Victor Frankenstein

"Victor Frankenstein " (2015, Paul McGuigan, Davis Entertainment Company, TSG Entertainment, 20th Century Fox) is a retelling of Mary Shelley's famous novel.

We meet the currently nameless hunchback destined to become the iconic assistant, Igor (Daniel Radcliffe), working as a clown and aspiring physician at a circus, where he is brutalised and beaten often by his 'circus family'. He is saved by Victor Frankenstein (James McAvoy) who sees the young man's astounding intellect and potential when Igor's dream girl, the beautiful acrobat, Lorelei (Jessica Brown Findlay), is hurt during a performance and tended to by Igor.

Upon being freed from the circus, Igor is taken to Frankenstein's impressive home where the trainee Dr. quickly corrects Igor's deformity and posture, which was not a true hunchback condition and shows him his impressive scientific experiments. Together they assemble a creature which they bring to life to impress Victor's peers and superiors at university. The experiment succeeds but, instead of being met with applause, Victor is dismayed to find that his creature has brought him only disgust and it soon becomes violent, forcing him to kill it.

Not disheartened by this, Victor and Igor continue to work on a bigger, better creature whilst dodging the attentions of a determined Scotland Yard inspector who suspects the pair of murder and worse.

Although the horror elements are remarkably tame, the film attempts to retell the tale through Igor's eyes in an imaginative fashion and updates the plot without losing too much of the original tale.

McAvoy and Radcliffe make an excellent pair of mad scientists with McAvoy playing the titular Victor Frankenstein in true charismatic, maniacal brilliance. Radcliffe brings a new dimension to the usually humorous assistant character of Igor, with a confused ethical code, heroic qualities and a sympathetic charm.

It was nice to see Igor get a new lease on life (and some intellectual credit) and to see the tale from a different perspective. However, the film itself does nothing particularly ground breaking and certainly won't appease the gore hounds. It stands as a fun retelling but can be boring in places and, despite the excellent performances of the main characters, it does not break free from other Frankenstein remakes as anything unique.

[Image: 20th Century Fox, et al]

Hani

Daughters of Darkness

"Daughters of Darkness" (1971, Harry Kümel) is an erotic Belgian vampire movie made in English.

Newly weds, Stefan (John Karlen) and Valerie (Danielle Ouimet), are on their honeymoon. They stop at a grand and lavish hotel in Belgium planning to spend the night there and then catch the ferry to England in the morning. The couple are experiencing some tension as Stefan seems reluctant to introduce his new wife to his mother.

The concierge explains that hotel is empty as it is off-season and that the couple have the place essentially to themselves. Well, mostly. There is always the Countess, Elizabeth Báthory (Delphine Seyrig) who shows up after dark in all her splendour with her secretary, Ilona (Andrea Rau). The countess takes an unhealthy interest in the young couple, becoming obsessed with them.

Valerie and Stefan come across a gruesome murder and learn of others. By the time they see the Countess' true nature it could very well be too late.

A very strange film that manages to be both classy and campy at the same time. This film has beautiful scenery, exquisite costumes and erotic horror elements. It's a real hybrid of a film. I feel that this film acted as inspiration to AHS' Hotel season;a  lonely hotel, creepy staff and the halls haunted by the presence of a beautiful, polite and sinister femme fatale vampire wearing fabulous outfits.

Sinister, sensual and dark, "Daughters of Darkness" manages to engage whilst retaining its Art House charms.

Hani

Don't Look Now

"Don't Look Now" (1973, Nicolas Roeg, Casey Productions, Eldorado Films, British Lion Films) is an independent Italian-British film.It's actually based on a short story by Daphne du Maurier.

John (Donald Sutherland) and Laura (Julie Christie) have recently moved to the city of Venice after their daughter, Christine (Sharon Williams), had tragically drowned at their home in England (because the first thing you'd want to do after a water-related tragedy is move somewhere that is full of water...).

Whilst eating out, Laura meets two elderly sisters, Heather (Hilary Mason) and Wendy (Clelia Matania). Heather is blind and claims to be psychic. She tells Laura that she has spoken to her daughter from beyond the grave and that she is happy.

Although sceptical at first, John begins to see creepy things himself one of which is a child wearing a red coat similar to the one his daughter was wearing the day that she drowned... Despite being warned by Heather to leave Venice, John continues to search for answers, and it may not be ghosts that he's seeing...

A really intriguing and weird film with beautiful scenery, a slightly confusing, but engaging plot and a few nice twists and turns along the way. The story is really a study on grief and eloquently captures the journey of this couple's grief. It's not a horror in the usual sense, more a thriller, but has some really key horror aspects to it that make it a haunting and classic tale.

[Image: Casey Productions, et al]

Hani

Needful Things

"Needful Things" (1993, Fraser C. Heston, Castle Rock Entertainment, New Line Cinema, Columbia Pictures) is the screen adaptation of Stephen King's novel of the same name.

Castle Rock is a small town in Maine, USA. The locals are unsettled when a mysterious man named Leland Gaunt (Max von Sydow) opens an Antiques store called "Needful Things". Slowly different town residents enter the shop to find that Gaunt just happens to have something that is really sentimentally valuable to them. Each resident 'buys' a treasure with Gaunt 'kindly' agreeing to accept favours as part payment. The favours, it transpires, come in the form of cruel pranks played on each resident's neighbours.

Gaunt seems to be very reasonable, knowledgeable and always open, but his true colours begin to show and it becomes evident as time goes on that Gaunt has twisted intentions.

Some films of King's work are admittedly sub-quality. Needful Things is not one of them, in my opinion. The characters are portrayed by recognisable actors and the action is suitably paced but with very little gore. It's more a study on human psychology than a horror film. The plot is uncomfortably familiar, which is possibly why a lot of people don't like this film; it's maybe a little too close to home. Imagine someone could give you something that you really want and the price seems so small... What morals would you shirk in your desperation to get it?

Although it's not a scary film, in the usual sense of the word, it's an entertaining yarn.

[Image: New Line Cinema, et al]

Hani

Freaks of Nature

"Freaks of Nature" (2015, Robbie Pickering, Columbia Pictures, Sony Pictures) is a horror comedy set in a town called Dillford where humans, vampires and zombies co-exist together in harmony.... until some aliens show up, that is.

Dillford is famous for riblets... and for having a multicultural society comprised of vampires, humans and zombies. There has never been any issues with each group all cohabiting the town and attending the local high school without issue. It seems that vampire and zombie teens have all the same issues as human teens do (bullying, peer pressure, popularity...etc...).

Suddenly, a horde of aliens appear from outer space and the humans blame the vampires, who blame the humans, and the zombies... well, they're just being zombies... but they're sick of this shit regardless. Brains. Whatever.

The start of the film was surprisingly un-engaging. It set up like any other teen high school film, except with added zombies. The film takes the proverbial out of all the typical classic and modern horror tropes. However, once the aliens show up things do become more interesting and the main 3 characters become more than two dimensional.

I have to hand it to Josh Fadem who gave a pretty awesome performance as whizz kid-turned zombie. His background antics in pretty much every scene he was in was really superb.

Whilst it is very tropey and takes a while to get started, the film plays out quite well with a fair amount of gore and comedy value and co-stars a few fun recognisable faces. It's cheesy but I warmed to it as it unfolded. I had worried that it would end up too messy with all the monster mashing (get it?!) but actually it worked out OK. It's a cheesy horror comedy set in a high school. It does exactly what it says on the tin!

[Image: Sony Pictures]

Hani

Creep

"Creep" (2014, Patrick Brice, Blumhouse Productions, The Orchard) is a found footage film.

Cameraman for hire, Aaron (Patrick Brice), takes a mysterious job with a guy called Josef (Mark Duplass) for $1,000 for a full day's work. He drives up to a cabin in the woods and meets Josef there. Josef is a strange, uncomfortably overly-familiar man who explains that he is dying from a brain tumour and would like Aaron to help him film a video for his unborn child. Josef is weird, but he seems sincere, and $1,000 is a lot of money for just a little bit of weirdness, so Aaron takes the job.

Josef asks Aaron to film him doing some pretty nutty stuff, but nothing so serious that Aaron runs off. Then Josef insists that Aaron come in for a drink before setting off, you know since they're besties now. Aaron unwillingly agrees and soon finds that Josef is even stranger than he first envisaged. He cannot shake his new friend, the police will not take him seriously and it seems like Josef is getting more and more intense.... But is he truly dangerous? Or just slightly unhinged?

Although slow burning, this found footage film manages to be engaging and uncomfortable to watch. Duplass gives a stellar and unsettling performance as the creepy, compulsive liar and I found myself really feeling for the confused and frightened Aaron. I'm not really a fan of found footage films, but this one does well as it maintains a linear viewpoint and perspective: we don't go jumping from medium to medium.

A surprisingly effective amount of tension is successfully built through the film as Josef becomes more and more creepy. And, despite not being a gory film, it manages to have a chilling and memorable quality.

I also appreciated that this film was centred around masculine characters instead of the old damsel in distress chestnut. I think it really made for a different kind of film than I went in expecting.

[Image: Blumhouse Productions, et al]

Hani

Unfriended

"Unfriended" (2014, Leo Gabriadze, Bazelevs Company, Blumhouse Productions, Universal Pictures) is a modern horror featured around the dangers of the internet and how being an asshole can have a price tag. Or something.

It's been a year since high school student, Laura Barns (Heather Sossaman) committed suicide after being publicly humiliated by a drunken video online. Her friends Blaire (Shelley Hennig), Mitch (Moses Jacob), Adam (Will Peltz), Jess (Renee Olstead), Ken (Jacob Wysocki) and Val (Courtney Halverson) are meeting online for a group Skype conversation when they notice that a random has joined in. Confused, they try to shake them, but it seems like this creeper can't be gotten rid of so easily.

Soon, they begin to each receive random and threatening messages and notice that Laura's Facebook has been hacked and is posting private messages, videos and other weird things. They decide to give up when the random, who they find is using Laura's old Instagram account, chimes in warning them that if they do, one of them will die. Some of their own profiles begin to do strange things too, and a fight is sparked when Jess appears to be sharing humiliating pictures of Val at a party.

One by one, each person is forced to reveal horrific secrets they've been keeping that make my "rebellious" teenage years look really, really tame. As the friendships die, so do some of the friends in apparent suicides.... But why?

It's a good premise and it's executed as well as it can be. There's a lot of reading involved and it must have been a damned cheap film to make. The scares will really only suffice for a younger generation and computer literate audience. Essentially, we're just sat watching over someone's shoulder (Blaire's) looking at her screen while the events unfold. We're also talking the usual pretty laggy Skype video quality we all know and love...

So, whilst I commend it for being about a pretty tricky subject (cyber bullying) and for having a good, modern gimmick, it does suffer for being a touch too gimmicky. We could have done with less friends to watch die for a start, since the death scenes have such little payout. Really the film could have been a bit shorter and still packed a punch. However, I enjoyed the mystery of it all and watching it all unfold. And it's always funny to watch people argue and get called out for lies and bad behaviour. There's also a lesson in here for being a nice person... and not posting mortifying videos of your mates at their worst.

Really, these guys were just the worst kind of people. Wow.

Some of the deaths are pretty impressively captured, despite the medium used. It's not the kind of film you can watch again and again, but I have to say it surpassed my expectations quite well.

[Image: Universal Pictures, et al]

Hani