Society

"Society" (1989, Brian Yuzna, Wild Street Pictures) is a body horror film which was actually the directorial debut from Yuzna who brought us "Re-Animator" and "From Beyond" so... you know what you're in for.

Bill Whitney (Billy Warlock) is a teenager in Beverly Hills. He lives with his wealthy parents and sister, Jenny (Patrice Jennings). Despite his luxurious lifestyle, Bill feels alienated from his highfalutin family, and this is the main focus of his weekly meetings with his therapist, Dr. Cleveland (Ben Slack). Bill becomes obsessed with finding out what's going on when Jenny's ex-boyfriend, Blanchard (Tim Bartell), gives him a cassette tape which seems to implicate his family in a disturbing and murderous act. As Bill begins to delve deeper into the mystery of his family and the apparent elite cult that they are a part of, he begins to suspect that he may be more alone than he thought.... And that his enemies may have gruesome plans for him...

An entertaining and gooey horror comedy which builds to a fairly disturbing and equally funny climax. The effects (by Screaming Mad George (Joji Tani)) are surreal, perverse and delightfully gruesome and are, in all fairness, the true star of the film which is admittedly a little clunky in the plot department.

This is definitely a must-see for any body horror fan and will leave you chuckling and possibly also a little traumatised.

[Image: Wild Street Pictures]

Hani

The Void (2016)

"The Void" (2016, Steven Kostanski, Jeremy Gillespie, Cave Painting Pictures, Astron-6) is a Canadian monster movie set in a small town's hospital at night.

We open to an exciting and horrific scene where a man called James (Evan Stern) flees a house while two other men, Vincent (Daniel Fathers) and Simon (Mik Byskov), kill a screaming woman. James is later found by local Deputy, Daniel Carter (Aaron Poole), who takes him to the nearby hospital.

James turns hysterical upon entering the hospital and is sedated by Dr. Powell (Kenneth Welsh). Soon Vincent and Simon appear hunting James. They are closely followed by a Marshall (Art Hindle) and a group of strangely garbed cultists brandishing knives. Aside from being surrounded by creepy, hooded figures, the group are terrified to find that some of them are becoming less than human...

I really wanted to like this movie. The marketing had made it look like an updated answer to Carpenter's "The Thing", but unfortunately, the reality was nowhere near as comprehensive.

The initial build up is excellent: dark, atmospheric and brutal. There's enough going on to get you involved as a viewer, and the characters have just enough screen time to establish their personalities before the real horror begins. The effects are really fun and the action moves... Until it doesn't.

Around the third-way mark we move away from Carpenter and into Clive Barker terrirtory where the plot takes a sudden "Hellraiser"-esque turn and things become bogged down in trying to be artistic and weird instead of scary and weird. Although there is an enveloping theme established, it felt like there had been two concepts and the directors decided to try merging both with disjointed results.

While I commend the technical aspects of the film and the creatures, the story-telling really let it down and we ended up with a muddy, bloody mess that isn't sure if it wants to be a Lovecraftian epic or a gritty, 80s gorefest. With a bit more of a decisive direction, however, the Astron-6 guys will undoubtedly bring us some really great stuff.

[Image: Cave Painting Pictures]

 

Hani

Body Bags

"Body Bags" (1993, John Carpenter, Tobe Hooper, 187 Corp., Showtime Networks) is a made for TV horror anthology set in a morgue. The film was initially meant to become a weekly show similar to "Tales from the Crypt" but was axed, and so the completed pieces were pieced together into an anthology.

A creepy coroner (John Carpenter) sets us up for each segment, inspired by the bodies he uncovers from the bags. There are three tales all-in:

The Gas Station
Anne (Alex Datcher) is a student starting her new part time job as the overnight petrol station attendant. As if that job is not just creepy enough, she has to deal with knowing that a dangerous lunatic has escaped the asylum (she was kindly warned by her new colleague, Bill (Robert Carradine)). Soon all of her customers appear to be a little strange and Anne is frantic, not knowing who could be the killer! Horror hero cameos include Wes Craven, Sam Raimi, David Naughton, George Buck Flower and Molly Cheek).

The short is a bit of a lark with so many horror favourites gracing the screen with their nutty characters and a fair bit of bludgeoning. While it's your typical 'lone woman being stalked by a serial killer' plot, it's fun in its familiarity and really kicks off the film.

Hair
Richard (Stacy Keach) is hitting middle age. His girlfriend, Megan (Sheena Easton), is getting exasperated by Richard's obsession with his looks and his quickly thinning locks. In his desperation, Richard signs up for a hair transplant operation which appears successful. Maybe a little too successful...

A bit of a laugh with some effects that aged a little, but add to the charm of the film. I thought I knew where this one was going but after a point it changes tack slightly which pleased me. Yes, it's hardly 'scary' but I don't watch old anthologies for scare factor, they're purely for comedy. Cameos include Debbie Harry and David Warner as the mad doctor and his nurse.

Eye
Brent Matthews (Mark Hamill) is a baseball player. He is involved in a car accident where his eye is gouged out. Brent opts for some experimental surgery that is not considered so sci-fi these days, and receives an eye transplant in the hopes that he can return to his beloved game. But, similarly to the later 2002 and 2008 Singaporean and American blockbusters both called "The Eye", he begins to see things that are not there through the new eye: horrible things. Brent becomes suspicious that his new eye belonged to a killer and goes back to the doctor to investigate. Brent realises that there is only one way to end this problem... Cameos include Twiggy and Roger Corman.

A few gruesome bits make this one entertaining but it was admittedly my least favourite short of the three. In retrospect this one seems very tropey, but it's not its fault; it came first afterall!

We end back in the morgue where our creepy coroner reveals he is more than at first appears.

The film comes off as surprisingly low budget, but this may just be a sign of ageing SFX. While it's nothing new in terms of plot or set up, it's a playful horror anthology and is funny, self aware and even a little gruesome at times. Team this one with Creepshow 1 and you're onto a bloody good night in!

[Image: 187 Corp.]

Hani