Popcorn

"Popcorn" (1991, Mark Herrier, Alan Ormsby, Studio Three Film Corporation) is a fun American horror comedy set in an old theatre.

The Film department at a college is new and lacks funding. The students there, along with their teacher, Mr Davis (Tony Roberts), decide to run a horror marathon in the old cinema in town to raise funds and awareness for the department.

They are helped out by local film memorabilia collector, Mr. Mnesyne (Ray Walston) who helps them decorate the cinema and also provides them with William Castle-esque shlock props (zapping seats for a film about an electrocuted killer, a giant mosquito for a movie about killer mosquitos and some unpleasant aroma therapy mist for a Japanese horror film called "The Stench").

Maggie (Jill Shoelen) is one of the students, and an aspiring screen writer. She's been having some weird dreams about a strange bearded man and plans to write about the dreams in her own movie. However, when the gang come across a strange film reel called "The Possessor" which was filmed by madman, Lanyard Gates (the same bearded man that Maggie was dreaming about), who slaughtered his family live on camera, things become very weird.

Things become stranger still when, on show night, people begin to be killed off one by one by a masked killer. Is it the mental film maker returned? What is Maggie's connection with him? And who will survive the horror fest?

Fun and surprisingly well put together for a film with not only a fledgling director, but where the director was replaced half way through!

The story is engaging and the acting is perfect for a cheesy, but very watchable horror film. The plot is one part reflective fun at older horrors and another part 80s slasher homage.

The film was actually made in Jamaica, not America, so enjoys some interesting music and Maggie's mother is played by scream queen, Dee Wallace.

"Popcorn" manages to pay homage to the shock horror films of the 50s and the gimmicks created by directors of the day, primarily Mr. Castle, who pioneered several interesting cinema gimmicks. However, the slasher (or actual horror) part of the film is pretty standard fare, it does blend well as a film, and the ending result is an entertaining and humorous film.

If you're looking for serious, mind bending horror, look elsewhere, however, as this is very much light entertainment.

[Image: Studio Three Film Productions]

 

Hani

Basket Case 2

"Basket Case 2" (1990, Frank Henenlotter, Synapse Films, Shapiro Glickenhaus Entertainment) is the sequel to "Basket Case".

We're back in the company of our old pals, Duane Bradley (Kevin Van Hentenryck) and his deformed, killer siamese twin, Belial Bradley.

The twins are on the run, but seek solace in the home of Granny Ruth (Annie Ross) who runs a home for people with similar deformities to Belial.

This oddly tame and completely off-kilter sequel does not do justice to the first film, which was a fun, if badly put together, low budget schlock fest. This time Belial finds a lady love and the whole film is just a step off of theme too far.

Lame and ridiculous. And I've sat through (and enjoyed) some pretty crappy stuff. 

I also can't help but wonder if the deformities dreamt up in this film helped inspire the Floop's Fooglies in "Spy Kids"....

[Image: Synapse Films]

Hani

Stitches

"Stitches" (2012, Conor McMahon, Fantastic Films, Tailored Films, MPI Media Group, Irish Film Board) is a British and Irish revenge 'comedy' horror starring comedian Ross Noble as an undead clown, back to reap revenge on the child bullies who brought about his demise now that they are all fornicating teens.

I'm perhaps biased as I find Ross Noble to be less than funny at the best of times, but this gross out film didn't strike a chord with me at all.

While the gore is commendable, inventive and fun, its cartoon-like quality detracts from any scares that could have taken place and Nobel's foul-mouthed, grimy, burnout clown lacks the charisma of most speaking-part slasher killer characters.

The film doesn't feel like a horror or a comedy, and the rude, brash 'humour' is just slapstick and bad language. I'm Scottish, believe me bad language doesn't bother me, but the scriptwriters seemed to be using it here instead of actual comedy.

While the acting cannot be faulted, the hollow plot doesn't create the fun 80s feeling I was hoping for.

Trashy and unfunny... But there's heaps of blood and bodily explosions, if that's what you want. But I bet it read better as a story board, really.

[Image: Fantastic Films]

Hani

Urban Legend

"Urban Legend" (1998, Jamie Blanks, Original Film, Phoenix Pictures, TriStar Pictures) is your average 90s teen slasher.

Taking all the typical (American) Urban Legends into account, and creating a couple of their own, we follow a group of college students (Jared Leto, Alicia Witt, Rebecca Gayheart, Michael Rosenbaum & Tara Reid) who's number is rapidly depleting, thanks to someone using urban legends to kill them.

A sleepover favourite, this slasher doesn't hold the same punch as it did when I was younger. The plot is very predictable and the gimmick is... well, just that: Gimmicky.

The film's ending is also very odd and highly displeasing. Although I'm sure it seemed ok at the time.

The characters are quite one dimensional, although it is fun seeing Jared Leto and the others in their younger years.

I also felt that Robert Englund was highly underutilised as a character.

Good teen sleepover fodder, but it doesn't survive a revisit.

[Image: TriStar Pictures]

Hani

Order of the Ram (2013)

"Order of the Ram" (2013, Scott Lyus, Crossroad Pictures, Posh Dinosaur Productions) is a short Satanic cult film from young UK based director, Scott Lyus.

Clocking in at just over 15 minutes this film demonstrates Lyus' potential to create a much longer piece, although it does suffer from some flaws.

Mary (May Kaspar) is a young college student who spends most of her time alone. We're introduced to her in a normal morning as we follow her about her day. The camera work is interesting here with a focus mainly set on Mary, fuzzing out the background slightly so that the audience are drawn to her as the protagonist.

Mary is also apparently a keen nature photographer, a hobby that is destined to put her into an awkward and life threatening situation when she is cornered by the Order of the Ram (a local Satanic cult led by Mother (Danni Scott-White)) who have taken a disturbingly keen interest in Mary.

The Order are convinced that Mary is the ultimate sacrifice required to bring forth Satan, their lord and master. And like all cults, they plan to do just that...

A slow burning film which uses a lot of really nice camera work and a score reminiscent of Hammer Satanic classic B-movies such as "The Devil Rides Out" to tell a story of a lonely girl who becomes entangled in a terrible situation.

The wooded setting is well placed with some nice finishing touches including some wildlife for Mary to photograph.

The approach of Mary in the woods by her captor is successfully menacing. Unfortunately the menace ends here. The subsequent scenes, where the real horror starts, is tarnished slightly by some hollow acting from our cult leader, Mother, who has the most dialogue in the film.

Mary also doesn't give a completely convincing impression of being terrified or putting up much of a fight which takes away from what could have been a very effective scene.

The male teacher, however, plays a really quite creepy character without having to do or say much. He looks completely too happy to be there!

The ending also leaves a feeling of wanting further development. Although a longer feature could focus on what the Order do if they are unsuccessful in achieving their ultimate goal, considering the act it took to find out.... It is abrupt, but it works.

All in all a watchable piece with great potential and very promising for future works with a bigger budget from Mr Lyus.

Catch the film's teaser trailer here: http://youtu.be/vQRYA8SAlRw

[Image: Crossroad Pictures]

Hani



Nightbreed

"Nightbreed" (1990, Clive Barker, Morgan Creek Productions) is an oddity of a movie, based on Barker's own novella "Cabal".

Aaron Boone (Craig Sheffer) is a bit mental. His frankly evil doctor, Philip Decker (David Cronenberg), has convinced him that he is a murderer. Aaron dreams of a place named Midian where monsters and murderers are accepted. He longs to go there.

A series of events leads Aaron to the acquaintance of Narcisse (Hugh Ross), a deranged killer, who confirms his belief in Midian and tells him how to get there, whilst giving himself a rather extreme facial....

While Boone searches for acceptance amongst the deformed creatures of Midian, his girlfriend Lori, (Anne Bobby) is trying to find him, unsure as to why he has run off and left her in the first place.

A very typically styled film from Barker, with elaborate sets, wonderfully outrageous effects and makeup and some nice gore. Unfortunately, the plot wears out after so long and the main character is dull.

On the whole, "Hellraiser" is a much better film, and "Nightbreed" pales in comparison, however, I, as usual, enjoy the styling and feel of this film and can see why it has reached Cult status.

I'm tempted now to read the Novella as my research has shown Barker is particularly disappointed with the way this film was cut and edited. Perhaps his true vision is much more disturbing. I also have to admit I have not put myself through the much longer "Cabal Cut" of this film...

B-movie cheesiness and a fun evil doctor in Cronenberg. Possibly one of the oddest love stories ever captured on film, and a lot of interesting effects makeup. If you're looking for something to keep you smiling on a rainy day, you can do much, much worse.

[Image: Morgan Creek Productions]

Hani

Haunt

"Haunt" (2013, Mac Carter, QED International, Revolver Picture Company, IFC Midnight) is a haunted house story.

Evan (Harrison Gilbertson) and his family move into a large house in America. He claims the attic bedroom. He befriends his female neighbour, Sam (Liana Liberato), and together they discover that the house has a dark, dark past, some interesting ghost hunting equipment, some unwelcome inhabitants and...  oh yeah, each other, they discover each other.... A whole lot, actually.

Chalk full of tired and worn horror cliches, "Haunt" will spook the young and uninitiated, but will bore the weathered horror fan and annoy anyone looking for a back story, a good twist or some kind of ending....

Nicely shot, the acting is perfectly fine, it's just not a very creative film. Go watch an episode of Supernatural, you'll get more suspense....

[Image: QED International]

Hani