Open Graves

"Open Graves" (2009, Álvaro de Armiñán, Alchemedia Films Manufacturas, Open Pictures, Voltage Pictures) is basically "Jumanji" with college students and horror.

A group of friends are enjoying life in the Spanish sun. Jason (Mike Vogel, who you may recognise from the Texas Chainsaw remake or from "Cloverfield") is a fresh college graduate enjoying some gap year opportunities, Tomas (Iman Nazemzadeh) is a photographer who is sleeping with as many models who are willing, Lisa (Lindsay Caroline Robba) is an aspiring model and girlfriend of Tomas, Elena (Naike Rivelli) is another model who is more than happy to give Tomas what he wants, and Miguel (Ander Pardo) and Pablo (Boris Martinez) are local guys who are good friends with Tomas and Jason.

Jason has also found a love interest in the form of Erica (Eliza Dushku), an American surfer chick out to explore the world and 'find herself'.

While wandering around the shops, Jason comes across a strange place peddling trinkets and spooky knick-knacks. He is convinced to take a game called "Mamba" as a 'gift' from the shop's owner.

At night, the gang and Erica are enjoying a beach front fire party, when a storm suddenly begins. Heading to cover inside, only to find that the power is out, they decide to check out the strange board game which Jason was given.

Each player rolls their turn and is put out of the game via a creepy 'Epitaph' card. They all dismiss the game as nonsense, but it isn't long before each 'player' begins dying in real life, and in ways ever so closely matched to their 'Epitaph' card from the game!

As the remaining friends frantically try to stop their impending doom reaching them, their number becomes increasingly small as the grisly deaths pile up.

A nice little yarn which is passable for a one-view-only, but not really what I'd call a 'good horror movie'.

The CGI isn't the best, but that's relatively forgiveable. There's a lot of would-be gory scenes ruined by it, though. The film's not scary, but it did a bring a smile to my face once or twice with the death scenes which are creative to the point of hilarity.

The game prop itself is quite impressive, though! English-written cards not withstanding... 

Really, this is just a film made to showcase the ever awesome Eliza Dushku as a sexy surfer lady, rather than a particularly serious horror film. There are a lot of good plot points hinted at and just never brought to fruition, and generally, didn't add any depth to the film.

It has potential and could be fun as a drinking game, but really next time I'll just watch "Jumanji" and then an episode of "Dollhouse"...

[Image: Voltage Pictures]

Hani

Death Proof

"Death Proof" (2007, Quentin Tarantino, Troublemaker Studios, The Weinstein Co., Dimension Films) is a Grindhouse film about a killer in a stunt car whose favourite victims are young, drunk bimbos.

Kurt Russell plays 'Stuntman' Mike, an ageing Hollywood stuntman who stalks young, attractive women and drives about in an old stunt Chevy Nova (and later a Dodge Charger) which he maintains are 'death proof'.  He then proceeds to demonstrate this by using it as a weapon, for you see, it is only 'death proof' for him!

But his reign of terror can truly not last forever, and maybe, just maybe, one day he'll meet his match!

A fun modern Tarantino exploitation film which aims for the Grindhouse vibe, complete with the Grindhouse-y camera-work we have come to know and love. The first half of this film is pretty great with lots of bar scenes and build-up followed by some truly disturbing scenes with our charismatic antagonist. It does slow down in the middle, but generally the car chase scenes make up for those bits and the film picks up the pace for last few acts.

I adore Kurt Russell, and he's very good at bringing this asshole character to life. Stuntman Mike is a complete douchebag! The character completely epitomises the sleazy and the entitled. It's hard for me to not love a character portrayed by Kurt Russell, but Stuntman Mike is really hard to like. And that's a great thing!

Most of the other characters, outside of a few of "The Girls" are mighty disposable, but it's a movie about a maniac in a car, so I wasn't expecting much in the way of character development. I was pleasantly surprised, however, to find such a good build up of our main victims. And, in true Tarantino style, we also get to enjoy their brutal, brutal deaths.

Kurt Russell delivers a fantastically creepy stalker character who has a very nasty side, and we have some cameos in the forms of Eli Roth, Rose McGowan, and Mr. Director himself. Stuntman Mike is also pitted against some truly strong characters including stuntwoman, Zoë Bell, and the kickass Tracie Thoms and Rosario Dawson.

"Death Proof" starts off promisingly with some good dialogue, some creepiness, some lap-dancing and then some horrorshow brutality. Although the film wonders a little in the middle, this is completely typical of the Grindhouse genre and makes it all the more fun when it picks up the pace again. While it's far from Tarantino's best film, it's still a entertaining thrill ride and, as ever, a vehicle for his foot fetishes...

[Image: Dimension Films]
 

Hani

The Devil's Rejects

"The Devil's Rejects" (2005, Rob Zombie, Cinelamda, Liongate) is the blood-drenched sequel to Zombie's "House of 1000 Corpses".

It wasn't what I was expecting, but you have to hand it to Mr. Zombie that he managed to keep up the blood spurting, degenerate momentum. Not that I was expecting anything less from him, really.

It's a sick ride as we follow Baby (Sheri Moon Zombie), Captain Spaulding (Sid Haig) and Otis B. Driftwood (Bill Moseley) on the run from the police after a large shoot out had them fleeing their cosy, disturbing home.

Being known as "The Devil's Rejects" the small gang wreak some torture and havoc on their way, leaving a trail of mutilated corpses and traumatised on-lookers. But away from their base they have nowhere to hide and there's a vengeance-driven police sheriff, Wydell (William Forsythe) on their tail...

A little different in style, feeling more like a Grindhouse piece than "1000 Corpses" did, "Rejects" delivers the demented goods, but in a different way. Like most violent horrors, it leaves you feeling a bit dirty afterwards, and you're never quite sure who you were routing for....

It feels more complete and rounded off than the first film, but it just didn't quite hit the same ludicrous, twisted and chaotic notes for me.

It did have me looking forward to listening to Rob's new album though!

[Image: Cinelamda & Liongate]

Hani

Insidious

"Insidious" (2011, James Wan, Stage 6 Films, IM Global, Alliance Films, FilmDistrict) is a modern supernatural horror.

When Renai (Rose Byrne) and Josh (Patrick) moved into a swanky new home with their new baby girl and two young boys, Dalton (Ty Simpkins) and Foster (Andrew Astor) they didn't expect to find themselves victims of a haunting. They expected it less when they moved out of the 'haunted house' only to find that the entities had followed them! Soon it becomes apparent that perhaps it wasn't the house that was haunted, but a member of their family!

Starting as a relatively atmospheric slow-burning haunted house flick there are some very good jumpy bits and a building dread that is effective! The creep factor is spot on and the interestingly shot camera work works for the atmosphere, rather than against it.

At the start I felt it had a lot of 'Poltergeist' to it, but by the third part I realised it was pretty much a retelling of 'Poltergeist'... right down to the lost child and the weird medium lady with her two sidekicks. Not necessarily a bad thing, though.

The only problem is that the plot aimed to get too much in there and winds up with a hokey ending that doesn't match the incredibly spooky start to the film. It's as if they lost their way into a different movie and the ghosts really start to lose their effect due to the 'too-much-shown-factor'.

However, for the unseasoned horror viewer this film will certainly give you some chills and have you jumping. I just felt that the end lost something after such a spot-on start!

[Image: FilmDistrict]

Hani

Aftershock

"Aftershock" (2012, Nicolás López, Eli Roth, Cross Creek Pictures, Dragonfly Entertainment, sobras.com Productions, Vertebra Films) is a Natural Disaster movie with some twists and turns in there. 

A visually shocking and exciting film, it starts in a way similar to "Hostel" (which isn't surprising when you consider that Eli Roth plays a large part in both writing and acting in this film), where Gringo (Eli Roth) is currently in Chile with two Chilean friends, Ariel (Ariel Levy) and Pollo (Nicolás López) enjoying the underground nightclubs, vineyards and pretty young women, in particular the company of Kylie (Lorenza Izzo), Irina (Natasha Yarovenko) and Kylie's uptight, straight lace, half-Hungarian half-sister, Monica (Andrea Osvárt).

All the fun comes to an abrupt end, however, when an earthquake hits while they're partying. Soon they're fighting for their lives, but they've yet to learn that the earthquake may not be the total of their troubles!

The film starts off like a completely different kind of film, which as much as this is becoming the horror norm these days, I actually really enjoyed, the characters, although not entirely likeable, were nicely built up and the scene was set. I quite enjoyed the repartee between the characters and they reminded me very much of some of the kinds of people you meet on holiday. 

When the horror begins it's pretty brutal and the disaster scenes are edgy and realistic. The panic on display is also pretty lifelike, and seeing this on the big screen definitely adds to the feeling. 

There's a lot going on and, like all horror movies, you could easily over analyse the plot into rags, but that's not part of the amusement!

An effective, bloody film with enough to keep you watching. However, as a warning, there are rape scenes (because what else would you do while an earthquake is destroying your home?!).

Hani

The Bay

"The Bay" (2012, Barry Levinson) is a found footage 'mock-umentary' about the ecological side-effects the human race is having on the globe, and is pretty much a nature-bites-back-film.

Based in a small American Seaside town called Chesapeake during their 4th of July celebrations, we watch through the confiscated found footage of the inhabitants and a small student news blog as the town falls into chaos when a terrifying menace begins threatening the lives of the townspeople.

I'm not usually fan of found-footage, but I'm happy to report that "The Bay" is a winner for me. It was gross, scary and had a plot. While it's evidently a platform for Levinson to preach a little about global pollution and governmental transparency, it does so with style and excellent effects.

Some good old jump scares keep the pace, while we also get a lot of disturbing visuals and an engaging and almost 'mystery'-like slow reveal of the true cause of the panic and deaths.

While it's certainly no "Jaws", it's a really good yarn. Hey, and Kirsten Connolly from "Cabin In The Woods" is in it!

Hani

The ABCs of Death

"The ABCs of Death" (2012, Nacho Vigalondo, Adrian Garcia Bogliano, Ernesto Diaz Espinoza, Marcel Sarmiento, Angela Bettis, Noboru Iguchi, Andrew Traucki, Thomas Malling, Jorge Michel Grau, Yûdai Yamaguchi, Anders Morgenthaler, Timo Tjahjanto, Ti West, Banjong Pisanthanakun, Bruno Forzani, Héléne Cattet, Simon Rumley, Adam Wingard, Simon Barrett, Srdjan Spasojevic, Jake West, Lee Hardcastle, Ben Wheatley, Kaare Andrews, Jon Schnepp, Xavier Gens, Jason Eisener, Yoshihiro Nishimura, Drafthouse Films, Magnet Releasing).

"The ABCs of Death" is a 26-short anthology film, featuring a mini-film each from the above directors (or directive pair in some cases) based around one of the 26 letters of the alphabet. The film is 2hrs long-ish, and to be fair, it doesn't feel anywhere near this long as each short runs quickly onto the next in succession. It is, however, riddled with terrible mini-films which sadly overshadow some of the few really excellent shorts in the collection.

The film starts with a high point or two, but it's a severely mixed bag, and by the end I was glad to see the credits.

Some of the inspirational shorts are creative, violent, spooky, different and could be progressed easily into a full scale film. Some of the good, but maybe more average shorts are pretty standard and could really be thrown in with the likes seen in the latter day "Creepshow" films. Unfortunately there are also a majority of uninspired shorts which verge on the depraved (and not in the good way) and often jump the line into the simply stupid category. As much as the film moves quickly past these short little efforts, they unfortunately stick more in my mind than some of the good attempts.

Lots of toilet humour (although the claymation short was hilarious!), murders, vampires, paedophiles, animals, boobs and randomness. Some good, some terrible. The peaks certainly jump whole-heartedly into the troughs, but a cinematic experience to be had, for sure! Guaranteed you haven't seen anything like this before!

[Image: Drafthouse Films]

Hani