The Autopsy of Jane Doe

"The Autopsy of Jane Doe" (2016, André Øvredal, 42, IM Global, Impostor Pictures, IFC Midnight) is an intriguing horror about a father and son coroner team, who are tasked with identifying the cause of death of an unknown woman.

Tommy Tilden (Brian Cox) and his son, Austin (Emile Hirsch) are a small-town coroner and medical assistant. They are clocking off, Austin planning on going to the cinema with his girlfriend, Emma (Ophelia Lovibond), when the local sheriff (Michael McElhatten) comes bursting in with an urgent case: a mysterious Jane Doe (Olwen Kelly) found at the scene of an unusual homicide. Abandoning their plans for the evening, Tommy and Austin knuckle down to determine the cause of death.

As they begin to investigate the corpse they become more and more convinced that things are not as they seem....

A creepy, engaging and inventive film which has the right balance of slow eerie build up and action to keep things moving. The viewer discovers the secrets of Jane along with the characters, keeping a good plot flow. The setting and effects are very effective and the film achieves a gruesomeness without actually being too gory.

The film is very dark, both in subject matter and in lighting style, and really filled the 99 minute run time without becoming dull. It's not without its cheesiness, but this adds to the experience.

All in all, a very entertaining film.

[Image: IM Global et al]

Hani 

Krampus

"Krampus" (2015, Michael Dougherty, Legendary Pictures, Zam Pictures) is a Christmas horror about St. Nicholas' demonic counterpart, Krampus.

Tom (Adam Scott), Sarah (Toni Collette) and their kids, Beth (Stefania LaVie Owen) and Max (Emjay Anthony) are preparing for Christmas at home with Tom's mother (Krista Stadler). Sarah's sister, Linda (Allison Tolman) also visits with her brash husband, Howard (David Koechner), their new baby and other, older, rude children, Stevie (Lolo Owen), Jordan (Queenie Samuel) and Howie Jr. (Maveick Flack). They also bring Sarah's disapproving, demanding aunt (Conchata Ferrell). As the night progresses, Max begins to feel that the Christmasses of his childhood are over and, in his anger, he unwittingly unleashes Krampus on his family...

The film starts out very much like any other non-horror Christmas movie. Then, the horror aspects are introduced with cheesy relish. The cast are good, the action is silly, but fun and the film delivers a good holiday horror that doesn't try to take itself very seriously. The result is a film which isn't especially scary, but manages to deliver a fun holiday romp which feels a little like "National Lampoons' Christmas Vacation" meets "The Demonic Toys", but with better production value.

Definitely one I'll be watching again.

[Image: Legendary Pictures]

Hani

Within

"Within" aka "Crawlspace" (2016, Phil Claydon, Safran Company) is a 'new house' horror set in Suburban America. I say 'new house' horror because it all begins with a family moving into a new house. Genius, right?

A man, his new wife and his daughter, Hannah (Erin Moriarty), move into a new house. Everything seems fine until Hannah notices strange things going on in the house. Of course, her parents do not believe her, especially upon learning that the house has a dark past. Her dad, especially, believes that Hannah is just freaking herself out. But Hannah is convinced that there is a presence within the house and she's determined to put a stop to it.

This film is pretty generic with lots of genre tropes and a few plot twists that weren't particularly effective in grabbing viewer imagination. It plays out as a standard haunted house film which goes through the motions and then takes another avenue that muddies the plot. On the other hand it's far from terrible. The acting is good, and the film doesn't outstay its welcome. It does, however, meander through a plot by numbers and doesn't really break any new ground.

[Image: Safran Co. et al]

Hani

I Sell The Dead

"I Sell the Dead" (2008, Glenn McQuaid, Glass Eye Pix) is a horror comedy about grave robbers.

Arthur (Dominic Monaghan) is visited by Father Duffy (Ron Perlman) to take down his last words before he is executed for the crimes of murder and grave robbery. Seeing no reason for not sharing his side of the story and seeing his last opportunity to state his innocence of murder (but not grave robbery; that he did do... a lot), Arthur describes his life as the young apprentice of grave robber Willie Grimes (Larry Fessenden), his on-going career and the events leading up to his and Willie's arrest. Oh, and his frequent adventures with the undead.

Although silly and chalk full of cheesy scenes and action, it's a fun little flick that doesn't quite break through into anything amazing, but keeps viewer interest enough to be entertaining. The characters are funny and outlandish and the almost horror anthology style of story telling splits up the incidents as the interview goes on. I also enjoyed the inclusion of Angus Scrimm (of Phantasm fame) as the devious blackmailer, Dr. Quint.

The Crawling Hand

"The Crawling Hand" (1963, Herbert L. Strock, Donald J. Hansen Enterprises) is an American sci-fi horror about why even med students shouldn't take home severed human remains as souvenirs...

Right, Vyvyan?

Back to the film...

Young Paul Lawrence (Rod Lauren) discovers the severed arm of a deceased astronaut whilst out on the beach with his girlfriend. He takes the gruesome discovery home but lives to regret this decision as the arm comes back to life, strangling everyone in its wake....

A very of-its-era black and white film, with fun background music and too much dialogue. Man finally landed on the moon in 1969, but this film was made right at the time of the space race hype. The action is quite tame by today's standards, but people like me will still get a kick out of it and enjoy the film for what it is; classic, cheesy horror. The acting is pretty campy, but for me that just enhances the experience.

The film also features Syd Saylor in his final film role, and a small nod to Bela Lugosi. It was also featured in the Mystery Science Theatre 3000.

Hani 

Ouija: Origin of Evil

"Ouija: Origin of Evil" (2016, Mike Flanagan, Allspark Pictures, Blumhouse Productions, Hasbro Studios, Platinum Dunes, Universal Pictures) is a film centred around the Hasbro game, Ouija and is the prequel to 2014's film: "Ouija".

Set in LA in the 1960s, we follow the Zander family: widowed mother, Alice (Elizabeth Reaser) and her two daughters, Lina (Annalise Basso) and Doris (Lulu Wilson). Alice is a medium, giving false seances with the help of her children. She tells herself that her job helps her customers cope with their loss, but she's not completely sure herself. As part of her seance kit, Alice picks up a Ouija board game, however, it turns out that at least someone in the house has actual supernatural talent.... and the Ouija board is about to unleash something dark. And angry....

A sequel that is far superior to its predecessor in plot, action and acting. The film is creepy without feeling too tropey. And while it does suffer some plot flaws nearer the end, the characters are extremely relateable and I genuinely felt remorse for some of their losses. By far the best performance was from the youngest star, Lulu Wilson, who absolutely aced her role.

A really rare return to form after what was a severely blah first movie. Definitely worth a watch.

[Image: Blumhouse Productions, et al]

Hani

Children Shouldn't Play With Dead Things

"Children Shouldn't Play With Dead Things" (1972, Benjamin 'Bob' Clark) is a low budget zombie movie from the man who later brought us 'Black Christmas' and 'Porky's'.

A theatre group lead by a contemptible actor called Alan (Alan Ormsby), sail out to a secluded island graveyard for the night. What begins as a bit of fun ends up going too far when Alan digs up the body of a man called Orville (Seth Sklarey) and then proceeds to perform a ritual supposedly to raise the dead. As the night go on, some of the group become unhappy with the lack of respect they are showing to Orville's body, but it's not long before they have bigger worries when the other underground island tenants begin to rise....

A cheesy horror mostly cast with Clark's friends and college classmates. The acting and scripting are not exactly stellar, but the film manages to cross the so-bad-it's-good-line and venture into cult territory. There's surprisingly little gore but some fun action scenes with zombies attempting to enter the caretaker's house in which the group are hiding.

A great film title, but the plot is just very, very weird and macabre. I'm still not sure why these people would continue to play along with Alan's antics. Personally, I'd rather get fired from the theatre company. But then, I'm not an actress trying to make it in the industry.... A good 70's schlock-fest for movie nights, but don't expect too much.

Hani