tastes: Hatebreed, Machine Head, Killswitch Engage and yes, I'm even fond of a bit of Cradle of Filth now and again.

The characters are good. I care about them. They're real. Even the whacky mum is adorable.

So while, yes, it's not classy horror fare and it's definitely catered more to the teen gore shelf, "Ginger Snaps" is a gory, violent and sassy lycanthrope film that captures some of the anxieties of the teen girl going through "changes" in a tongue-in-cheek, blood spattered way.

[Image: Motion International]

Hani

The Raven

"The Raven" (1963, Roger Corman, AIP) is a somewhat comic adaptation of Poe's famous poem of the same name and should also not be confused with another Karloff film from 1935 of the same name which also starred Bela Lugosi.

In this film a sorcerer named Dr. Erasmus Craven (Vincent Price) is going about his wizardly business and mourning the death of his wife Lenore (Hazel Court), when he is interrupted by a rather blustery talking raven. Using a potion that the raven instructs him on how to make, Erasmus returns the raven to its true form, that of Dr. Bedlo (Peter Lorre), a fellow sorcerer.

Bedlo reveals that he was transformed during a duel with the evil wizard, Dr. Scarabus (Boris Karloff) and also happens to mention seeing Craven's wife's ghost wandering Scarabus' castle. Both wizards set out together, along with Erasmus' beautiful daughter, Estelle (Olive Sturgess), and Bedlo's son, Rexford (a very young Jack Nicholson), to deal with this Scarabus once and for all.

Of course, this advance results in a rather funny and tongue-in-cheek wizard duel between Price and Karloff with a lot of entertaining 60s special effects.

The wardrobe of the cast is also quite amusing: the wizard hats especially!

Whilst it's not really a horror movie, I like this film for several reasons:

• It stars some of my favourite horror icons
• It has a sense of humour
• It's set in a big creepy castle
• It involves B-movie special effects

Essentially, this is a light hearted romp starring some extremely wonderful people, and Vincent Price reading the poem really gives me the chills! (although it's notable that aside from that and the fact that there is a raven present for some scenes, this film has practically nothing to do with the actual poem).

[Image: AIP]

Hani

Nymph

"Nymph" aka "Killer Mermaid" aka "Mamula" aka "Dark Sea" (2014, Viktorija Film, Talking Wolf Productions) is a film from Serbia about, you guessed it - a killer mermaid!

Many thanks to fellow Blogger, Christopher Zisi who drew my attention to this film with his glorious review (which can be found here: http://zisiemporium.blogspot.cz/2014/12/killer-mermaid-montenegro-nights.html) <- Check it out!

Not a film to disappoint, our first scenes are of a very beautiful couple having a road trip; smooching here, there and everywhere and then getting a bit frisky by the sea. Beautiful people, toplessness and bikinis are consistent themes in this film.

Then we meet our villains: a *sometimes beautiful* man-eating mermaid and her accomplice... with his fishhook.

The actual plot follows two women, Kelly (Kristina Klebe) and Lucy (Natalie Burn) who are old college mates on holiday in Montenegro to meet up with old flame and college mate, Alex (Slobodan Stefanovic) and his (much to their disappointment) fiance, Yasmin (Sofija Rajovic).

While out and about they also happen upon Yasmin's hot pal, Boban (Dragan Micanovic), who convinces the crowd to check out an old abandoned prison, located on its own island just out of distance of the mainland. Despite being warned to steer clear of the place by a local the crew head on out there anyway, intent on taking photos and having a good time.

Much to their horror, they find that they are not the only ones visiting the island that day and are dismayed and intrigued to find a man emptying buckets filled with human remains into a well that appears to house a beautiful young girl. The gang decide to save her.... Big mistake.

A very beautiful film, the scenery is glorious and the actors are all very pretty as well as being actually able to act - which is unusual in a straight to DVD film.

The special effects are surprisingly impressive. Despite being clearly CGI, the mermaid's tail is very sleekly done and the movement of her in the water is enough to rival some much bigger budget films.

While the plot is pretty standard B-movie fayre, the story keeps going and has a few gory bits to keep you intrigued. I also enjoyed the mermaid's 'true face' and her siren-abilities to sing and draw only the menfolk to their grisly deaths.

A good ol' bitch fight at the end also acts as a good pay off.

Giving you exactly what it says on the box "Nymph" is just what I wanted out of a killer mermaid flick!

[Image: Viktorija Film]

 

Hani

 

Doc of the Dead

"Doc of the Dead" (2014, Alexandre O. Philippe, Exhibit A Pictures, Geekscape Productions, RedLetterMedia, EPIX) is a zombie documentary.

With viewpoints from Simon Pegg, Bruce Campbell, George A. Romero, Fran Kranz, Tom Savini, Max Brooks, S.G. Browne, Greg Nicotero, Robert Kirkman, Charlie Adlard, Stuart Gordon, Alex Cox, Judith O'Dea, Russell Streiner, John Harrison, John A. Russo and Joanna Angel, it is a fabulous and funny geekfest!

The documentary goes through film, literature and other pop culture zombieness. With clips from various favourites and a lot of ground covered, this documentary keeps you enthralled and giggling. A really fun and insightful hour and twenty-one minutes, it's a must see for any horror or zombie fan. Whilst it's not an in-depth analysis of the horror genre, it is an appetite whetter.

Imagine yourself sat at a table with all these genre legends, sharing pizza and bantering about zombies... This is essentially the mood of this documentary.

[Image: EPIX]

Hani

Silent night, Deadly night

"Silent night, Deadly night" (1984, Charles Sellier, Slayride, TriStar Pictures) is a holiday slasher.

On Christmas Eve 1971, young Billy and his parents and baby brother take a little trip out to see his catatonic grandfather at the mental health institution. Billy is initially concerned that he won't get home in time for Santa visiting, but his mother assures him that he will. Soon Billy's fears have switched to Santa visiting at all. This is elevated when his parents stop to help a stranded Santa who's car has broken down. As it turns out, this Santa is a gun wielding loony, who kills Billy's parents, leaving he and his brother out in the snow.

Fast forward several years to an orphanage and we find poor Billy, now with a severe Santa-phobia. Like all church run orphanages in movies, the Mother Superior is unsympathetic to the boy's plight and treats him like a weirdo.

Billy then grows up and lands a job as the storeroom boy for a local toy shop where we get a jolly montage of his few months there.

Seemingly unaware of Billy's past or his dislike of Santa, he is asked by the store to be Santa when the usual one can't be there. Billy reluctantly obliges, but it turns out to be too much for him and he cracks, going on a murderous rampage, shouting "naughty" as he kills everybody.

Not original in any particular way, again our killer has a sadness to him that makes you almost sympathetic to him. The poor guy needed some help. He also needed not to have a holiday temp job in a toy shop at Christmas.... And maybe a girlfriend... Anyway, while not in itself anything ground breaking, the controversy it caused all over the place is very interesting, especially considering that this film was not the original killer Santa movie.

The film does well to set up some rather well rounded characters; some of the nuns and the shop owner are particularly memorable. There are also some good B-movie action scenes and some lovely overacting from Billy when he sees the mall Santa.

A Christmas B-movie to enjoy, and nothing more.

[Image: Slayride films]

Hani