Splatter

"Splatter" (2009, Joe Dante, Roger Corman, Netflix) is a short web series from the earlier days of the concept of TV streaming.

Johnny Splatter (Corey Feldman) was a troubled rock star who filmed himself graphically committing suicide. A small group of family, friends and colleagues are invited to his home for a will reading. Each, suspecting that they're about to be handed a massive payout, turn up, despite revealing that they didn't exactly like Johnny much.

Suddenly, the TV springs to life, revealing that Splatter filmed his will prior to his untimely demise... Or, is he back to take vengeance on his unappreciative acquaintances? As the episodes progressed, viewers were asked to vote for who would meet their death next.

The series suffers from its overtly corny style that comes across as a little too sincere, but overall I found the layout, practical effects and over the top characters to be tongue-in-cheek and a bit of fun.  There were, apparently, more episodes but only the initial run of three are available to view easily on Netflix. It is undeniably a disappointing effort from Dante and Corman, but this is likely down to the confines of the schedule and the gimmick.

Horror films have a great and long history of using gimmicks, and this early example of a Netflix original is no different. Feldman's vengeful zombie delivers a demanding "Who's next?" at the end of every episode and, at the time, the audience were given the chance to vote. It's cheesy, but that's what I was there for. I've also just always liked Corey Feldman.

We have the usual tropes and a small cast of characters including the ever awesome Tony Todd bringing us the only seemingly sane character in the bunch. While the short series is hammy and manages not to be particularly innovative, despite its natty gimmick, it delivers its resolution quickly and was certainly part of Netflix's foray into changing viewer's habits and a step towards the innovation and horror series being created today.

[Image: Netflix]

Hani 

Shock 'em Dead

"Shock 'em Dead" aka "Rock 'em Dead" (1991, Mark Freed, Noma, Academy Entertainment) is a direct-to-VHS horror film about rock 'n' roll and voodoo.

Martin (Stephen Quadros) is a loser who can't play guitar no matter how hard he practices. He's working in a pizza shop, but aspires to join a local up-and-coming rock band. After quitting his job and having a disastrously bad audition, Martin sells his soul to the local voodoo lady in order to become a successful rock legend.

Martin transforms into Angel; a guitar god with a mansion, hot tub and sexy groupies. Unfortunately, however, losing his soul comes with a new hunger that needs to be satisfied and he needs to feed....

Can he make it in the world of rock? Can he win the heart of Lindsay (Traci Lords), the band's sexy manager? Can he get rid of that terrible lead singer? It's so exciting...

I put this film in the so-bad-it's-good category: it's hammy as hell, there's a lot of gratuitous boob flashing and the 'music' is terrible. Angel appears to develop unworldly guitar skills that just add to the ridiculous appeal of this daft bit of B-movie cinema.

So, the main lesson to be learned from this film is that soulless Martin is just as big an idiot as nerdy Martin. If you're given godly guitar powers and an almighty makeover, and essentially the world of awesome at your fingertips.... don't waste it by setting your sights so low. Numpty.

[Image: Noma, et al]

Hani

Repo! The Genetic Opera

"Repo! The Genetic Opera" (2008, Darren Lynn Bousman, Twisted Pictures, Lionsgate) is a rock opera horror comedy about a dystopian future. It's based on a stage play of the same name.

It's the late 21st century and mass organ failures have caused the huge rise of a Megacorporation called GeneCo who provide extreme surgeries, organ transplants and addictive painkillers to the masses. Their payment plans are also extreme, with people who fall behind on their payments being hunted down by the mysterious RepoMan and having their transplanted organs repossessed... violently.

We follow the stories of the various intriguing characters as we uncover all of their interlocking backstories, each rock opera-ing their hearts out (sometimes literally...).

I liked the style of the film. The scenery, gothic setting, illustrated, comic style scene introductions and outlandish characters are all in good fun. I also appreciated the splattery surgery-gore, humorous, futuristic body modifications and just everything about Anthony Stewart Head.

I've never been particularly fond of Paris Hilton but I actually enjoyed her part in this film. In fact all the actors look like they're having a great time hamming up their parts to create this enjoyably outlandish film.

The songs are all a bit discordant and gimmicky and, like most musicals, don't lend themselves well to anything outside of the film, but are effective as narrative and are performed by the cast with a zeal that makes up for the shortfalls.

"Repo! The Genetic Opera" is a campy bit of fun which has deservedly gained cult status. It's a bit gimmicky, but is otherwise enjoyable if you're not looking to take it too seriously.

[Image: Lionsgate]

Hani

Trick or Treat (1986)

"Trick or Treat" (1986, Charles Martin Smith, De Laurentiis Entertainment Group) is a high school outcast movie with a rock star ghost causing mayhem.

Eddie (Marc Price) is a rocker and a loser at school. He's put upon by the jocks, ignored by the girls, and is basically having a bad time.
His one release is his obsession with music and his idolisation of his favourite metal legend, devil worshipping Sammi Curr (Tony Dean Fields). Although poor Eddie's life seems shattered when he learns of his idol's death in a fire.

In his despair, he visits his radio DJ friend, Nuke (Gene Simmons. Yes, Gene Simmons!), who gives him a special gift; the last live record recorded by Sammi. What a nice dude!

Eddie skips off home to first go through some agonising ritual humiliation at the hands of his high school bullies, and then to listen to his new single.

As it would turn out, ol' Sammi is somehow haunting the record, and is able to communicate and later manifest through the powers of awesome and studded leather catsuits. However, it would seem that Sammi's not just out to avenge Eddie's bullies, or cause metal music havok but also to just kill people for fun. Eddie vows to put a stop to it, but how can he, now that the song is being played at the High School Halloween dance?!

A bit of fun with appearances from Ozzy Osbourne and the aforementioned role by Simmons. There's lots of electric shocks, fun 80s metal riffs, bad one liners and backwards messages. If you don't like this film, you're just not one of my kind of people, I'm afraid! Cheesy, trashy fun for the win!

[Image: De Laurentiis Entertainment Group]

Hani