Hell House LLC 2

"Hell House LLC 2: The Abaddon Hotel" (2018, Stephen Cognetti, Cognetti Films) is the sequel to 2016's found footage jump-fest, "Hell House LLC".

I personally really enjoyed the original film and you can find my thoughts on it here.

Following on from the events of the first film which covered a documentary team investigating the supposed technical issues which caused tragedy at the opening night of popular Halloween Haunt, Hell House, at the Abaddon hotel in 2009, the second film focuses on the public's continued curiosity of the cause of the tragedy.

Having reached some level of infamy after the documentary was released, Mitchell (Vasile Flutur) ventures back into the Abaddon Hotel after investigative journalist, Jessica Fox (Jillian Geurts), and her team receive an anonymous tip off of breakthrough evidence within the abandoned building. Despite Mitchell's misgivings they head back inside and discover some more of the truth behind the hotel's dark presence.

The familiar surroundings and creation of continuity are very effective and the film manages to continue the story in a believable way, demonstrating that the documentary inspired several wannabe ghost hunters to venture into the hotel with their camera phones and meet some unfortunate circumstances.

A lot of the jump scares are familiar, too, but this isn't to the detriment of the film and actually really pleased me as a viewer. The hotel doesn't change the rules for the sequel, it just reveals more of its nature to the camera. There are one or two elements where we are shown perhaps too much compared to the first film where a lot of the scares were in the subtlety of the horror, but on the whole the sequel delivers a lot of the same level of creep that the first did.

In the pattern of most sequels, however, the film does not quite meet the quality of the original and the characters and actors do not quite convey the same natural relationships and repartee that the original cast did. Things do sometimes feel a little more obviously acted. Although some of these scenes took me out of the story momentarily, the action within the hotel would quickly draw me back in.

The film delivers many more twists than the first and some of the revelations are delivered at a fast pace. A good few of these are succinct and creative, but the volume of them did lose some of the ingenuity and simplicity of the original plot. The story flow of the sequel is also less linear than the original and demands a little more effort from the viewer to keep things in place.

All in all, "Hell House LLC: The Abaddon Hotel" delivers an effective sequel that continues the story from the first film and sets up a comfortable starting place for more in the series. Although it didn't feel as immersive as the original, I certainly enjoyed it and look forward to a third.

[Image: Cognetti Films]

Hell House LLC

"Hell House LLC" (2016, Stephen Cognetti, Cognetti Films) is a found footage mock-umentary film set in a Halloween haunt.

The film circulates around a film crew trying to unravel the mystery of a tragedy which struck a haunted house in an abandoned hotel. Although authorities reported a 'malfunction' as the cause of the panic, survivor footage and accounts have made it seem like something more sinister happened. When someone steps forward as a witness who was involved in the tragedy, along with a lot of new, unseen footage, the crew think they might be on the verge of a breakthrough. We follow the story of the group of haunters setting up shop in the small town just outside of New York city and see first hand the events as they unfolded.

I'm not the biggest fan of found footage as a rule. The jumpy camera style gives me motion sickness and often the acting is unnatural and distracting. But, "Hell House LLC" manages to be dark, entertaining and filled with effective jump scares. The camera motions are very typical of a found-footage flick, but the effective screen cutting, styling and overall storytelling keep the viewer engaged and stop it from becoming boring.

The characters are well evolved and a good sense of camaraderie (and animosity) is built up effectively. Some of the jump scares are pretty by-the-book, but these are well paced and nicely shot. There are a few, however, that actually elicited a jump from me and the use of one of the haunt props is extremely well done. It is definitely this that made the film stand out for me and has brought it into my annual Halloween watch list.

The film delivers an effective scare fest and neat plot twist that creates a great Halloween party atmosphere. And while the plot isn't exactly breaking any new ground, it does inject the jump-scare, found footage genre with a fun, atmospheric entry.

[Image: Cognetti Films]

Hani

31

"31" (2016, Rob Zombie, Bow + Arrow Entertainment, PalmStar Media, Protagonist Pictures, Spectacle Entertainment Group, Windy Hill Pictures, Saban Films) is the latest Rob Zombie horror picture.

A group of carnival workers are travelling in their van on Halloween morning 1976 when they are captured by a group of mysterious people and are then forced to play a "Running Man"-esque survival game called "31" (after the date). The aim of the game is to survive for 12 hours while battling murderous, torture-obsessed maniacs with clown paint on, wielding weapons. The game appears to be for the amusement (and gambling interests) of a group of madcap aristocrats lead by Malcolm McDowell.

The film has the same chaotic feeling that most of Rob Zombie's film enjoy with sudden scenes of violence split by scenes of random banter between the characters. However, the overall effect is less easy to follow than his previous films with a major flaw for me being there were so many characters to begin with, especially since it became apparent that a lot of these characters weren't required and are quickly lost in the confusing capture scene. There wasn't enough personality built up around these surplus characters to make them an emotional loss either, so I didn't feel their demise to be of any significance.

The settings are familiar: dusty back roads of America, big empty warehouse... The jump from one to the other is jarring and seems almost like 2 separate films. Zombie has also paid homage to Rocky Horror, Texas Chainsaw Massacre and other genre favourites, but some scenes seem more like replication than actual homage.

The action and kill scenes are good viewing, but our protagonists leap a little too easily into the roles of survival killing machines against supposed professional maniacs. The villains are colourful but would have benefited from some more screen time.

I did really enjoy main villain, Doom Head (Richard Brake), who, although very chatty, had a really effective menace to his character on top of being very violent and giving a good monologue.

As did Zombie's "The Devil's Rejects", "31" features a good group of familiar and established cult and genre faces including Meg Foster (she of the mesmerising eyes in "They Live" and more recently, "Pretty Little Liars") amongst a cast of many others. The acting is good, but the style of scripting sometimes makes the aforementioned banter seem less comfortable between characters.

All in all, it will certainly not be overtaking "House of 1000 Corpses" as my favourite Rob Zombie film and suffers from a few pitfalls, but it had the gore and action to bring it back.

[Image: Bow + Arrow Entertainment, et al]

Hani

All Hallow's Eve

"All Hallow's Eve" (2013, Damien Leone, Ruthless Pictures) is a supernatural slasher about a killer clown and a VHS tape. With Halloween just around the corner, I thought I'd start looking at some films I haven't seen before.

Sarah (Katie Maquire) is babysitting Tia (Sydney Freihofer) and her brother Timmy (Cole Mathewson) on Halloween night. We all know that's a bad idea for a start. Timmy opens his trick or treat loot to find that some strange neighbour has put a VHS tape in instead of sweets. Sarah is obviously keen to check the tape's contents before letting the kids watch it. Personally, I would have just put that creepy shit in the bin, but whatever.

The tape turns out to be an anthology of murders which all feature Art the Creepy Clown (Mike Giannelli) in some way or other. Thinking it's just a somewhat disturbing movie, Sarah gives in and lets the kids watch some of it before putting them to bed. But Art the clown makes a special guest appearance later that night, with some unhappy results...

Art the clown was first invented for a short film called "The 9th Circle" in 2008 and was again seen in another short called "Terrifier" in 2011. He's a pretty creepy character, but the film doesn't do him justice as it's just not scary enough to make the most of him.

The film itself isn't awful by any means, but there are long boring stretches and the lack of dialogue in large segments of film, while mostly effective, result in a loss of interest from the viewer after a while. The subject matter is violent and gory with most of the action centering on the depraved clown who just seems to hate lone women and want to hurt them.

There are some really disturbing scenes and some good practical effects, considering the film's low budget. I particularly appreciated the beginning to the end of the wraparound plot, which is by far the best part of the film. Unfortunately, some other effects and costumes are much less effective (I'm sure I could get a more convincing alien costume in 'Poundland') and lose some of the viewer's engagement.

The whole VHS tape thing is becoming a trope of its own and I couldn't review this film without obviously comparing it to "The Ring" series and "V/H/S", which both enjoy much more scares than this one does, but also bigger budgets. One thing that "All Hallow's Eve" did do quite well was slowly make the babysitter's environment more menacing as the film went on.

They've tried to give the film a gritty, video tape vibe with some muting of colours etc. Each segment has a different post-production hue, which I liked.

So, it's not a masterpiece. I'm not a huge fan of torture-porn films and the low budget hindered some of the film's effectiveness. The overall linkage of the shorts is pretty sketchy, the actual shorts themselves are not great and some of the action is more funny or just gross than scary. But it shows a lot of potential from Damien Leone as his full length debut and Art the clown is truly very creepy.

[Image: Ruthless Pictures]

Hani

Poltergeist (2015)

"Poltergeist" (2015, Gil Kenan, Metro-Goldwyn-Mayer, Ghost House Productions, Vertigo Entertainment) is the remake of the Tobe Hooper 1982 classic of the same name. It was produced by Sam Raimi, whom I have utmost respect for, but I'm afraid I still am not a fan of this film.

Firstly, the film did not need to be made. The original film is still a great scare-fest to this day and stands up well when compared to its modern day contemporaries. This redo is essentially a vanity project for its makers and nothing more.

Secondly, the film isn't really sure what it is. Is it a retelling of the story? Is it a modernisation of the story? Is it a kind of sequel? Is it an abrupt collection of all the best bits from the original quickly drafter together with more modern effects and rammed into a rather dull, predictable and essentially soulless redo of these scenes? Personally, I think the last one there hits the nail on the head.

The plot is altered, which I have no problem with except that it adds a few holes into the hows and whys of the haunting. My main issue, however, is that the film just seemed to be jumping from famous, iconic scene to famous, iconic scene without so much as a plot or a character development. And as adorable as little Madison (Kennedi Clements) is and as convincing as she is in her role, the delivery of the best line of the film "They're here" just doesn't quite pack the oomph of the original. By far the best acting comes from little Griffin (Kyle Catlett) who manages to keep the plot going.

I did like the Carrigan Burke character (Jared Harris) who replaces the Tangina character from the original. I admit I had my misgivings about changing the medium character so much, but he brought a much needed sense of banter to the cast.

Also, some of the new effects are indeed fantastic. The television scene is really quite chilling and the glimpse into the other side was really well realised. However, remaking a whole film just to show off your updated effects seems a bit tired to me. Give us something new!

All in all, if you haven't seen the original you may enjoy this film. But to me it was just an unnecessary rehash with more jump scares added and a much less frightening clown doll scene.

[Image: Ghost House Productions, et al]

Hani

Clown

"Clown" (2014, Jon Watts, Cross Creek Pictures, Vertebra Films, PS 260, Zed Filmworks, Eli Roth) is about a father (Andy Powers) who finds an old clown costume in a house he is selling and wears it to his son's birthday party so as not to disappoint him when the real clown cancels.

But, when he tries to remove the costume, it won't budge, having fused to his skin. Every attempt to remove it fails, even when his wife uses some tools to remove the nose.... He seeks the help of Karlsson (Peter Stormare), who tells him that it is not a clown suit, but the skin of a child-eating clown-like demon that is now possessing him.

I liked this film. At only 1hr 40 minutes long it doesn't outstay its welcome and the acting, special effects are story are all excellent. It's also very well paced and suitably dark.

There's some gore and some tropes, but not so many that I'd complain, and some nice demon book imagery. This film also doesn't shy away from some disturbing scenes involving scary clowns, sharp objects and children. so be warned.

I also really, really appreciated the subtle changes in the look of the suit as the film progressed as it became less of an outfit and more skin like. Very well put together.

I recommend.

[image: Cross Creek Pictures]

Hani

Bloody Cuts : Stitches

"Stitches" (Ben Kent, Ben Franklin, Jonny Franklin, Joel Morgan) is another short from Bloody Cuts' horror anthology.

This one is not for the Coulrophobics out there! A babysitter finds more than she bargains for when sitting for the child of a couple who collect figures and toys.

Nicely set up and only 5 minutes or so long, this one is really a one trick pony of a film, but providing you go in open minded I'm sure you'll be pleased.

[Image: www.bloodycuts.co.uk]

Hani

Secrets Of The Clown

"Secrets Of The Clown" (2007, Ryan Badalamenti, Brain Damage Films, Badman Productions) is, in essence, a killer clown movie.

Bobby (Paul Pierro) feels that he is being haunted by a spirit after the brutal murder of his friend Jim (Jay O'Connor) in his house. His girlfriend, Val (Kelli Clevenger), has also become very distant and oddly protective of her toy clown doll. Soon other friends of Bobby begin to be killed off. Could the clown be responsible?

Dun. Dun. Duuhhhhhhhnn!

Sounds ok, doesn't it? A little schlocky, maybe. Well, it's a low budget attempt so I would be inclined to forgive the sometimes shaky camera work and I was expecting crappy gore. But the first scene is very promising! And the musical score is pretty well put together.

However, the dialogue is painful and truthfully, badly executed by wooden acting. It references 'Ghostbusters' and 'South Park', but the lines aren't very funny. And, although character stereotypes are set up, the characters are just not full enough for any audience sympathy. But I'm used to this in B-movies, so I wasn't expecting much anyway.

The plot is confusing, jumpy and seems uncertain of what's going on and there are a lot of dream sequences that, although sometimes actually creepy, don't do much for the story. It was like Badalamenti couldn't decide if he wanted the bad guy to be a clown, a ghost, a demon or witches. It makes little sense and by half way through the film I just didn't really care any more!

The characters are not likeable, and although the clown make up is good, considering the meagre budget this film must have had, he's not really used to his full potential.

The gore is surprisingly good for B-movie-dom, but it's not quite "Murder Party" impressive (another terribly wooden film). And I didn't understand where some of the blood splatters were from, especially in the car scene. But that's not really a bad thing in a slasher!

There are a lot of topless women in this film, so I suppose that would save it for some people. There's also a sexy nurse and a shower scene. So, if you're looking for boobs, this could be right up your street. 

But it's not scary, it's not clever and it's indecisive as to which horror-sub-genre it wants to be in. Cheesy, but not in the good way.

[Image: Brain Damage Films & Badman Productions]

 

Hani

IT

"IT" (1990, Lorimar Productions, DawnField Entertainment, Warner Bros. Television, Tommy Lee Wallace) is one of the classic Stephen King adaptations. It's one of the few King books turned films that have actually been done well! If not completely accurately, but when has that ever happened? This is the made for TV version, which is the superior version in my book.

The fabulous Tim Curry (Dr. Frank-N-Furter himself!) stars as the child-eating-fear-demon (well really, he's more of an interdimensional-being, but whatever!), who often takes the form of Pennywise the 'dancing' (read 'insane') clown. Pennywise plays with his victims, either luring them to their death like a Kelpie, or by simply scaring them to death by transforming into their worst fear. We see him lure a small girl to her death at the start of the film.

When Mike (Tim Reid, who is the dad from 'Sister, Sister') is at the scene of the crime, he spots an old photo lying on the grass. The photo is of a small boy, who he recognises as the deceased younger brother of one of his old school friends, Bill. Bill's baby brother, Georgie (Tony Dakota) was one of Pennywise's victims in the 60s, when Mike and his pals were all children. It was Georgie's death which started the group's adventurous involvement with crazy clown man.

Mike calls up all his old friends, who have since moved away from the small Maine town of Derry, and have forgotten most of their childhoods and all about Pennywise, thanks to the creature's magical defences. The gang make their way back to Derry at the pleading of Mike, and slowly begin to remember what had happened there.

The film is really following one storyline, the group vanquishing 'IT'. But the film shows two stories, the group battling IT as children, and then again as adults when the creature rises again.

As children, the group were: African-American Mike (Marlon Taylor) who is facing the still very racist bullies at school, talented writer Bill (Jonathan Brandis) who blames himself for the death of his young brother at the hands of the demented Clown, lone girl in the group Beverly (Emily Perkins) who has an abusive father, funny guy Richie (a young, but remarkably completely recognisable Seth Green), hypochondriac asthmatic Eddie (Adam Faraizl), competent and intelligent Ben (Brandon Crane) who is bullied for being fat, but by today's standards, he's pretty normal and Stan (Ben Heller), who is introduced as a Jewish boyscout and a birdwatcher.

As adults, the group are: still-in-Derry, Mike (Tim Reid), horror writer (who's totally based on Stephen King himself) Bill (Richard Thomas), fashion designer in an abusive relationship, Beverly (Annette O'Toole), TV comedian Richie (Harry Anderson), virgin limo business owner Eddie (Dennis Christopher), famous, and no longer fat, architect Ben (John Ritter) and real estate broker Stan (Richard Masur).

The film is quite long at 195minutes, and the DVD is one of those ones where you have to flip it over half way through to see the rest of the film. This is because the film was shown as a two parter on TV.

Despite the length, the film isn't boring and the special effects are excellent. There's a lot of blood, but it's not gory, usually coming from sinks, balloons and other odd places. The film and characters are very 80s. Since it came out in 1990, this isn't a criticism. Most of the characters, except the main characters, are unlikable and cruel. But this is on purpose, to build up group dynamic and emphasize the group's status as losers.

Pennywise is the epitome of creepy and really a complete and utter nightmare monster. A real modern classic in that respect. Tim Curry is one of the masters at creating demented characters, and really brings the fear guzzling creature to life, probably fuelling quite a few people's fear of clowns over the years, too!

The dialogue isn't always the smartest, but that isn't the most important part of the film. And the end left me a little non-plussed. The undertheme, as common to King books, is about being the oddball, beating the odds and bullying (whether it be by greaser teens, or by monsters).

A classic and an excellent film all round, I recommend "IT" as a must see!

[Picture: Lorimar Productions, DawnField Entertainment, Warner Bros. Television]

Hani