Suspiria (2018)

"Suspiria" (2018, Luca Guadagnino K Period Media, Frenesy Film Company, Videa Mythology Entertainment, Memo Films, Vega Baby) is the arthouse re-imagining of the 1977 Dario Argento film of the same name.

Susie Bannion (Dakota Johnson) leaves Ohio and enrols in a dance academy in West Berlin. She becomes the favourite of the instructor, Madame Blanc (Tilda Swinton), but begins to suspect that something very strange is going on at the school as she and her friend Sara (Mia Goth) begin investigating. At the same time, a psychologist (also Swinton in impressive prosthetics making this, minus some minor roles, an all-female cast) is investigating the school after the disappearance of  his patient, Patricia (Chloë Grace Moretz), who had left journals stating that she believed the matrons of the school to be witches.

Cards on the table I did not love this film. I found the length excessive with long winded shots and scenes that seemed artsy for the sake of it, rather than a statement or style. The film's pacing was tedious and I found the plot to be somewhat incoherent (and that's saying something from me, a fan of some of the most incoherent B-movies ever made). The whole side-plot with the Doctor seemed unnecessary and the grim styling, which I'll get to below, coupled with the pacing made the film seem even slower. Unlike the original, the remake also didn't have a strong memorable score. In honesty, I can't imagine how this could be achieved without infringing on the original, but I felt that I barely noticed the score at all.

That's not to say that I didn't find things I liked about the film. The styling and colouration of the original could not be matched or recreated without seeming like a pointless copy, so I admire the direction of Guadagnino to go his own way. The style seems consistent with West Berlin in the 70s. The scenery is also reminiscent of the original but much more drab, grey and gritty. I also appreciated that the film was immersed completely in its German setting. As a German language learner I was thrilled to pick up most of the German dialogue without the need of subtitles. However, for non-speakers of the language it perhaps made a long film feel even longer.

The body-horror elements were really good; lots of bone breaking, gut spilling and pants pissing, and a very chaotic and Giallo-homage ridden scene filled to the brim with nude dancers and grizzled old witches. However, the journey to reach the payoffs was long and, although the gore and effects were stunning, even these scenes seemed overly long and lingered too much which, for me, robbed them of some of their effect.

While I didn't hate the film, I am unlikely to watch it again and view it as an experience as a genre fan, rather than a piece of entertainment. Clearly it just isn't for me.

[Image: K Period Media, et al]

Hani

Suspiria

"Suspiria" (Dario Argento, 1977, Seda Spettacoli, Produzioni Atlas Consorziate) is a supernatural Giallo horror set in Freiburg, Germany.

Suzy Bannion (Jessica Harper) is a young American ballet student who enrols at a prestigious German dance academy. In a memorable opening scene she arrives at the school at night during a thunderstorm to find the building locked up. Before giving in and leaving to try again during the day she glimpses what appears to be another student leaving the school in a panic and running into the woods. The next day Suzy is welcomed to the school by the stern Miss Tanner (Alida Valli) and headmistress, Madam Blanc (Joan Bennett), but learns of the grim murder of one of the students; the girl she saw running the previous night... During her studies, and having befriended neighbouring student, Sara (Stefania Casini), Suzy begins to suspect that something very grim is going on at the academy...

An intriguing film that enjoys stunning scenes. The lavish styling, setting and lighting are some of the most recognisable in film. The scoring by prog-rock band Goblin is also very unique, striking and effective. I am also a fan of the wardrobe. Every character is adorned in some beautiful garment or quirky suit - it's a real stylish piece of cinema.

Harper provides a strong but sympathetic protagonist who spends the duration of the film working things out head-on and without shying away. As with most movies of this type, keeping up with the plot can be an exercise and it's the kind of film that seems to unlock more and more detail with each viewing. We are treated with action from the onset with stabbings, hangings, razor wire pits and reanimated corpses to keep us entertained.

There's very little reference made in the film, aside from the introduction, of it being set in Germany and the scenes involving Dr. Mandel and Professor Milius can seem a little jarring and out of place. But the beauty of this movie is in its stylish flair and the urgency of its pacing.

I was first introduced to this film at an all-night horror film festival and I have enjoyed many re-watches since then. It is also the first of Argento's "The Three Mothers" trilogy.

[Image:  Produzioni Atlas Consorziate]

Hani

A Dark Song

"A Dark Song" (2016, Liam Gavin, IFC Midnight) is an indy horror from Ireland centred around the Occult.

Sophia (Catherine Walker) is a grieving mother who goes to an isolated house in the Welsh countryside with occultist, Joseph (Steve Oram), in order to perform a series of rituals to summon her guardian angel and speak with her deceased, 7-year old child. However, any slip can lead to the ritual going awry, with possible deadly results.

A slow, quiet movie with a really effective soundtrack and a stylistic storytelling method that doesn't particularly grab you by the shoulders, but does build up ominously. The black magic rituals have an element of realism to them that make the scenes effective. The magic is hard, and dirty and gross. The pretty stuff is simple and limited and the things on the other side are not friendly.

The gritty realism of the occult elements really play well with the disharmonious relationship between the determined, desperate woman and her reluctant, angry, world-weary spiritual guide. Sophie's inexperience and desperate resolution goes up against Joseph's seen-it-all-and-sick-of-it attitude, and his brash rudeness towards her drives her to fight against him, making the already gruelling process worse.

The quiet, desolate story telling style is effective, but it does make the experience of the film quite slow-going. While there were parts where I was on the edge of my seat, there were certainly sparse areas where I was just waiting on something moving the plot forward.

An altogether gloomy piece with a haunting impact. Innovative, if a little slow to get started.

[Image: IFC Midnight]

 

Hani 

Ghoulies

"Ghoulies" (1984, Luca Bercovici, Empire Pictures, Ghoulies Productions).

Jonathan Graves (Peter Liapis) moves into his family's mansion with his girlfriend, Rebecca (Lisa Pelikan). Jonathan finds his father, Malcolm (Michael Des Barres)'s dark magic equipment in the house and decides to play with the paraphernalia during one of his parties as a joke, but unwittingly raises some demonic creatures known as 'ghoulies'. The power then begins to go to his head and he begins to follow the path of his black-magically-charged father...

I love a good B-movie, but this one is not one of the so-bad-it's-good gems of the era. And yet, it's not quite bad enough for me to hate it.

The demon puppets are fun, but cheap. And the film is neither scary nor funny and a little too long winded. While the film's not quite the calibre of other B-movies of the period, it went on to have some good sequels which made more use of the ghoulie monsters and focused less on demon-raising, cloak wearing party animals.

One of the odder things about this film was that the characters constantly put on sunglasses inside and at night. Confused, I did some trivia searching to discover that the film was meant to go into 3D when the characters put on their sunglasses, but that the difficulty of doing this was too much and so the creators decided not to bother. Alas, the scenes had already been filmed so we're left with this oddness.

All in all, I've sat through worse and don't get all the hate online about this film, but even I can see it's genuinely not that great.

[Image: Empire Pictures, et al]

Hani