Halloween 2

"Halloween 2" (1981, Rick Rosenthal, Universal Pictures, Dino De Laurentiis Corporation) is the sequel to John Carpenter's masterpiece.

Michael Myers (Dick Warlock), the unstoppable madman, is still home for his favourite holiday and he's still hell-bent on tormenting Laurie (Jamie Lee Curtis) and other teens in Haddonfield. Dr. Loomis (Donald Pleasence) is still tailing him. And, wouldn't you know it, everyone is still pretty unprepared for the events, despite a whole load of murders in town already...

A pretty slow film, which holds none of the artful suspense of its predecessor but makes up for it with a lot more gore/violence, it serves as an unrequired and uninspired sequel to a good film. Rather than adding to the plot, it instead imitates its own imitators.

Not my favourite Halloween film. But still an interesting piece of cinema in respect to styling.

 

 

[Image: Universal Pictures]

 

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The Witches of Eastwick

"The Witches of Eastwick" (1987, George Miller, Guber-Peters Company, Warner Bros.) is a black comedy film about witches and The Beast, based on the book by John Updike.

Three bored women (Cher, Susan Sarandon and Michelle Pfeiffer) are going about their unsatisfying lives in Eastwick, a small American town. Unaware that they are endowed with mystical powers, the three women accidentally invoke the powers that be and conjure up Daryl Van Horne (Jack Nicholson).

Van Horne is an oddly charismatic sleaze ball and despite their better judgement, the women start spending time with him and honing their powers. Unfortunately, rumours begin to spread about the town, helped by local gossip, Felicia (Veronica Cartwright), who begins to lose her mind due to the presence of Van Horne.

The women try to rid their lives of him, only to find him not so easily gotten rid of!

A fun flick, it certainly dishes up the crazy with Nicholson at his usual best and Cartwright spewing cherry pips everywhere.

It's a battle of the sexes and a product of its time. While it's certainly not the best witch comedy out there, it's worth watching.

 

 

[Image: Warner Bros.]

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Shadow of the Vampire

"Shadow of the Vampire" (2000, E. Elias Merhige, Saturn Films, Long Shot Films, BBC Films, Delux Productions) is an extraordinary film about the filming of the classic 1922 masterpiece, "Nosferatu", but it's no documentary by any means.

From the slow process of filming with the old hand turning equipment to the period dress the feeling of making this film is recreated elegantly. Humorous in places and excellently put together, "Shadow of the Vampire" is quite a captivating piece.

While filming the famously unauthorised version of Bram Stoker's "Dracula", Frederich Wilhelm Murnau (John Malkovich) is obsessively creating his masterpiece. He hires in an unheard of method actor, Max Schreck (Willem Dafoe), who refuses to 'come out of character'.

The other crew members are wary of Schreck, who is altogether a weird guy. But things become increasingly more suspicious that Schreck may be something other than human!

A truly eccentric film, I loved it. Dafoe plays the hammy horror icon to a tee and you can always rely on John Malkovich to bring some weird in. While not a scary film, it's an intriguing concept and a fun view for any fans of artsy cinema.

 

 

[Image: Saturn Films]

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Misery

"Misery" (1990, Rob Reiner, Castle Rock Entertainment, Nelson Entertainment, Columbia Pictures) is the film adaptation of Stephen King's fantastic novel "Misery".

I hold this film in high esteem because it captures a lot of the themes from the novel and the changes it makes are beneficial for the on-screen adaptation. It doesn't just chop and change features for laughs and creates a few levels of intrigue and dread without trying to go too deep.

The casting is also flawless with James Caan as author turned captive, Paul Sheldon and Kathy Bates frankly makes the role of crazy 'number one fan', Annie Wilkes, her own. I couldn't imagine anyone else playing the part. She is truly terrifying.

In case you've been under a rock since 1987 (when the book was published), the plot is simple: Paul Sheldon is the author of a successful fictional series called "Misery" (named after his title character). He is caught in a terrible car accident, and is horribly hurt. The car crash scene is very arty with the music. Love it.

He wakes to find that he's been saved by Annie Wilkes, a strange lady who proclaims to be his number one fan and a nurse. She nurses him back to health, but upon reading his pre-copy of his latest novel and discovering that he intends to kill off her beloved Misery, Annie gets nasty. Real nasty.

An excellent study of jailer and captive behaviour and a tense mental game of wits, I'd rate this film as one of my favourite King adaptations as well as an excellent psychological thriller.

While there are certainly 'eep' moments, this film is not a gory film or a jump-infested spook fest. It's a slow building dread, which eventually unleashes some real mental scares.

Also, there's a pretty epic fight scene that still makes my eyes water at a certain part!

[Image: Castle Rock Entertainment]

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Stage Fright

"Stage Fright" aka "Stage Fright: Aquarius" aka "Deliria" (1987, Michele Soavi, DMV Distribuzione Filmirage) is an Italian/American slasher film set in a theatre.

 A troupe of actors are rehearsing a crappy, artsy musical about a masked killer called the Night Owl, when some real killings are discovered to have taken place. Could it be that a real Night Owl has returned to roost, claimed his mask and is on the hunt for more prey? Too many bird of prey jokes? Yes? Who will survive now that they are all locked inside with the killer?

A fun film, Soavi enjoys tricking his audience with misleading and cleverly panned shots. The characters are surprisingly well rounded despite a lack of deep back story. And this was Soavi's debut as a director, so I think he did rather well.

Our killer is wonderfully menacing with an extravagant mask and a dancer's style. He's also willing to use different tools from drills to axes. You've got to respect a man who can adapt to a situation.

Not the most technically advanced film in the world, but definitely fun, and with a distinctive feeling of Italian horror cinema, even when it was beginning to wane as a genre.

It's full of plot holes, some bad dubbing and some extremely B-movie acting, too.

 

 

[Image: DMV Distribuzione Filmirage]

 

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The Texas Chain Saw Massacre

"The Texas Chain Saw Massacre" (1974, Tobe Hooper, Vortex, Bryanston Pictures) is the original of what was to become a franchise with the memorable gruesomely masked, chainsaw wielding killer, Leatherface (Gunnar Hansen).

Sally (Marilyn Burns) and her wheelchair bound brother, Franklin (Paul A. Partain), are travelling in a camper van with their friends, Jerry (Allen Danziger), Kirk (William Vail) and Pam (Terri McMinn) on a road trip to their old family home in the country. They hear of some odd goings on at the graveyard, pick up a psychotic hitch hiker, get some odd chat (and barbecue) from a local petrol station and eventually make it to the deserted house. Only they find that this isn't the end of their troubles as their neighbours would like to have them for dinner...

 This much copied Tobe Hooper classic is still standing strong to this day with some truly chilling scenes and disturbed themes. Although by today's gruesome standards it's not as splatter happy as it was back in the 70s, "The Texas Chain Saw Massacre" still manages to make audiences fidget uncomfortably in their seats. And it's still disturbing.

I like a Slasher film as much as the next horror nut, and Leatherface and his family are a truly scary bunch. The depravity of the film makes it one I don't watch too often, but when I do I have to admit that it is a creepy and unnerving film which, regardless of its age, still scares me on a base level.

[Image: Bryanston Pictures]

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The Hills Run Red

"The Hills Run Red" (2009, Dave Parker, Dark Castle Entertainment, Warner Premiere) is a twisted slasher with a bit of a sick dig at its fans and fans of horror in general.

Tyler (Tad Hilgenbrink) is an obsessive horror fan. In fact he's obsessed with one particular horror film; a 'lost' film by a director, Concannon (William Sadler), who swiftly disappeared after making it.

In an attempt to find the missing footage and put a rest to his obsession, Tyler, along with his two friends, Serina (Janet Montgomery) and Lalo (Alex Wyndham), track down the director's stripper, junkie daughter, Alexa (Sophie Monk) and head out to the site of the film. All the while filming themselves and laughing merrily about how this is just like the start to... well, a horror film!

And wouldn't you know it? Things go awry. Very awry.

Bending the rules and breaking the fourth wall creatively, this film manages to be a gore soaked torture and mystery film in the way that the first "Saw" movie managed, but perhaps with less brains behind the plot.

Aside from the viewer prodding plot, there are some very good tropes in this film. The masked killer, Babyface (portrayed by Raicho Vasilev, Danko Jordanov and Itai Diakov), is a good one. The legend behind him isn't too important, but the disturbing physical appearance of our killer coupled with the 'reality' we discover is truly grotesque. The mask itself is beyond creepy and he also manages to effect that hulking but sad character that's often associated with masked slasher villains. He also threatens people by pointing a gun at his own head which makes.... what kind of sense?! But somehow works...

Our director is wonderfully psychotic. And that's as much as I'll say about him.

While I didn't feel particularly vested in the characters, the end scenes are really horrific and I have to hand it to the writers, this is a twisted little plot.

It's worth a see for some good kill scenes, a lot of gore, a bit of mystery and an incredible slasher mask!

[Image: Dark Castle Entertainment]

 

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