Lords of Chaos

"Lords of Chaos" (2018, Jonas Åkerlund, Insurgent Media, Scott Free Films, RSA Films, Eleven Arts, Vice Films, 20th Century Fox, Arrow Films) is the semi-fictionalised telling of the infamous events around the Norwegian Black Metal band, Mayhem.


The story is told from the perspective of band founder and central member, Øystein "Euronymous" Aarseth (Rory Culkin) from his creation of the band to his murder in 1993. Throughout the film we are introduced to Øystein's feelings and philosophies on Black Metal. He feels superior and in command and soon has a small clique of similarly minded fans and other bands. He begins his own black metal label and opens a record shop called "Helvete" where metallers can socialise, drink and hear Euronymous' sporadic dark sermons and venomous rhetoric as part of the "Black Circle".


After exploiting the death of Mayhem's troubled lead singer, Dead (Jack Kilmer), for some new and darker street cred, Euronymous hires new band members including Varg Vikernes (Emory Cohen), who had changed his name from Kristian after a previous embarrassing run in with the band. Varg seemed like someone Euronymous can exploit, but it becomes evident that Varg is committed to his extremist beliefs and happy to carry out the kind of dark deeds which Euronymous had only bragged about. As the chaos escalates Euronymous finds he's lost control.


A grim premise based on true events, but with a fair amount of artistic licence. As a viewer the film was entertaining, gory, shocking and exciting. The events unfold at a pace that keeps you watching and the characters are hypnotically flawed. The portrayal of both Øystein and Varg are truly captivating to watch as these two essentially weak characters with a disproportionate sense of grandeur clumsily circle and bait each other throughout the film during their power struggle. The shocking scenes of death and self-harm are very gritty and the effects work extremely well.


As a metal fan the film made more headway out of the contemptible actions of the characters than it did about how the band were fundamental in creating a now well-established sub-genre (though, thankfully not all bands take themselves quite as seriously as this line-up of Mayhem did) and the tone was a little hard to read in places, but I feel that this was never the intent of the film and the horror and thriller aspects really delivered for me. I was entertained.

[Image: Insurgent Media, et al]

Hani