Showing posts with label Joe Dante. Show all posts
Showing posts with label Joe Dante. Show all posts

Saturday, 24 February 2018

Splatter

"Splatter" (2009, Joe Dante, Roger Corman, Netflix) is a short web series from the earlier days of the concept of TV streaming.

Johnny Splatter (Corey Feldman) was a troubled rock star who filmed himself graphically committing suicide. A small group of family, friends and colleagues are invited to his home for a will reading. Each, suspecting that they're about to be handed a massive payout, turn up, despite revealing that they didn't exactly like Johnny much.

Suddenly, the TV springs to life, revealing that Splatter filmed his will prior to his untimely demise... Or, is he back to take vengeance on his unappreciative acquaintances? As the episodes progressed, viewers were asked to vote for who would meet their death next.

The series suffers from its overtly corny style that comes across as a little too sincere, but overall I found the layout, practical effects and over the top characters to be tongue-in-cheek and a bit of fun.  There were, apparently, more episodes but only the initial run of three are available to view easily on Netflix. It is undeniably a disappointing effort from Dante and Corman, but this is likely down to the confines of the schedule and the gimmick.

Horror films have a great and long history of using gimmicks, and this early example of a Netflix original is no different. Feldman's vengeful zombie delivers a demanding "Who's next?" at the end of every episode and, at the time, the audience were given the chance to vote. It's cheesy, but that's what I was there for. I've also just always liked Corey Feldman.

We have the usual tropes and a small cast of characters including the ever awesome Tony Todd bringing us the only seemingly sane character in the bunch. While the short series is hammy and manages not to be particularly innovative, despite its natty gimmick, it delivers its resolution quickly and was certainly part of Netflix's foray into changing viewer's habits and a step towards the innovation and horror series being created today.

[Image: Netflix]
Hani 

Sunday, 7 April 2013

The Howling (1981)

"The Howling" (1981, Daniel H. Blatt, Joe Dante) is a werewolf movie.

Karen White (scream queen Dee Wallace) is a news anchor-woman on the hunt for a brutal serial killer. When she finally has him cornered, something scary happens and she is left traumatised. The killer is shot dead.

She attends a retreat known as 'The Colony', prescribed to her by her Doctor, Dr. Waggner (Patrick Macnee). The retreat is strange and full of questionable people, including some familiar horror faces. Soon, Karen begins to suspect that something sinister is going on at the Colony, but then again she could just be crazy...

A very slow start marred this film for me somewhat, but the effects and costumes are really excellent (which isn't surprising, considering Mr. Bottin later went on to make all those wonderful nasties for 'The Thing'). 

 The pace is also picked back up at the end.

It's certainly no replacement for 'American Werewolf in London' (made in the same year) as far as werewolf transformation scenes go, but it admittedly had a much smaller budget. With quite a bit of wolfing-out and some really eerie werewolf hands grasping out from dark corners, I'd rate this as one of the best werewolf films out there even today.

Fun and daft, I'm sure a lot of people watch this film just for Elisabeth Brooks' nude scene! But it's really worth a try if you're in the mood for some good, old-fashioned man-eating-lycanthropes.

Hani