Showing posts with label ghost hunting. Show all posts
Showing posts with label ghost hunting. Show all posts

Sunday, 12 July 2020

Death of a Vlogger

"Death of a Vlogger" (2019, Graham Hughes, Enlightened Monster Productions, 101 Films) is a found footage mockumentary about a video content creator who discovers his flat is haunted.

Graham Hughes stars as the titular vlogger, Graham, who hits the trending gold mine after a viral video seems to show evidence that his Glasgow flat is haunted. From there we follow a mockumentary style with interviews from friends, fans and... others as we learn the tale of Graham's rise to fame and journey to darker territory.

A well paced, interesting film that delivers some thoughts on the nature of social media and 'cancel culture' as well as some genuine jumps and impressive effects and camera work which are used sparsely and to great effect. The mockumentary and vlog style feels extremely relevant in 2020's pandemic lockdown world and keeps the slow burning style moving. The plot builds up with twists and turns to keep viewers engaged and changing their allegiances between the characters as we are delivered more information.

Creative and well crafted, this film is worth checking out and is currently available to rent from various Video On Demand services.

[Image: Enlightened Monster Productions, et al]
Hani

Sunday, 23 February 2020

Inhuman Kiss

"Inhuman Kiss" aka "Sang Krasue" (Sitisiri Mongkolsiri, 2019, Nakid, CJ Major Entertainment, M Pictures, Transformation Films) is a Thai horror romance centred around the Southeast Asian myth of the female Krasue spirit (aka Kasu or Ahp); the flesh eating floating head of a beautiful woman trailing entrails and tentacles, and the male Krahang; a ferocious male spirit.

We meet four children, Sai, Noi, Jerd and Ting, who are playing in the forest near an abandoned house. Jerd tells the group that the house is haunted by the spirit of a woman and then the children play hide and seek in the house. 

Years later Ting (Darina Boonchu) is married with a baby, Sai (Phantira Pipityakorn) is training to be a nurse, Jerd (Sapol Assawamunkong) is working with Sai as well as falling in love with her and Noi (Oabnithi Wiwattanawarang) has moved away from the village to live in Bangkok, much to the despair of Sai, who is in love with him. Everyone seems to be getting on with their lives when suddenly Noi returns to the village with a band of hunters on the trail of a Krasue spirit who is killing and eating the livestock. But Sai discovers to her horror that the Krasue is actually a curse and she is the one they are hunting...

Having just appeared on Netflix, and seeing a clip of the insane Krasue transformation online, I knew this would be my kind of film. But I was pleasantly surprised to find it was much more than I had expected. The film delivers a full and interesting plot as well as the gore and effects and manages to strike a balance between the cheesiness of the action and the rather straight-faced character development of our main three characters; Sai, Jerd and Noi. With a run time of just over 2 hours, I had expected to feel things were dragging a little, but the film's action is quite evenly spaced and the run time wasn't really a factor.  The effects are excellently achieved, and I felt the fact it wasn't trying to be funny really worked in its favour. Definitely worth checking out.

[Image: Nakid, et al]
Hani

Friday, 30 August 2019

Annabelle Comes Home

"Annabelle Comes Home" (2019, Gary Dauberman, New Line Cinema, Atomic Monster Productions, The Safran Company, Warner Bros. Pictures) is the seventh film in The Conjuring Universe created by James Wan and is the third feature film centred around the haunted doll, Annabelle, whom we were introduced to in the original The Conjuring and who is based on an actual case by the real life Ed and Lorraine Warren.

Starting from the doll being taken from the young nurses in the first Conjuring film, we follow her home to Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren's locked room full of other haunted artefacts. Some time later, the Warren's daughter, Judy (McKenna Grace), is being babysat by family friend, Mary Ellen (Madison Iseman) and her friend, Daniela (Katie Sarife). Unfortunately, it turns out that Daniela had other, more personal reasons for tagging along and she breaks into the artefact room searching for a way to contact the spirit of her father. Unwittingly touching everything and anything she can lay her hands on, Daniela also releases Annabelle from her blessed case allowing the doll to wreak havoc on herself, Judy, Mary Ellen and Mary Ellen's admirer, Bob (Michael Cimino) who had come to the house to serenade Mary Ellen in a badly timed attempt at seduction.

A really fun entry into a series that I feel was getting pretty tired. The very limited setting of the Warren's house makes for a good old fashioned spook house feel and the scare scenes are, in usual Wan style, well portrayed and effective. The fact that Annabelle is given the power to raise other spirits nearby makes the variety of ghosts attacking the teens and kid pretty diverse. Personally, I enjoyed the first Conjuring but felt a little cold on the subsequent films, but I found this film to be a fun ride and the first, since the original film, to spark some life back into the creepy little doll despite the doll herself getting very limited screen time. It's jumpy and a little silly - just what I wanted out a spooky doll film.

[Image: New Line Cinema, et al]
Hani

Sunday, 23 September 2018

Hell House LLC 2

"Hell House LLC 2: The Abaddon Hotel" (2018, Stephen Cognetti, Cognetti Films) is the sequel to 2016's found footage jump-fest, "Hell House LLC".

I personally really enjoyed the original film and you can find my thoughts on it here.

Following on from the events of the first film which covered a documentary team investigating the supposed technical issues which caused tragedy at the opening night of popular Halloween Haunt, Hell House, at the Abaddon hotel in 2009, the second film focuses on the public's continued curiosity of the cause of the tragedy.

Having reached some level of infamy after the documentary was released, Mitchell (Vasile Flutur) ventures back into the Abaddon Hotel after investigative journalist, Jessica Fox (Jillian Geurts), and her team receive an anonymous tip off of breakthrough evidence within the abandoned building. Despite Mitchell's misgivings they head back inside and discover some more of the truth behind the hotel's dark presence.

The familiar surroundings and creation of continuity are very effective and the film manages to continue the story in a believable way, demonstrating that the documentary inspired several wannabe ghost hunters to venture into the hotel with their camera phones and meet some unfortunate circumstances.

A lot of the jump scares are familiar, too, but this isn't to the detriment of the film and actually really pleased me as a viewer. The hotel doesn't change the rules for the sequel, it just reveals more of its nature to the camera. There are one or two elements where we are shown perhaps too much compared to the first film where a lot of the scares were in the subtlety of the horror, but on the whole the sequel delivers a lot of the same level of creep that the first did.

In the pattern of most sequels, however, the film does not quite meet the quality of the original and the characters and actors do not quite convey the same natural relationships and repartee that the original cast did. Things do sometimes feel a little more obviously acted. Although some of these scenes took me out of the story momentarily, the action within the hotel would quickly draw me back in.

The film delivers many more twists than the first and some of the revelations are delivered at a fast pace. A good few of these are succinct and creative, but the volume of them did lose some of the ingenuity and simplicity of the original plot. The story flow of the sequel is also less linear than the original and demands a little more effort from the viewer to keep things in place.

All in all, "Hell House LLC: The Abaddon Hotel" delivers an effective sequel that continues the story from the first film and sets up a comfortable starting place for more in the series. Although it didn't feel as immersive as the original, I certainly enjoyed it and look forward to a third.

[Image: Cognetti Films]

Saturday, 21 April 2018

Insidious: The Last Key

"Insidious: The Last Key" aka "Insidious Chapter 4" (2018, Adam Robitel, Blumhouse Productions, Stage 6 Films, Universal Pictures) is the fourth film in the Insidious series, but the second in terms of story chronology. We follow the parapsychologist from the series, Elise Rainier (Lin Shaye), who is brought in on a case that is very close to her own heart.


Young Elise (Ava Kolker) did not enjoy much of a childhood. Her connections with the ghostly world were not well received by her father (Josh Stewart) who was abusive and violent anyway, and her timid, yet supportive mother (Tessa Ferrer) was met with an unhappy and untimely end for which Elise feels largely responsible. After running away as a teenager (Hana Hayes), Elise is sure that she will never have to see that unhappy house ever again, but alas, fate brings her in on a new case set within the very walls of her initial torment.


A fairly formulaic entry to the franchise, we once again enjoy the company of awkward nerd duo, Specs (Leigh Whannell, Mr Writer/Producer) and Tucker (Angus Sampson), who's uncomfortable patter did a good job of breaking up the scenes. We are also introduced to Elise's estranged brother, Christian (Bruce Davison) and her two nieces, Melissa (Spencer Locke) and Imogen (Caitlin Gerard). I can completely understand Christian's anger towards his sister who abandoned him with their abusive father alone as soon as she was legally able. What I didn't understand was the girls' sudden repartee with Elise; an aunt that they had never known existed. It all seemed a bit sudden, a shade more than curiosity and... unlikely.


The film offers a few fun jump scares and skilfully holds back often enough to deliver a surprise every now and again. The setting is the familiar haunted house of the series, but it works well.


I do not dislike Lin Shaye. I have seen her in plenty of things where I've liked her performance and I would say that my dislike of Elise Rainier is not due to Shaye's performance but the character itself. It's pleasant to watch an older female take the lead in a film, especially as such a flawed character. Elise is not a heroine, per se, she is a woman exploiting her unusual skillset for money and to soothe her own guilt. Not unlike the character of Angel in the Whedonverse who saves people in an attempt to make up for his past transgressions, Elise is driven by good intentions but also selfish ones. Helping people makes her feel better about her past. And there's nothing wrong with that, in fact, I enjoy that aspect of the character. I think what I dislike about Elise as a character is the way she responds to everything. I think the intention is to make her appear strong and methodical, but to me she reads as cold and a little flat.


The monster of the piece enjoys some good scare factor but is a little over-revealed and loses a bit of its edge early on, although the design innovation is commendable.


As fourth sequels go, it's pretty decent, but it does feel like they may be running out of ideas to keep this particular branch of the franchise going.


[Image: Universal Pictures, et al]

Hani

Thursday, 4 August 2016

The Conjuring 2

"The Conjuring 2" (2016, James Wan, New Line Cinema, Warner Bros. Pictures) is the sequel to the 2013 film and centres around paranormal hunters, The Warrens, as they try to help the family infamously tormented by the haunting in the Enfield council houses in London.

Set in the 70s,  Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) travel to London to help the Hodgson family who believe that their home is occupied by a malevolent entity, which is probably the previous owner of the house, Mr. Wilkins. The Warrens try to help, but Lorraine is troubled by a vision she had seen at a previous investigation.

The Hodgson children and their mother, Peggy, witness some paranormal occurrences, but there are many sceptics thinking that the sightings are not real. However, the more they learn about this angry spirit, the more they think there is to this crooked man.

It seems I'm in the minority here, but here goes...

James Wan creates really thrilling jump scenes and some really stunning visuals, however, "The Conjuring 2" just does not live up to the same impact that its predecessor had. It felt somewhat samey, due mainly to the similar styling and 'universe' rules which Wan has built around his films. Some of the English accents were also a little too Mary Poppins for my comfort level and make the film seem silly. This in turn made the characters feel a little fake and made me care less about what happened to them.

 It has some nice earmarks of a 70s ghost movie and managed to recreate the era very well, but it never struck that chord that actual 70s horrors do. I felt I knew what was coming and the sidebar plot line felt like it belonged in a separate film.

All in all, it has some successful scenes, but as a full film I didn't feel it held together as well as the original one.

[Image: New Line Cinema, et al]
Hani

Thursday, 8 October 2015

Insidious: Chapter 3

"Insidious: Chapter 3" (2015, Leigh Whannell, Focus Features, Gramercy Pictures, Stage 6 Films) is a prequel to Insidious 1 and is also the directorial début of Leigh Whannell, who not only played ghost-hunter Specs in all 3 Insidious films, but also wrote Insidious 2 and several other James Wan films.

Paranormal expert, Elise Rainier (Lin Shaye), hasn't met the Lambert family yet, but she has just met a young actress called Quinn Brenner (Stefanie Scott), who has been trying to contact her dead mother. Elise tells Quinn that what she has been contacting is not her mother, and asks her to leave the spirit alone as it may be dangerous. Too bad for Quinn, the spirit has heard her cries and is now fixated upon her, and it is definitely dangerous.

A very jumpy film which is technically sound but with an aimless, meandering plot which lost my interest quickly. I found myself only paying close attention when I sensed a spooky bit coming on. The jumps are effectively created, with some unsettling images and some nicely realised effects. The scares are also not too few and are evenly spread. The main issue was that things took a while to get started and, although spooky bits were happening, the plot itself didn't seem to be going anywhere until the last quarter of the film.

A good sleepover film bound to make you jump at least once, but no lingering freaky feeling and by no means the best in the "Insidious" series.

[Image: Gramercy Films]
Hani

Sunday, 8 March 2015

The Tour

"The Tour" (2014, Alex Mathieson, Damon Rickard, Raedar Productions) is a short horror film that is 15 minutes long.

This compact little film crams a practically whole film plot into its small runtime. But it does this without feeling rushed.

Two young American girls, Cassie (Heather Dorff) and Morgan (Jessica Cameron), are doing a European tour. They have landed in England and have joined a haunted house tour in a small, quiet town. Darkmoor House is the key highlight of the tour; it's steeped in mysterious deaths and disappearances, however, unfortunately the tour does not go inside.

Tom the tour guide (Tom Gordon) takes a shine to Cassie and invites the two flirty girls for a private tour of the house. Once inside, however, things become a lot more sinister than just spooky stories by torchlight...

Managing to create a whole film within 15 minutes without coming a rushed mess is impressive. The scenes are remarkably well shot and the full product is well put together. Whilst the plot came across as quite average, there were actually a couple of well placed twists that made the short stand out against other haunted house stories, and the acting was very competent and believable with every character defining their own personality.

The scenes within the house were effective, if low budget, and there was even a nice jump or two that had the room of viewers twitch.

Scream queens Heather and Jessica, who acted together on other projects, create a good team and a lot of screams. The film benefitted from having a classic feel to it without being too predictable, and came together very effectively.

[Image: Raedar Productions]
 
Hani

Monday, 7 April 2014

Haunt

"Haunt" (2013, Mac Carter, QED International, Revolver Picture Company, IFC Midnight) is a haunted house story.

Evan (Harrison Gilbertson) and his family move into a large house in America. He claims the attic bedroom. He befriends his female neighbour, Sam (Liana Liberato), and together they discover that the house has a dark, dark past, some interesting ghost hunting equipment, some unwelcome inhabitants and...  oh yeah, each other, they discover each other.... A whole lot, actually.

Chalk full of tired and worn horror cliches, "Haunt" will spook the young and uninitiated, but will bore the weathered horror fan and annoy anyone looking for a back story, a good twist or some kind of ending....

Nicely shot, the acting is perfectly fine, it's just not a very creative film. Go watch an episode of Supernatural, you'll get more suspense....


[Image: QED International]
Hani

Wednesday, 18 September 2013

Insidious Chapter 2

"Insidious Chapter 2" (2013, James Wan, IM Global, Entertainment One, Blumhouse Productions, Film Disctrict, Stage 6 Films) is the sequel to Insidious (2011).

We continue the Lambert family's story, both after and prior to the first film's events with Patrick Wilson, Rose Byrne, Ty Simpkins, Lin Shaye, Leigh Whannell, Angus Sampson and Barbara Hershey reprising their roles.

It would seem that the Lamberts all share some tenuous links to the ghostly realm, given the events of this film. 

A completely unnecessary sequel to a film that, I felt, lost its way in the last hour. Insidious 2 seems more inadvertently funny than scary. Acting more as a filler to the missing information from the first film, the plot seems cobbled together and disjointed. It almost feels as if someone had written a Fanfic of Insidious and then they decided to turn that into the sequel.

That's not to say that it's not entertaining. The opening sequence is great fun, the retro credits and legend are excellent! The effects are good and the acting is good. There's even a couple of effective jump scares.

The main problem is the jumpy-ass plot and the lack of good scares. In fact the only tense scene for me involved the baby and the best scene was the 'little girl' ghost who has an excellent parting line to our ghost hunting comedy duo, Specs and Tucker.

The explanation of the history of the ghost was convoluted and didn't add much to the plot, and aside from some entertaining nudge-nudge-wink-wink link ups between the first film and internal scenes, it all played out a little flat.

Not to mention the Scooby Doo ending which was worthy of the 'Ghostfacers' from Supernatural!

Fun but not in the horror way. If you want to enjoy some fresh work from James Wan watch "The Conjuring" instead.

[Image: Blumhouse Productions, Film Disctrict, Stage 6 Films]
 
Hani

Monday, 25 March 2013

Grave Encounters

"Grave Encounters" (2010, Darclight, Digital Interference, Twin Engine Films, The Vicious Brothers) is a found footage horror about a Ghost Hunting Reality TV show who are filming in a supposedly haunted old insane asylum where unethical practices had been performed on the patients.

The team, consisting of occult specialist Sasha (Ashleigh Gryzko), tech guy Matt (Juan Riedinger), cameraman T.C. (Merwin Mondesir) and guest 'psychic' Houston Grey (Mackenzie Gray) are led by Lance Preston (Sean Rogerson) the entrepreneurial host. But now that they have their wish for some real paranormal stuff, can they survive the night in a real house of horrors?


I'm not usually a fan of the found footage genre, but I really enjoyed this film. The characters aren't much to write home about, but the acting was good, and it really felt like one of those crappy shows like "Most Haunted".

The build up is nicely paced, and I was happy to see that the terror slowly builds, not using every possible opportunity for a jump. It was like being on a haunted house rollercoaster in that I was anticipating what was about to happen, but it was still thrilling. It was really one of the best ghost movies I've seen in a while with some fairly impressive jumps and a nice spiral-into-madness theme going on.

The only thing I would add is that there was a scene that was just too similar to my favourite bit in 1999's remake of "The House on Haunted Hill", which felt a little too lifted. Although, to be honest I can't imagine how I could avoid making parallels between the films, considering the similarities in plot and setting.

Really, a fun little jump-and-boo film for a dark and stormy night in!


[Image: Darclight Films]

Hani

Sunday, 3 February 2013

1408

"1408" (2007, Mikael Håfström, Dimension Films, Metro-Goldwyn-Mayer) is a haunted hotel room film based on the book of the same name by Stephen King. This is a King book I haven't yet got to reading, but it's on my list, and has just moved swiftly up the list thanks to this film!

Mike Enslin (John Cusack) is a sceptical writer who travels around America staying in supposedly haunted hotel rooms and giving them shining, ghost-filled reviews in his cheap thrill books. He has come to live this way after the death of his daughter, Katie (Jasmine Jessica Anthony) and the resulting separation from his wife, Lily (Mary McCormack). He's lost his drive to write real books and is lost.

His PO box is always overflowing with invites and flyers from Haunted Hotel owners, but there's one hotel in New York that he feels compelled to visit after receiving an anonymous flyer, The Dolphin Hotel.

He travels to New York and tries to check into room 1408. The hotel's manager, Gerald Olin (Samuel L. Jackson) attempts several times to dissuade Mike from staying in that room, offering him bribes and free evidence. But Mike is determined, and is eventually given the keys. Olin takes him to the floor, but not the room, and warns him that over 56 people have died inside 1408 and no one has lasted more than an hour.

Mike sits in the room for a while, telling his tape recorder about the shabby, boring appearance of the room, its drab decor and lack of any supernatural phenomenon. And then, the room makes with the scary!

The film is quite intense, elegant and jumpy. The scares flip smoothly from psychological to 'boo' moments and Cusack gives his usual high level of character acting for the tense surroundings. Mike begins as a sceptic, slowly slides into intrigued and shocked, falls into terror and tries to bounce back into control. It's a good rollercoaster effect and Cusack pulls it off brilliantly.

The version I watched was the Director's cut which has the, what I like to call, 'British Audience Ending'; we're rarely upset with a sad, brutal ending. The 'real' ending, if you like, was quite a lot different, due to negative responses at test screenings. I haven't actually seen this ending so can't really offer comparison, but I really liked the ending in this one and thought it fitted with King's usual story telling very well.

I think this film is quite classy for the modern horror as it manages to entertain and scare its audiences with no sex. Not that I don't love a good sleazy 80s slasher, but I'm finding that a lot of modern horror films feel the need to have boobs and torture to the max and it's getting boring. What I liked about "1408" was that it's scary and has some gore and grisly bits (there is a very good scene with a blue light), jumps and thrills without pandering to the 'Saw'-seekers.

Keeping with King's recurring theme of  'places that are just wrong' "1408" is more than a haunted hotel story, and the evil cannot be truly beaten. Really worth watching.



Image: Metro-Goldwyn-Mayer

Hani

Monday, 24 September 2012

The Innkeepers

"The Innkeepers" (2011, Ti West, Dark Sky Films, Glass Eye Pix) is a haunted hotel story.

A slow burning jumper of a film, we follow the otherwise dull lives of two young hotel employees, Claire (Sara Paxton) and Luke (Pat Healy), who are manning the front desk for the final weekend of the "Yankee Pedlar Inn" being open. There are only a handful of guests staying at the doomed hotel, and the owner is away sunning himself in Barbados.

Claire is an awkward teenager, who has recently dropped out of college and is feeling lost in her now directionless life, as she prepares to lose her job at the hotel. She's heavily asthmatic and is also prone to entertainingly flaky outbursts and exasperated half-tantrums.

Luke is slightly older, and is also a college drop out, but unlike Claire, he is happily nestled into his rut in life. It is he who has the main interest in ghost hunting in the hotel, and he runs a website about the strange happenings. Although it becomes apparent throughout the film that his interests in the paranormal are primarily all talk and he is more of a lazy, casual enthusiast.

Luke's interests in the hauntings by a young woman who hung herself after her new husband left her on their honeymoon at the hotel, has become quite an obsession now with Claire, who is most likely trying to find something to fill the hole in her life. Luke is evidently head over heels for her, and although deep down he has no actual interest in finding or facing a real ghost, he keeps up the charade to be close to Claire.

One guest is a retired actress-cum-psychic who uses her divining crystal pendulum to communicate with the spirits. Now, I have friends who are into this kind of stuff, and I can promise you that is not how you're meant to 'use' a crystal, but whatever! I enjoy that the 'wise man' part is played by a 'wise woman', considering that the main character is also female.

It seems that Claire and Luke's meddling in the supernatural with their EVP recording equipment, video cameras and so on have caught the attention of the spirits and kind of pissed them off, because soon it seems that they are now after Claire. Although she doesn't help herself much. Seriously, I spent quite a lot of this movie shouting things like "Why? Why, Claire? Why are you going into the basement?! Didn't you listen to The Ramones song?"

The film is slow paced with little happening for a while. The repartee between Claire and Luke is realistically casual and good fun. In fact, for a while you can maybe even forget that you are watching a horror movie at all, as you just take in the lives of this young pair and their awkward not-a-romance.

Now and again, though, West likes to remind you that the hotel is haunted and give you a quick flavour of horror. Although it's not a guts and blood squelch-fest, these little titbits of ghostly activity keep the pace up and keep the audience engaged.

Back to the original style of ghost story telling seen in latter day black and whites such as "The Haunting", most of the jumps are false alarms or tension breakers which are thrilling and also lull you into a false sense of security.

My only problem with this film was the end. The whole way through, tension is built up and up, keeping you waiting on a twist that's not coming, a big finale, or a prelude to a non-existent sequel. But... nothing. The end is the end. The plot is rounded but also unfinished and the hotel remains haunted!

One thing you have to say though is, all those horrorfans who like to boast about always seeing the twist in a film, well you should make them watch "The Innkeepers", because they will definitely not see the 'twist'.

A good little yarn with some relatable characters and a setting that isn't actually overly eerie, despite following the same set up as "The Shining" (virtually empty hotel with ghosts).

Definitely worth a watch, but not sure I'd sing about it as loudly as others have done.

[Image: Dark Sky Films & Glass Eye Pix]
Hani