Don't Look Now

"Don't Look Now" (1973, Nicolas Roeg, Casey Productions, Eldorado Films, British Lion Films) is an independent Italian-British film.It's actually based on a short story by Daphne du Maurier.

John (Donald Sutherland) and Laura (Julie Christie) have recently moved to the city of Venice after their daughter, Christine (Sharon Williams), had tragically drowned at their home in England (because the first thing you'd want to do after a water-related tragedy is move somewhere that is full of water...).

Whilst eating out, Laura meets two elderly sisters, Heather (Hilary Mason) and Wendy (Clelia Matania). Heather is blind and claims to be psychic. She tells Laura that she has spoken to her daughter from beyond the grave and that she is happy.

Although sceptical at first, John begins to see creepy things himself one of which is a child wearing a red coat similar to the one his daughter was wearing the day that she drowned... Despite being warned by Heather to leave Venice, John continues to search for answers, and it may not be ghosts that he's seeing...

A really intriguing and weird film with beautiful scenery, a slightly confusing, but engaging plot and a few nice twists and turns along the way. The story is really a study on grief and eloquently captures the journey of this couple's grief. It's not a horror in the usual sense, more a thriller, but has some really key horror aspects to it that make it a haunting and classic tale.

[Image: Casey Productions, et al]

Hani

The Eye (2008)

"The Eye" (2008, David Moreau, Xavier Palud, Cruise/Wagner Productions, Vertigo Entertainment, Lionsgate Paramount Vantage) is the American remake of the original Chinese film from 2002.

Sydney (Jessica Alba) is a blind classical violinist. She undergoes a cornea transplant in order to restore her sight. The surgery is a complete success with one main drawback: she begins to see things.... Oh, and dead people, she also begins to see dead people.

Very reliant on jump scares, but they're pulled off quite well with sufficient overuse of the looking-through-the-peephole technique. It's also quite reminiscent of "The Sixth Sense" in style, but is not on par with the quality of story telling becoming bogged down in a stale plot.

What annoyed me the most, aside from the fact that her doctor (Alessandro Nivola) is a patronising arse for most of the film, is that she never once utters the words 'Grim Reaper' despite the fact that:

a) that is essentially what she's seeing and
b) that is a well known terminology and would have explained a lot more to the doctor than her descriptions did! No wonder they thought she was nuts! Geese!

Why is it that film and TV script writers always have to pretend like the protagonists have never heard of anything supernatural before? It's just like in every zombie movie ever where nobody ever goes "Well, fuck! That's a zombie! Quick, shoot it in the head!".

Sorry, rant over.

I did enjoy that one of the first things she buys upon regaining her sight is a flatscreen TV and also that "The Dresden Files" was on when she flicked through the channels. Good one, Lionsgate!

All in all, I found Jessica Alba to be a competent lead, which I was admittedly not expecting, and despite a drawn out plot, the film is watch-able and makes good use of the jump-scares.

Asian horrors as a whole are generally creepier and more effective. However, while this film doesn't add anything new to the American Remake bundle, it's certainly a scary movie you could introduce horror-keen young teens to! Average, but it could be an excellent sleepover movie, I reckon.

[Image: Vertigo Entertainment]

 

Hani

The Traveler

"The Traveler" (2010, Michael Oblowitz, Hollywood Media Bridge, Front Street Pictures, Paramount Pictures, Sony Pictures).

On Christmas Eve, a stranger calling himself "Mr. Nobody" (Val Kilmer) enters a police station and confesses to 6 murders that haven't happened yet.

Creepy and atmospheric I was pleasantly surprised, but it's admittedly a bit of a one trick pony and the effects aren't much to write home about.

Val Kilmer is the epitome of creepy, however, giving an excellent performance as our eerie antagonist.

A bit contrived in places, but quite a simple tale that's sole appeal is the moody, dark feeling. Although the film is terribly paced and begins to unravel slightly as time lapses.

A couple of random techniques such as slow motion action scenes get a little old after a while, and the fake rain effect is a unnatural looking. They also spent way too long showing flashbacks of the same situations unfolding again and again. I wasn't sure if they were trying to be symbolic, presumed the audience had short attention spans or whether they'd just ran out of plot to fill out the rest of the film, but it seemed to flog the dead horse a little.

Not the best, but I've definitely sat through worse!

[Image: Front Street Pictures]

Hani